BEGIN:VCALENDAR VERSION:2.0 PRODID:-//208.94.116.123//NONSGML kigkonsult.se iCalcreator 2.26.9// CALSCALE:GREGORIAN METHOD:PUBLISH X-FROM-URL:https://www.noahgreenstein.com/wordpress X-WR-TIMEZONE:America/New_York BEGIN:VTIMEZONE TZID:America/New_York X-LIC-LOCATION:America/New_York BEGIN:STANDARD DTSTART:20231105T020000 TZOFFSETFROM:-0400 TZOFFSETTO:-0500 RDATE:20241103T020000 TZNAME:EST END:STANDARD BEGIN:DAYLIGHT DTSTART:20240310T020000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 RDATE:20250309T020000 TZNAME:EDT END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:ai1ec-7751@www.noahgreenstein.com/wordpress DTSTAMP:20240329T014644Z CATEGORIES;LANGUAGE=en-US:Independent CONTACT:https://www.bklynlibrary.org/calendar/philosophy-library-virtual-20 220322 DESCRIPTION:
How can we know what it’s like to be someone else? Cl assical Indian philosophers found the answer in theater\, arguing that it’ s not just a form of entertainment\, but a source of knowledge of other mi nds. In this talk\, I’ll explore how this theme is developed in Śrī Śaṅkuk a (c. 850 CE) and examine the reasons his views were rejected in the later tradition. I’ll argue that those reasons are unsound\, and that we can se e why by turning to contemporary studies of the relationship between knowl edge and luck.
\nJonardon Ganeri is the Bimal. K. M atilal Distinguished Professor of Philosophy at the University of Toronto. He is a philosopher whose work draws on a variety of philosophical tradit ions to construct new positions in the philosophy of mind\, metaphysics an d epistemology. His books include Attention\, Not Self (2017)\, a study of early Buddhist theories of attention\; The Concealed Art of the Soul (2012)\, an analysis of the idea of a search for one’s true self\; Virtual Subjects\, Fugitive Selves (2020)\, an analysis of Fernando Pessoa’s philosophy of self\; and Inwardness: An Outsiders’ Guide (2021)\, a review of the concept of inwardness in literature\, film\, poetry\, and philosophy across cultures. He joined the Fellowship o f the British Academy in 2015\, and won the Infosys Prize in the Humanitie s the same year\, the only philosopher to do so.
\nThis series is cur ated and co-presented by Brooklyn Public Philosophers\, aka Ian Olasov.
\nWe are embarking on an inno vative adaptation of J.P. Sartre’s timeless masterpiece\, “No Exit.” Infus ed with elements inspired by Plato’s Dialogues\, our play aims to explore the depths of existentialism\, dark absurdity\, and musical comedy while d elving into the realms of speech and movement improvisation.
\n< p class='font_8 wixui-rich-text__text'>Through this innovative production\, we aim to challenge and provoke audi ences\, encouraging deep introspection and dialogue about our existence an d the choices we make. We believe that the combination of Sartre’s piercin g insights and Plato’s philosophical foundations will create a unique thea trical experience that will resonate with both enthusiasts of classic lite rature and fans of contemporary performance art.\nWe are embarking on an inno vative adaptation of J.P. Sartre’s timeless masterpiece\, “No Exit.” Infus ed with elements inspired by Plato’s Dialogues\, our play aims to explore the depths of existentialism\, dark absurdity\, and musical comedy while d elving into the realms of speech and movement improvisation.
\n< p class='font_8 wixui-rich-text__text'>Through this innovative production\, we aim to challenge and provoke audi ences\, encouraging deep introspection and dialogue about our existence an d the choices we make. We believe that the combination of Sartre’s piercin g insights and Plato’s philosophical foundations will create a unique thea trical experience that will resonate with both enthusiasts of classic lite rature and fans of contemporary performance art.\nWe are embarking on an inno vative adaptation of J.P. Sartre’s timeless masterpiece\, “No Exit.” Infus ed with elements inspired by Plato’s Dialogues\, our play aims to explore the depths of existentialism\, dark absurdity\, and musical comedy while d elving into the realms of speech and movement improvisation.
\n< p class='font_8 wixui-rich-text__text'>Through this innovative production\, we aim to challenge and provoke audi ences\, encouraging deep introspection and dialogue about our existence an d the choices we make. We believe that the combination of Sartre’s piercin g insights and Plato’s philosophical foundations will create a unique thea trical experience that will resonate with both enthusiasts of classic lite rature and fans of contemporary performance art.\n