BEGIN:VCALENDAR VERSION:2.0 PRODID:-//208.94.116.123//NONSGML kigkonsult.se iCalcreator 2.26.9// CALSCALE:GREGORIAN METHOD:PUBLISH X-FROM-URL:https://www.noahgreenstein.com/wordpress X-WR-TIMEZONE:America/New_York BEGIN:VTIMEZONE TZID:America/New_York X-LIC-LOCATION:America/New_York BEGIN:STANDARD DTSTART:20231105T020000 TZOFFSETFROM:-0400 TZOFFSETTO:-0500 RDATE:20241103T020000 TZNAME:EST END:STANDARD BEGIN:DAYLIGHT DTSTART:20240310T020000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 RDATE:20250309T020000 TZNAME:EDT END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:ai1ec-8145@www.noahgreenstein.com/wordpress DTSTAMP:20240329T001142Z CATEGORIES;LANGUAGE=en-US:New School for Social Research CONTACT:https://event.newschool.edu/nietzscheandmusic DESCRIPTION:Nietzsche (1844-1900) is one of the few philosophers who have a n intimate connection to music. This connection has much to do with his ea rly music education. His contemporaries testify that he was a good pianist . His musical ambition\, or his musical daimon\, urged him to compose musi c\, although he had no training in this area. Most of his compositions are from his late teens\; his earliest inspirations are Beethoven\, Mozart\, Haydn\, Schubert\, Schumann and Wagner. His compositions were gathered tog ether and published by Curt Paul Janz in Friedrich Nietzsche\, Der musikal ische Nachlass. Nietzsche’s music is available in several productions. How ever\, Nietzsche did not follow a musical path and decided to become a phi lologist and dedicated his life to writing and philosophy.\nNietzsche’s ba ckground in music\, on the other hand\, influenced his way of thinking and writing. All of these interesting areas between music\, literature\, and philosophy and Nietzsche’s relationship to music understood on a broad spe ctrum have been explored by many Nietzsche scholars including Georges Liéb ert\, Graham Parkes\, Francois Noudelmann\, Stefan Lorenz Sorgner and othe rs and in the anthology\, An Anthology on Nietzsche and Music: Philosophic al Thoughts and Musical Experiments\, edited by the presenters of today’s event. This event is dedicated to the exploration of this relationship bet ween Nietzsche and music.\n\n\n\nTickets: https://event.newschool.edu/niet zscheandmusic. DTSTART;TZID=America/New_York:20240202T180000 DTEND;TZID=America/New_York:20240202T203000 GEO:+40.736551;-73.996616 LOCATION:Arnold Hall rm i400 @ Arnhold Hall\, 55 W 13th St\, New York\, NY 10011\, USA SEQUENCE:0 SUMMARY:Nietzsche and Music URL:https://www.noahgreenstein.com/wordpress/event/nietzsche-and-music/ X-COST-TYPE:external X-ALT-DESC;FMTTYPE=text/html:\\n\\n
\\nNietzsche (1844- 1900) is one of the few philosophers who have an intimate connection to mu sic. This connection has much to do with his early music education. His co ntemporaries testify that he was a good pianist. His musical ambition\, or his musical daimon\, urged him to compose music\, although he had no trai ning in this area. Most of his compositions are from his late teens\; his earliest inspirations are Beethoven\, Mozart\, Haydn\, Schubert\, Schumann and Wagner. His compositions were gathered together and published by Curt Paul Janz in Friedrich Nietzsche\, Der musikalische Nachlass. Nietzsche’s music is available in several productions. However\, Nietzsche did not fo llow a musical path and decided to become a philologist and dedicated his life to writing and philosophy.
\nNietzsche’s background in music\, on the other hand\, influenced his way of thinking and writing. All of the se interesting areas between music\, literature\, and philosophy and Nietz sche’s relationship to music understood on a broad spectrum have been expl ored by many Nietzsche scholars including Georges Liébert\, Graham Parkes\ , Francois Noudelmann\, Stefan Lorenz Sorgner and others and in the anthol ogy\, An Anthology on Nietzsche and Music: Philosophical Thoughts and Musi cal Experiments\, edited by the presenters of today’s event. This event is dedicated to the exploration of this relationship between Nietzsche and m usic.
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