BEGIN:VCALENDAR VERSION:2.0 PRODID:-//208.94.116.123//NONSGML kigkonsult.se iCalcreator 2.26.9// CALSCALE:GREGORIAN METHOD:PUBLISH X-FROM-URL:https://www.noahgreenstein.com/wordpress X-WR-TIMEZONE:America/New_York BEGIN:VTIMEZONE TZID:America/New_York X-LIC-LOCATION:America/New_York BEGIN:STANDARD DTSTART:20231105T020000 TZOFFSETFROM:-0400 TZOFFSETTO:-0500 RDATE:20241103T020000 TZNAME:EST END:STANDARD BEGIN:DAYLIGHT DTSTART:20240310T020000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 RDATE:20250309T020000 TZNAME:EDT END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:ai1ec-7974@www.noahgreenstein.com/wordpress DTSTAMP:20240328T183304Z CATEGORIES;LANGUAGE=en-US:New School for Social Research CONTACT:https://sites.google.com/newschool.edu/visualphicon/ DESCRIPTION:This conference aims to initiate dialogues between philosophy a nd the arts. Philosophers and thinkers/ scholars across disciplines of hum anities and social sciences will meet with artists and scholars from a wid e variety of visual and visual artistic disciplines\, including painting\, photography\, and literature\, as well as travel\, dance\, and fashion. R ather than taking art as a mere object of philosophical study\, this confe rence will explore the manifold confluences and intersections of philosoph y and art\, exploring how each can become the object of the other and how the boundary between the philosophical and the artistic can be sharpened o r blurred. The motive is specifically to explore the “visual” and “movemen t” element in art of\, and in everyday life and theorize it – both philoso phically and critically.\nCo-sponsored by: Office of Deans: New School for Social Research and School of Art & Design History & Theory\; University Student Senate and Graduate Faculty Student Senate\nSchedule and Location \nThe conference will meet on The New School campus in New York City.\nOn March 24th\, we will meet in room B500 at 65 W 11 Street.\nOn March 25th\, we will meet in Starr Foundation Hall UL105 at University Center (63 Fift h Avenue).\nFollowing is the schedule for both days\, (please see the webs ite for details on panels and speakers):\n11:00 am Panel 1 Speaker present ations.\n12:00 pm Panel 1 roundtable and audience Q&A.\n1:15 pm Lunch brea k.\n2:15 pm Panel 2 Speaker presentations.\n3:15 pm Panel 2 roundtable and audience Q&A.\n4:30 pm Evening reception with free food and drinks for at tendees! DTSTART;VALUE=DATE:20230324 DTEND;VALUE=DATE:20230325 GEO:+40.735247;-73.997488 LOCATION:B500 @ The New School for Liberal Arts\, 65 W 11th St\, New York\, NY 10011\, USA SEQUENCE:0 SUMMARY:Visual Philosophy Conference URL:https://www.noahgreenstein.com/wordpress/event/visual-philosophy-confer ence/ X-COST-TYPE:free X-ALT-DESC;FMTTYPE=text/html:\\n\\n
\\nThis conferen ce aims to initiate dialogues between philosophy and the arts. Philosopher s and thinkers/ scholars across disciplines of humanities and social scien ces will meet with artists and scholars from a wide variety of visual and visual artistic disciplines\, including painting\, photography\, and liter ature\, as well as travel\, dance\, and fashion. Rather than taking art as a mere object of philosophical study\, this conference will explore the m anifold confluences and intersections of philosophy and art\, exploring ho w each can become the object of the other and how the boundary between the philosophical and the artistic can be sharpened or blurred. The motive is specifically to explore the “visual” and “movement” element in art of\, a nd in everyday life and theorize it – both philosophically and critically.
\nCo-sponsored by: Office of Deans: New School for Social Research and School of Art & Design History & Theory\; University Student Senate an d Graduate Faculty Student Senate
\nSchedule and Location
\nThe conference will meet on The New School campus in New Yo rk City.
\nOn March 24th\, we will meet in room B500 at 65 W 11 Stre et.
\nOn March 25th\, we will meet in Starr Foundation Hall UL105 at University Center (63 Fifth Avenue).
\nFollowing is the schedule fo r both days\, (please see the website for details on panels and speakers):
\n11:00 am Panel 1 Speaker presentations.
\n12:00 pm Panel 1 roundtable and audience Q&A.
\n1:15 pm Lunch break.
\n2:15 pm Panel 2 Speaker presentations.
\n3:15 pm Panel 2 roundtable and audi ence Q&A.
\n4:30 pm Evening reception with free food and drinks for attendees!
\n X-TAGS;LANGUAGE=en-US:aesthetics\,art\,literature END:VEVENT BEGIN:VEVENT UID:ai1ec-7975@www.noahgreenstein.com/wordpress DTSTAMP:20240328T183304Z CATEGORIES;LANGUAGE=en-US:New School for Social Research CONTACT:https://sites.google.com/newschool.edu/visualphicon/ DESCRIPTION:This conference aims to initiate dialogues between philosophy a nd the arts. Philosophers and thinkers/ scholars across disciplines of hum anities and social sciences will meet with artists and scholars from a wid e variety of visual and visual artistic disciplines\, including painting\, photography\, and literature\, as well as travel\, dance\, and fashion. R ather than taking art as a mere object of philosophical study\, this confe rence will explore the manifold confluences and intersections of philosoph y and art\, exploring how each can become the object of the other and how the boundary between the philosophical and the artistic can be sharpened o r blurred. The motive is specifically to explore the “visual” and “movemen t” element in art of\, and in everyday life and theorize it – both philoso phically and critically.\nCo-sponsored by: Office of Deans: New School for Social Research and School of Art & Design History & Theory\; University Student Senate and Graduate Faculty Student Senate\nSchedule and Location \nThe conference will meet on The New School campus in New York City.\nOn March 24th\, we will meet in room B500 at 65 W 11 Street.\nOn March 25th\, we will meet in Starr Foundation Hall UL105 at University Center (63 Fift h Avenue).\nFollowing is the schedule for both days\, (please see the webs ite for details on panels and speakers):\n11:00 am Panel 1 Speaker present ations.\n12:00 pm Panel 1 roundtable and audience Q&A.\n1:15 pm Lunch brea k.\n2:15 pm Panel 2 Speaker presentations.\n3:15 pm Panel 2 roundtable and audience Q&A.\n4:30 pm Evening reception with free food and drinks for at tendees! DTSTART;VALUE=DATE:20230325 DTEND;VALUE=DATE:20230326 GEO:+40.735498;-73.993501 LOCATION:Starr Foundation Hall UL105 at University Center @ 63 5th Ave\, Ne w York\, NY 10003\, USA SEQUENCE:0 SUMMARY:Visual Philosophy Conference URL:https://www.noahgreenstein.com/wordpress/event/visual-philosophy-confer ence-2/ X-COST-TYPE:free X-ALT-DESC;FMTTYPE=text/html:\\n\\n\\nThis conferen ce aims to initiate dialogues between philosophy and the arts. Philosopher s and thinkers/ scholars across disciplines of humanities and social scien ces will meet with artists and scholars from a wide variety of visual and visual artistic disciplines\, including painting\, photography\, and liter ature\, as well as travel\, dance\, and fashion. Rather than taking art as a mere object of philosophical study\, this conference will explore the m anifold confluences and intersections of philosophy and art\, exploring ho w each can become the object of the other and how the boundary between the philosophical and the artistic can be sharpened or blurred. The motive is specifically to explore the “visual” and “movement” element in art of\, a nd in everyday life and theorize it – both philosophically and critically.
\nCo-sponsored by: Office of Deans: New School for Social Research and School of Art & Design History & Theory\; University Student Senate an d Graduate Faculty Student Senate
\nSchedule and Location
\nThe conference will meet on The New School campus in New Yo rk City.
\nOn March 24th\, we will meet in room B500 at 65 W 11 Stre et.
\nOn March 25th\, we will meet in Starr Foundation Hall UL105 at University Center (63 Fifth Avenue).
\nFollowing is the schedule fo r both days\, (please see the website for details on panels and speakers):
\n11:00 am Panel 1 Speaker presentations.
\n12:00 pm Panel 1 roundtable and audience Q&A.
\n1:15 pm Lunch break.
\n2:15 pm Panel 2 Speaker presentations.
\n3:15 pm Panel 2 roundtable and audi ence Q&A.
\n4:30 pm Evening reception with free food and drinks for attendees!
\n X-TAGS;LANGUAGE=en-US:aesthetics\,art\,literature END:VEVENT BEGIN:VEVENT UID:ai1ec-7993@www.noahgreenstein.com/wordpress DTSTAMP:20240328T183304Z CATEGORIES;LANGUAGE=en-US:NYU CONTACT: DESCRIPTION:Our friends from Université de Paris Panthéon-Sorbonne return f or a third installment of their symposium Arts & Pragmatism: From Ordinary Aesthetics to Post Creation. \nThis day-long symposium will be chaired by Yann Toma and Sandra Laugier. From the organizers:\nWe have noticed it du ring the two previous symposia of our program: the pragmatist philosophy a nd in particular Dewey defends the idea that aesthetics must not only be c onsidered as the search for truths about art and its creations but also as what concerns the experience of the persons with an artwork (a sensitive and active experience). The reception would thus be the dynamic experience of an incarnated observer\, acting\, feeling in his senses and his affect s what is the work and what it makes him feel.\n\nThe political stake of t he pragmatist aesthetics is to make sure that the strong aesthetic experie nces remain open and accessible to the largest public and become even a «m atter of ordinary conversation». It is then a matter of thinking about sha red experience as a transmission of values\, an important phenomenon for t he moral\, political\, “educational” reflection of adults» (Cavell 1979\, 1981\, Shusterman\, Laugier 2019\, 2023\, Gerrits 2020). Thus\, this quest ion of pragmatism addresses societal issues that concern all audiences\, n ot just from a broadcast/transmission perspective. By focusing on experien ce and agency\, this way of approaching pragmatism involves the cultural a udience in a broad way to the point where it engages mediums such as telev ision and in general digital cultures.\nThe concept of Post-Creation\, ins ofar as it plays a form of exteriority to an original Creation\, has all i ts place in a world where the strong aesthetic experiences remain open and accessible to a wider public. It is a question of placing the creation be yond what is biased\, in the heart of a form of Third State of the artisti c act in charge of a heuristic and critical potential\, towards a form ext racted from the zone of influence of the world of the art as such. The ide a of Post-Creation tends towards the universal that would be the fact of c onceiving the creation beyond any not institutionalized academism. We will see how a possible emulation between the ordinary aesthetic and the share d experience of the Post-Creation is articulated and played\, where the ex perience of the creation produces knowledge and transforms what is out of the specific field of perception of the art in so many new acting and refl exive spaces. In that\, the influence of the artistic creation on whole se ctions of the society\, domains of perception until now inaccessible\, bec omes a stake of opening which results from the transformation of a form of ordinary aesthetics in a Post-Creation freed from the aesthetic channels of the contemporary art.\nRead the statement in French\nProgram:\n10:30AM : Opening Yann Toma\, Sandra Laugier and François Noudelmann\n11:00AM – 1: 00PM : Panel I Pragmatism and the Project of an Ordinary Aesthetics\nChair : Yann Toma\nAndrew Brandel (Penn State University) From the Aesthetics o f the Everyday Life to Ordinary Aesthetics.\nBarbara Formis (Panthéon-Sorb onne University) Doings and redoings of the Identical.\nSandra Laugier (Pa nthéon-Sorbonne) Ordinary Creation and Shared Culture.\nEmmanuel Kattan (C olumbia University) What happens when nothing happens: Chantal Akerman\, F rancis Ponge\, Marisa Merz and the emergence of time.\n \n1:00PM – 3:00PM : Lunch Break\n \n3:00PM – 6:00PM : Panel II Pragmatism\, Post-Creation\nC hair : Sandra Laugier\nYann Toma (Artist/Panthéon-Sorbonne University) Pos t-Creation\, a new way of making creation\nThe example of L’Or bleu.\nJung Hee Choi (artist and author of «Manifest Unmanifest») Dream House.\nDa n Thomas (United Nations Global Compact)\, The importance of Art and Perce ption in the Diplomatic Way.\nWarren Neidich (Artist and Founding Director Saas-Fee Summer Institute of Art) The Brain Without Organs and the Ecocen e.\nThis event is organized with the support of Université Paris 1 Panthéo n-Sorbonne\, Politique scientifique program\, and La Maison Française at N ew York University\nTickets: https://www.eventbrite.com/e/arts-pragmatism- from-ordinary-aesthetics-to-post-creation-tickets-596140822247. DTSTART;VALUE=DATE:20230403 DTEND;VALUE=DATE:20230404 GEO:+40.731169;-73.995381 LOCATION:La Maison Française @ 16 Washington Mews\, New York\, NY 10003\, U SA SEQUENCE:0 SUMMARY:Arts & Pragmatism: From Ordinary Aesthetics to Post-Creation URL:https://www.noahgreenstein.com/wordpress/event/arts-pragmatism-from-ord inary-aesthetics-to-post-creation/ X-COST-TYPE:external X-ALT-DESC;FMTTYPE=text/html:\\n\\n\\nOur friends f rom Université de Paris Panthéon-Sorbonne return for a third installment o f their symposium Arts & Pragmatism: From Ordinary Aesthetics to Post C reation.
\nThis day-long symposium will be chaired by Yann Toma and Sandra Laugier. From the organizers:
\nWe have noticed it du
ring the two previous symposia of our program: the pragmatist philosophy a
nd in particular Dewey defends the idea that aesthetics must not only be c
onsidered as the search for truths about art and its creations but also as
what concerns the experience of the persons with an artwork (a sensitive
and active experience). The reception would thus be the dynamic experience
of an incarnated observer\, acting\, feeling in his senses and his affect
s what is the work and what it makes him feel.
\n
The political stake of the pragmatist aesthetics is to make sure that the stro ng aesthetic experiences remain open and accessible to the largest public and become even a «matter of ordinary conversation». It is then a matter o f thinking about shared experience as a transmission of values\, an import ant phenomenon for the moral\, political\, “educational” reflection of adu lts» (Cavell 1979\, 1981\, Shusterman\, Laugier 2019\, 2023\, Gerrits 2020 ). Thus\, this question of pragmatism addresses societal issues that conce rn all audiences\, not just from a broadcast/transmission perspective. By focusing on experience and agency\, this way of approaching pragmatism inv olves the cultural audience in a broad way to the point where it engages m ediums such as television and in general digital cultures.
\nThe concept of Post-Creation\, insofar as it plays a form of exteriority t o an original Creation\, has all its place in a world where the strong aes thetic experiences remain open and accessible to a wider public. It is a q uestion of placing the creation beyond what is biased\, in the heart of a form of Third State of the artistic act in charge of a heuristic and criti cal potential\, towards a form extracted from the zone of influence of the world of the art as such. The idea of Post-Creation tends towards the uni versal that would be the fact of conceiving the creation beyond any not in stitutionalized academism. We will see how a possible emulation between th e ordinary aesthetic and the shared experience of the Post-Creation is art iculated and played\, where the experience of the creation produces knowle dge and transforms what is out of the specific field of perception of the art in so many new acting and reflexive spaces. In that\, the influence of the artistic creation on whole sections of the society\, domains of perce ption until now inaccessible\, becomes a stake of opening which results fr om the transformation of a form of ordinary aesthetics in a Post-Creation freed from the aesthetic channels of the contemporary art.
\n\nProgram:
\n10:30AM : Opening Yann Toma\, Sandra Lau gier and François Noudelmann
\n11:00AM – 1:00PM : Panel I Pra gmatism and the Project of an Ordinary Aesthetics
\nChair : < /u>Yann Toma
\nAndrew Brandel (Penn State Unive rsity) From the Aesthetics of the Everyday Life to Ordinary Aesthetics.
\nBarbara Formis (Panthéon-Sorbonne University) Doings and redo ings of the Identical.
\nSandra Laugier (Panthéon-Sorbonne) O rdinary Creation and Shared Culture.
\nEmmanuel Kattan (Colum bia University) What happens when nothing happens: Chantal Akerman\, Franc is Ponge\, Marisa Merz and the emergence of time.
\n\n
1:0 0PM – 3:00PM : Lunch Break
\n\n
3:00PM – 6:00PM : Pane l II Pragmatism\, Post-Creation
\nChair : Sandra La ugier
\nYann Toma (Artist/Panthéon-Sorbonne Universit y) Post-Creation\, a new way of making creation
\nThe example of L’O r bleu.
\nJung Hee Choi (artist and author of «Manifest Unman ifest») Dream House.
\nDan Thomas (United Nations Global C ompact)\, The importance of Art and Perception in the Diplomatic Way.
\nWarren Neidich (Artist and Founding Director Saas-Fee Summer I nstitute of Art) The Brain Without Organs and the Ecocene.
\nThis ev ent is organized with the support of Université Paris 1 Panthéon-Sorbonne\ , Politique scientifique program\, and La Maison Française at New York Uni versity
\n X-TAGS;LANGUAGE=en-US:aesthetics\,art\,pragmatism X-TICKETS-URL:https://www.eventbrite.com/e/arts-pragmatism-from-ordinary-ae sthetics-to-post-creation-tickets-596140822247 END:VEVENT BEGIN:VEVENT UID:ai1ec-7709@www.noahgreenstein.com/wordpress DTSTAMP:20240328T183304Z CATEGORIES;LANGUAGE=en-US:Columbia U CONTACT:https://scienceandsociety.columbia.edu/events/art-brain-beholder DESCRIPTION:What can science teach us about how we perceive and understand art? How can art help us understand ourselves and each other? In this even t\, the Zuckerman Institute explores the interactions between our brains a nd the artistic world\, finding connections and parallels between art and science.\nEvent Speakers\nPlease visit the event webpage to view the speak er list.\nEvent Information\nFree and open to the public\, registration is required by January 28\, 2022. This event will also be live-streamed. Ple ase email zuckermaninstitute@columbia.edu with any questions.\nThis talk i s part of the Stavros Niarchos Foundation Brain Insight Lecture series hos ted by Columbia’s Mortimer B. Zuckerman Mind Brain Behavior Institute and supported by the Stavros Niarchos Foundation.\n\n\n\n\n\nRegister\nTickets : https://columbiauniversity.zoom.us/webinar/register/WN_-TjKsoLFSuOXr1-x3 rGT5g. DTSTART;TZID=America/New_York:20220202T180000 DTEND;TZID=America/New_York:20220202T190000 GEO:+40.712775;-74.005973 LOCATION:ZOOM - see site for details @ New York\, NY\, USA SEQUENCE:0 SUMMARY:Art in the Brain of the Beholder URL:https://www.noahgreenstein.com/wordpress/event/art-in-the-brain-of-the- beholder/ X-COST-TYPE:external X-ALT-DESC;FMTTYPE=text/html:\\n\\n\\nWhat can science teach us about how we perceive and understand art? H ow can art help us understand ourselves and each other? In this event\, th e Zuckerman Institute explores the interactions between our brains and the artistic world\, finding connections and parallels between art and scienc e.
\nPlease visit the event webpage to view the spe aker list.
\nFree and open to the public \, registrat ion is required by January 28\, 2022. This event will also be live-str eamed. Please email zuckermaninstitute@columbia.edu< /a> with any questions.
\nThis talk is part of the Stavros Niarchos Foundation Brain Insight Lecture series hosted by Columbia’s Mortimer B. Zuckerman Mind Brain Behavior Institute and su pported by the Stavros Niarchos Foundation.
\nTickets: h ttps://columbiauniversity.zoom.us/webinar/register/WN_-TjKsoLFSuOXr1-x3rGT 5g.
X-TAGS;LANGUAGE=en-US:art\,mind\,neuroscience\,science X-TICKETS-URL:https://columbiauniversity.zoom.us/webinar/register/WN_-TjKso LFSuOXr1-x3rGT5g END:VEVENT BEGIN:VEVENT UID:ai1ec-7976@www.noahgreenstein.com/wordpress DTSTAMP:20240328T183304Z CATEGORIES;LANGUAGE=en-US:CUNY CONTACT: DESCRIPTION:This talk will develop the idea that racial identities are best understood as formed through large scale historical events\, and that thi s genesis can only be obscured by disavowals of racial categories as conce ptually mistaken and inevitably morally pernicious. In this sense\, races are formed not simply as ideas\, or ideologies and policies\, as many soc ial constructivists about race argue\, but as forms of life with associate d patterns of subjectivity including\, as a wealth of social psychology ha s shown\, presumptive attitudes and behavioral dispositions (Jeffers 2019\ ; Steele 2010\; Sullivan 2005). Because they are historical formations\, r acial identities are thoroughly social\, contextual\, variegated internall y\, and dynamic. It is history that will alter them\, not merely policy ch anges. DTSTART;TZID=America/New_York:20230316T160000 DTEND;TZID=America/New_York:20230316T180000 GEO:+40.748789;-73.984092 LOCATION:CUNY Grad Center 5318 @ 365 5th Ave\, New York\, NY 10016\, USA SEQUENCE:0 SUMMARY:The Historical Formation of Races. Linda Alcoff URL:https://www.noahgreenstein.com/wordpress/event/the-historical-formation -of-races-linda-alcoff/ X-COST-TYPE:free X-ALT-DESC;FMTTYPE=text/html:\\n\\n\\nThis talk wil l develop the idea that racial identities are best understood as formed th rough large scale historical events\, and that this genesis can only be ob scured by disavowals of racial categories as conceptually mistaken and ine vitably morally pernicious. In this sense\, races are formed not simply a s ideas\, or ideologies and policies\, as many social constructivists abou t race argue\, but as forms of life with associated patterns of subjectivi ty including\, as a wealth of social psychology has shown\, presumptive at titudes and behavioral dispositions (Jeffers 2019\; Steele 2010\; Sullivan 2005). Because they are historical formations\, racial identities are thoroughly social\, contextual\, variegated internally\, and dynamic. It is history that will alter them\, not merely policy changes.
\n X-TAGS;LANGUAGE=en-US:history\,race\,social END:VEVENT BEGIN:VEVENT UID:ai1ec-8060@www.noahgreenstein.com/wordpress DTSTAMP:20240328T183304Z CATEGORIES;LANGUAGE=en-US:Independent CONTACT:https://www.facebook.com/brooklynpublicphilosophers/ DESCRIPTION:“Hello friend of talkPOPc!\n\n\nI would like to invite you to o ur amazing happenings on the weekend of Sept 23th and Sept 24th. On both n ights we are holding one-to-one philosophy conversations about censorship in our talkPOPc tent\; these become episodes on our podcast.\n\n\nThe Satu rday\, Sept 23rd event is at the Center for Fiction in downtown Brooklyn ( @courtyard)\, and Montez Radio will be live streaming that one. Which is s uper cool! That’s from 5 pm – 7 pm.\n\n\nOn Sunday\, Sept 24th\, the happe ning is at Tomato Mouse Gallery\, it will be the more full talkPOPc experi ence. This includes the visual artworks and text on the same topic of cens orship (derived from my book Cover Up the Dirty Parts! Cambridge Scholars Press). There will also be of course the always-present talkPOPc conversat ion tent\, with two separate philosophers – Nicholas Whittaker and myself\ , Dena Shottenkirk. The times are 2 pm – 6 pm.\n\n\nThe puppet of course m akes an appearance at both events!\n\n\nIt would be wonderful if you could make either (or both!) of these events. Please sign up for a time on our website. We are sure you would find it both fun and rewarding.\n\n\nHope t o see you!” DTSTART;TZID=America/New_York:20230923T170000 DTEND;TZID=America/New_York:20230923T190000 GEO:+40.686898;-73.978588 LOCATION:Center for Fiction @ 15 Lafayette Ave\, Brooklyn\, NY 11217\, USA SEQUENCE:0 SUMMARY:Brooklyn Public Philosophers on Cencorship URL:https://www.noahgreenstein.com/wordpress/event/brooklyn-public-philosop hers/ X-COST-TYPE:free X-ALT-DESC;FMTTYPE=text/html:\\n\\n\\nThis talk rea ds contemporary debates about structural racism and US history from the pe rspective of philosophical questions about identity and difference. While many people have argued that America needs to come to terms with or “work through” the racism in its history that has shaped and continues to shape its present structures\, it remains difficult to explain what connects thi s past and the present. Are we talking about one racism with many differen t past and present forms? Or are there multiple racisms that only share so me similar features? In this talk\, I draw attention to how these division s play out particularly in contemporary Black Studies and argue that the p hilosophy of Gilles Deleuze can offer us resources for thinking about thes e questions through his discussions of repetition. I argue that understand ing our conversations about structural racism and history as conversations about a racism that repeats\, can help us to better understand why racism seems to reappear\, how to think its disparate forms together\, and what presuppositions operate in many attempts to “work through” the past.
\nBio: Eyo Ewara is Assistant Professor of Philosophy at Loyola University Chicago. His teaching and research explores the relatio nships between 20th Century Continental Philosophy\, Critical Philosophy o f Race\, and Queer Theory. His work has appeared in Theory and Event\, Pu ncta\, Philosophy Today\, Critical Philosophy of Race\, Political Theology \, and other venues. His current research project is particularly interest ed in engaging work in Continental Philosophy\, Queer Theory\, and Black S tudies to address questions of identity and difference amongst concepts of race\, forms of racism\, and forms of anti-racism. How can we better acco unt for the relations between at times radically disparate concepts\, stru ctures\, and practices such that they can all specifically and recognizabl y be called racial? What might our account of these relations say about ou r ability to address racism’s harms?
\nTickets: https://event .newschool.edu/eyoewara.
X-TAGS;LANGUAGE=en-US:history\,race X-TICKETS-URL:https://event.newschool.edu/eyoewara END:VEVENT END:VCALENDAR