Apr
19
Fri
NYC Wittgenstein Workshop presents Nickolas Pappas (CUNY): Plato on the Opposite of Philosophy @ New School, rm D1106
Apr 19 @ 4:00 pm – 6:00 pm

The New York City Wittgenstein Workshop has the following workshops scheduled for this semester and more planned workshops to be announced soon.

All workshops are on Fridays from 4 to 6 pm in room D1106.

2/22 — Zed Adams (the New School) — History of the digital/analogue distinction in philosophy
4/19 — Nickolas Pappas (CUNY) — “Plato on the Opposite of Philosophy”
4/26 — Larry Jackson
5/03 — Nuno Venturinha (Nova University of Lisbon) — “Autobiographical Writing, Self-knowledge, and the Religious Point of View.”
5/10 —  Pierre-Jean Renaudi (Lyon)

Sep
13
Fri
Balzan Conference: Dworkin’s Late Work @ Lester Pollack Colloquium Room, 9th Flr Furman Hall
Sep 13 – Sep 14 all-day

Ronald Dworkin’s work always spanned a wide array of topics, from the most abstract jurisprudence through the details of American constitutional law all the way over to political philosophy and theories of justice and equality. In the last decades of his life, however, Dworkin’s work flowered in ways that went beyond even this prodigious range. Though he continued his central work in the philosophy of law and constitutional theory, he also addressed issues in international law, human dignity, the philosophy of religion, the relation between ethics, morality and legal theory, and the unity of practical thought generally. This conference will explore some of these themes in Dworkin’s late work. Beginning with a panel on his understanding of religion, we will also convene discussions of his work on legal integrity, international law, and the relation between law and morality. There will be a total of nine presentations, with plenty of time for discussion. All are welcome.

Panel 1 (Friday 1:30 p.m.): Dworkin’s Religion without God.
Eric Gregory (Princeton),
Moshe Halbertal (NYU and Hebrew U.) Ronald Dworkin Religion Without God: Morality and the Transcendent
Larry Sager (Texas) Solving Religious Liberty

Panel 2 (Friday 4:30 p.m.): Dworkin on international law.
Samantha Besson (Fribourg)
The Political Legitimacy of International Law: Sovereign States and their International Institutional Order

John Tasioulas (King’s College, London)

Panel 3 (Saturday 10 a.m.): The idea of integrity in Law’s Empire.
Andrei Marmor (Cornell) Integrity in Law’s Empire
Jeremy Waldron (NYU)  The Rise and Decline of Integrity

Panel 4 (Saturday 2:15 p.m.): Law and morality in Justice for Hedgehogs.
Mark Greenberg (UCLA)
What Makes a Moral Duty Legal?  Dworkin’s Judicial Enforcement Theory Versus the Moral Impact Theory

Ben Zipursky (Fordham)

Oct
11
Fri
Hollow Truth. Louis deRosset (University of Vermont) @ NYU Philosophy Dept. rm 202
Oct 11 @ 3:30 pm – 5:30 pm

A number of puzzles concerning how truth-ascriptions are grounded have recently been discovered by several theorists, following Fine (2010). Most previous commentators on these puzzles have taken them to shed light on the theory of ground. In this paper, I argue that they also shed light on the theory of truth. In particular, I argue that the notion of ground can be deployed to clearly articulate one strand of deflationary thinking about truth, according to which truth is “metaphysically lightweight.” I will propose a ground-theoretic explication of the (entirely bearable) lightness of truth, and then show how this broadly deflationary view yields a novel solution to the puzzles concerning how truth is grounded. So, if the proposal I sketch is on target, the theory of truth and the theory of ground interact fruitfully: we can apply the notion of ground to offer a clear explication of the deflationist claim that truth is “metaphysically lightweight” that both captures the motivations for that claim and solves the puzzles.

Oct
17
Thu
Thinking Beyond the Annihilation of Nature: Conscientia and Schelling’s Ethics of Redemptive Epistemology. Bruce Matthews, Bard @ Wolff Conference Room, D1106
Oct 17 @ 6:00 pm – 8:00 pm

In 1804 Schelling diagnosed our impending “annihilation of nature” due to our conceptual detachment from and consequent economic exploitation of our natural world. His critique of Modernity’s Cartesian Idealisms, effected through his inversion of the Kantian categories, results in a philosophical project whose relevance to our ongoing climate crisis is difficult to overstate.

Bruce Matthews
Bard College/BHSEC, professor of philosophy, research in German Idealism and Romanticism, with a focus on life and thought of F.W.J. Schelling, whose recent work revolves around Schelling’s critique of modernity with its anticipation of, as he wrote in 1804, ‘the annihilation of nature,’ and its relevance to the Anthropocene.

“Schelling in the Anthropocene: A New Mythology of Nature,” (Symposium: Canadian Journal of Continental Philosophy, 2015), “Schelling: A Brief Biographical Sketch of the Odysseus of German Idealism,” in The Palgrave Handbook to German Idealism (2014), and “The New Mythology: Between Romanticism and Humanism,” in The Relevance of Romanticism (Cambridge University Press, 2014). Books include the forthcoming intellectual biography, Schelling: Heretic of Modernity (2018), Schelling’s Organic Form of Philosophy: Life as the Schema of Freedom (SUNY 2011).

Presented by the Philosophy Department at The New School for Social Research

Oct
21
Mon
Objectivity and the Humanities – Prospects for a New Realism. Markus Gabriel @ Deutsches Haus at NYU
Oct 21 @ 6:00 pm – 8:00 pm

Over the last decades, the humanities have come under pressure from the scientific worldview. To many, it seems as if the humanities provide us at best with less-than-objective knowledge claims. Arguably, there are at least two overall reasons for this. On the one hand, the scientific worldview tends to associate objectivity with the kind of knowledge-acquisition, explanation, and justification characteristic of the natural sciences. On the other hand, the humanities themselves have contributed to the impression that they might be less relevant than the natural sciences to epistemic progress due to internal problems having to do with the very concept(s) of knowledge, reality and objectivity.

New Realism is a term for a whole series of current trends in philosophy that has important consequences for our understanding of knowledge in general. In particular, it reshapes our account of the human being qua source and object of knowledge claims. In this context, New Realism draws on a crucial indispensability thesis: we simply cannot eliminate the standpoint from which humans gather information about human and non-human reality alike from our account of reality itself. In light of this thesis, it turns out that the humanities are fully-fledged contributions to objective knowledge about reality – a fact we cannot ignore without succumbing to illusion. Against this background, the talk concludes that the so-called “scientific worldview” is untenable: it is built upon a denial of knowledge we actually possess, and so, by not being scientific enough, it fails to respect its own premises.

About the speaker:

Markus Gabriel holds the chair in epistemology, modern and contemporary philosophy at the University of Bonn. He is the director of the International Center for Philosophy and the multidisciplinary Center for Science and Thought. With Jocelyn Benoist he also directs Bonn-Paris Center for Research on New Realisms. His work focuses on contemporary philosophy, in particular epistemology and ontology, in an attempt to spell out the consequences of various trends in philosophy in a conversation with the humanities. Currently, he is working on a book called Fictions which deals with topics at the intersection of philosophy, literary studies and sociology.

The NYU Department of German and Deutsches Haus at NYU present “Objectivity and the Humanities – Prospects for a New Realism,” a talk by Professor Markus Gabriel.

Attendance information:

Events at Deutsches Haus are free of charge. If you would like to attend this event, please send us an email to deutscheshaus.rsvp@nyu.edu. Space at Deutsches Haus is limited; please arrive ten minutes prior to the event. Thank you!

Objectivity and the Humanities – Prospects for a New Realism” is a DAAD-supported event.

Oct
31
Thu
Empirical and Normative Truth in Democracy – Julian Nida-Rümelin (Ludwig-Maximilians-Universität München) @ NYU Philosophy Dept. 6th flr. lounge
Oct 31 @ 12:00 pm – 2:00 pm

In public discourse, but also in political theory, the opinion prevails, that democracy is incompatible with aspirations of truth. Some assume, in the Hobbesian tradition, that civic peace requires that truth assertions be restricted to science and religion (normative positivism), whereas the political sphere is constituted by interests, bargaining and collective decisions based on interests, bargaining and rules of aggregation, be they implicit or explicit. In this perspective Collective Choice as preference aggregation is paradigmatic for the understanding of democracy. Postmodernist and neo-pragmatist thought dismisses truth, because it threatens solidarity and belonging. Libertarian political thought relies on market mechanisms reducing citizens to consumers and producers of material and immaterial goods like security and welfare. Accounts of deliberative democracy focus on reasoning in the public sphere but dismiss a realistic understanding of truth, because it is thought to threaten collective and individual self-determination.

In my talk I will argue that a realistic understanding of empirical and normative truth is compatible, even necessary, for an adequate understanding of democracy, that truth assertions do not threaten civic peace, that postmodernist relativity undermines democratic practice, that libertarian market-orientation is incompatible with the status of citizens in democracy and that even deliberative, but anti-realist, accounts of democracy do not allow for an adequate understanding of democracy. My argument is based on a Davidsonian, or pragmatist, understanding of truth, therefore one might say: it critizises normative positivism, postmodernism, libertarianism, and critical theory using pragmatist insights.

Julian Nida-Rümelin presently holds a chair for philosophy and political theory at Ludwig-Maximilians-Universität München, is a member of the European Academy of Sciences, was president of the German Philosophical Association (DGphil) and state-minister for culture and media in the first government of Gerhard Schröder. The topics of his books include Democracy as Cooperation (1999); Democracy and Truth (2006), translated in Chinese and Italian, Philosophy and the form of Life (2009), Realism (2018) and A Theory of Practical Reason (2020, forthcoming, de Gruyter and PUP).

 

Generous support provided by the New York Institute of Philosophy.

Nov
14
Thu
Aristotle’s concept of matter and the generation of animals. Anna Schriefl @ Wolff Conference Room, D1106
Nov 14 @ 6:00 pm – 8:00 pm

There is a broad consensus that Aristotle introduced the concept of matter in order to develop a consistent account of substantial change. However, it is disputed which role matter fulfills in substantial change. According to the traditional interpretation, matter persists while taking on or losing a substantial form. According to a rival interpretation, matter does not persist in substantial change; instead, it is an entity from which a new substance can emerge and which ceases to exist in this process. In my view, both interpretations are problematic in the light of Aristotle’s broader ontological project and are at odds with the way Aristotle describes the substantial generation of living beings. On the basis of Aristotle’s biological theory, I will suggest that Aristotelian matter is a continuant in substantial generation, but does not satisfy the common criteria for persistence that apply to individual substances.

Anna Schriefl
Anna Schriefl is Wissenschaftliche Mitarbeiterin (assistant professor) at the University of Bonn, and currently a visiting scholar at the New School. She has published a book about Plato’s criticism of money and wealth, and most recently an introduction into Stoicism (both in German).

Dec
6
Fri
Symposium on Brian Cantwell Smith’s The Promise of Artificial Intelligence: Reckoning and Judgment (MIT Press, 2019) @ Kellen Auditorium, Room N101
Dec 6 all-day

Selected speakers:

Zed Adams

The New School

Brian Cantwell Smith

University of Toronto, St. George

Mazviita Chirimuuta

University of Pittsburgh
Jan
16
Thu
The Art of Change: An Experimental Opera by Jean-Baptiste Barrière @ Ernst C. Stiefel Concert Hall, 4th floor.
Jan 16 @ 8:00 pm

The Art of Change is a bold experimental work that introduces a radically new artistic form. Starting with the traditional notion of opera as a type of work that blends music, theater, art, and design into a single form, The Art of Change brings performers and thinkers together on stage and fuses live performance with historical video footage, recorded interviews and multimedia content. All of this is woven together into a tapestry that is generative, interactive, participative, and open.

As its title suggests, the work centers on the very idea of change and presents various ways of thinking, from the very pragmatic to the most speculative, about what needs to be changed in the world today. Actors, singers, instrumentalists, designers, and philosophers come together, with the audience, to speculate on this question and the many ways in which it can be answered.

The libretto, by philosopher Chiara Bottici, is the result of a process in which an initial text was developed through a collective authoring process that unfolded on Public Seminar – an online journal of ideas, politics and culture supported by The New School.

No two performances of The Art of Change are the same. Spoken dialogues within each performance are analyzed and processed on the fly through software which captures and develops the melodic and rhythmic patterns of speech to generate instrumental scores for the musicians and electronics. What is more, each evening features two guests – a thinker and a musician – who bring new perspectives and their unique vision to the work.

 

Performances:

January 16th, 8pm

January 17th, 5pm & 8pm

January 18th, 5pm & 8pm

January 21st, 8pm

 

Creative Team:

Jean-Baptiste Barrière, Concept, Video Design & Composition

Chiara Bottici, Libretto

Ashley Tata, Stage Direction

Timo Rissanen, Costume Design

Abigail Hoke-Brady, Lighting Design

Thomas Goepfer, Sound & Video Design

Camilla Hoitenga, Flutes Solo

Levy Lorenzo, Creative Technologist, Percussion

 

Actors, singers and instrumentalists of The New School’s College of Performing Arts: Hayley Boggs, William Desbiens, Youngwoo Jeon, Kalun Leung, Timmy Ong, Yeji Pyun, Samuel Rachmuth, Veronica Richer, Jane Skapek (assistant director), Zachary Sebek, Alexander Theiss, Jackie Traish, Yunnan Xu

 

Guest Artists:

January 16: Simon Critchley, philosopher and Joan La Barbara, musician

January 17: Cinzia Arruzza, philosopher and Rebekah Heller, musician

January 18: Dmitri Nikulin, philosopher and Ross Karre musician

January 21: Jamieson Webster, psychoanalyst and Joan La Barbara, musician

Jan
17
Fri
The Art of Change: An Experimental Opera by Jean-Baptiste Barrière @ Ernst C. Stiefel Concert Hall, 4th floor.
Jan 17 @ 5:00 pm

The Art of Change is a bold experimental work that introduces a radically new artistic form. Starting with the traditional notion of opera as a type of work that blends music, theater, art, and design into a single form, The Art of Change brings performers and thinkers together on stage and fuses live performance with historical video footage, recorded interviews and multimedia content. All of this is woven together into a tapestry that is generative, interactive, participative, and open.

As its title suggests, the work centers on the very idea of change and presents various ways of thinking, from the very pragmatic to the most speculative, about what needs to be changed in the world today. Actors, singers, instrumentalists, designers, and philosophers come together, with the audience, to speculate on this question and the many ways in which it can be answered.

The libretto, by philosopher Chiara Bottici, is the result of a process in which an initial text was developed through a collective authoring process that unfolded on Public Seminar – an online journal of ideas, politics and culture supported by The New School.

No two performances of The Art of Change are the same. Spoken dialogues within each performance are analyzed and processed on the fly through software which captures and develops the melodic and rhythmic patterns of speech to generate instrumental scores for the musicians and electronics. What is more, each evening features two guests – a thinker and a musician – who bring new perspectives and their unique vision to the work.

 

Performances:

January 16th, 8pm

January 17th, 5pm & 8pm

January 18th, 5pm & 8pm

January 21st, 8pm

 

Creative Team:

Jean-Baptiste Barrière, Concept, Video Design & Composition

Chiara Bottici, Libretto

Ashley Tata, Stage Direction

Timo Rissanen, Costume Design

Abigail Hoke-Brady, Lighting Design

Thomas Goepfer, Sound & Video Design

Camilla Hoitenga, Flutes Solo

Levy Lorenzo, Creative Technologist, Percussion

 

Actors, singers and instrumentalists of The New School’s College of Performing Arts: Hayley Boggs, William Desbiens, Youngwoo Jeon, Kalun Leung, Timmy Ong, Yeji Pyun, Samuel Rachmuth, Veronica Richer, Jane Skapek (assistant director), Zachary Sebek, Alexander Theiss, Jackie Traish, Yunnan Xu

 

Guest Artists:

January 16: Simon Critchley, philosopher and Joan La Barbara, musician

January 17: Cinzia Arruzza, philosopher and Rebekah Heller, musician

January 18: Dmitri Nikulin, philosopher and Ross Karre musician

January 21: Jamieson Webster, psychoanalyst and Joan La Barbara, musician