Cosmism was originated in Russia more than a hundred years ago. That was an esoteric futuristic philosophy about post-humanity, technological immortality, resurrection and cosmic expansion. Early cosmists proposed the idea of decompaction (lightweighting) of the human body, that eventually wouldn’t need an atmosphere and would be powered directly by solar energy. They call it “radiant humanity” – a perfect society of highly moral and super-conscious beings merging and colonizing the whole Universe.
Modern Cosmism brings to the original doctrine the ontological foundation, a scientific structure and a deeper comprehension of possible technology aims to create in the future a new synthetic reality where the concepts of truth, consciousness, freedom and happiness will be deeply revised.
The conference will review the critical question about a meeting with advanced extraterrestrial civilizations and suggest few hypothesis about their “eerie silence”. We will touch some related problems in cosmology, and astrophysics such as the shape and future of the Universe, black hole information paradox, multidimensional space, dark energy and interpretation of quantum mechanics. Are they a separate arrow of time? Are there exceptions to the principle of causality?
Like no other area of philosophy and technology before, Modern Cosmism raises fundamental questions about the post human nature and how it will be connected to the reality. Is the structure of reality included the consciousness? Is a non biological hardware can support the consciousness? How we can define Cosmic Evolution and what is the role of intelligent life?
The conference will address important philosophical issues that arise with the future design of artificial consciousness, mind uploading and cyber-immortality. How will our concepts of subjectivity, perception, and morality change, if we will live in virtual reality of mega-consciousness environment where individuals can experience multiple presence, personality and have no gender. Will we be able to create super intelligent agents with consciousness and feelings? What are the limits of artificial capacities or functional simulations we should create? Could we enhance our own humanity by genetically redesign our nature?
Our keynote and plenary speakers are well-known international protagonists of Cosmism, Transhumanism and interdisciplinary researchers. Their lectures will discuss the most important current issues of Modern Cosmism from the point of view of philosophy, technology, ethics, robotics, psychology, and anthropology.
Ben Goertzel Ph.D. is the author of “Cosmists Manifesto”. He is Chief Scientist of financial prediction firm Aidyia Holdings; Chairman of AI software company Novamente LLC, which is a privately held software company, and bioinformatics company Biomind LLC, which is a company that provides advanced AI for bioinformatic data analysis (especially microarray and SNP data); Chairman of the Artificial General Intelligence Society and the OpenCog Foundation; Vice Chairman of futurist nonprofit Humanity+; Scientific Advisor of biopharma firm Genescient Corp.; Advisor to the Singularity University; Research Professor in the Fujian Key Lab for Brain-Like Intelligent Systems at Xiamen University, China; and general Chair of the Artificial General Intelligence conference series.
Giulio Prisco is former senior manager in the European Space Agency, Prisco is a physicist and computer scientist. He served as a member on the board of directors of World Transhumanist Association, of which he was temporarily executive director, and continues to serve as a member on the board of directors of the Institute for Ethics and Emerging Technologies and of the Associazione Italiana Transumanisti. He is also a founding member of the Order of Cosmic Engineers, and the Turing Church, fledgling organizations which claim that the benefits of a technological singularity, which would come from accelerating change, should or would be viable alternatives to the promises of major religious groups.
James J. Hughes Ph.D. served as the executive director of the World Transhumanist Association (which has since changed its name to Humanity+) from 2004 to 2006, and currently serves as the executive director of the Institute for Ethics and Emerging Technologies, which he founded with Nick Bostrom. He also produces the syndicated weekly public affairs radio talk show program Changesurfer Radio and contributed to the Cyborg Democracy blog. Hughes’ book Citizen Cyborg: Why Democratic Societies Must Respond to the Redesigned Human of the Future was published by Westview Press in November 2004
“Sometimes people who are together are, if not hostile to one another, at least estranged in mood and feeling till perchance a story, a performance, a picture, or even a building, but most often of all music, unites them all as by an electric flash, and in place of their former isolation or even enmity they are all conscious of union and mutual love. Each is glad that another feels what he feels; glad of the communion established, not only between him and all present, but also with all now living who will yet share the same impression; and more than that, he feels the mysterious gladness of a communion which, reaching beyond the grave, unites us with all men of the past who have been moved by the same feelings, and with all men of the future who will yet be touched by them.“ – Tolstoy, “What is Art?”
What is it for a piece of music to express emotions like sadness or caring or joy? What role do emotions play in how we receive a piece of music? And what are emotions, exactly?
Coming up on Wednesday, October 17th at 7:30 PM, Saam Trivedi (Brooklyn College, author of the newly released Imagination, Music, and the Emotions: A Philosophical Study), joins us to share his work on these very questions. Here’s some more about the talk, in Dr. Trivedi’s own words.
“Emotions and Music”
I will begin with some brief remarks about the emotions. Next, I will discuss three philosophical theories about musical expressiveness. Finally, I will discuss one philosophical view about musical arousal.
As usual, we meet in the Dweck Center of the Grand Army Plaza branch of the Brooklyn Public Library. Please note the time change: future BKPP talks will start at 7:30.
Tell your friends/co-workers/strangers! Bring a musician! Bring the last person you went to a concert with! See you there, I hope!
Nietzsche Circle Presents: An Evening with Music and Philosophy
Speakers:
- Michael Teinmann
- Yunus Tuncel
Pianist:
- Aysegul Durakoglu
RSVP required!
Refreshments will be served. If you like to attend, Please RSVP by sending email to Luke Trusso at trussol@nietzschecircle.com
It has been said that there are not different “types” or categories of music, only good music and bad music. How can we know the difference between good and bad music however? Well, on some accounts, there are indeed different types (‘low’ vs ‘high’ art), some of which are by definition bad, others good. Yet, on other accounts, music is music – there are no essential differences in kind, and it is simply each listener’s favorable or unfavorable reaction to any given song or piece of music that decides its quality. In very broad strokes, these two contrasting orientations represent attitudes common in modernist and postmodernist theories, respectively. In the former, Western classical music was privileged (unjustly, in some respects) above all other kinds. However, the latter orientation, which is currently in fashion, seems to reduce all musical meaning and appraisal to little more than our own mental projections. In this presentation, a third, alternative way to identify musical “types” is proposed, one that seeks to illuminate meaningful musical distinctions in the natures and functions of three musical kinds (folk, mass, and art music), with some surprising results. A brief piano performance will precede the talk.
Monday, December 11, 2017 at 6pm. This event is part of the Philosophy Series at The Cornelia Street Café, located at 29 Cornelia Street, New York, NY 10014 (near Sixth Avenue and West 4th St.). Admission is $10, which includes the price of one drink. Reservations are recommended (212. 989.9319)
Jason Cutmore is a concert pianist, teacher, and the founder and director of the Canadian music festival, Alberta Pianofest. He has performed solo piano and collaborative recitals across much of North America, Europe, and India, and has published articles in peer review journals and trade magazines. Mr Cutmore lives in New York City, and is currently completing a Master’s degree in Philosophy at the CUNY Graduate Center.