Please R.S.V.P.
The City University of New York, Graduate Center, is hosting its second Emotion Workshop. This semester, we are profiling the work of local scholars and visitors to New York. Topics relate to mind, social philosophy, epistemology, aesthetics, experimental philosophy, and psychology. The workshop will be 1 day long. Participants should not feel obligated to attend every session, but we do ask you to RSVP (this is to make sure everyone is allowed Saturday building access). If you think there is a chance you will join us for any part of the day, please send your name to Sarah Arnaud, postdoc in the Philosophy Program and co-organizer: sarnaud@gc.cuny.edu
PROGRAM
10:00-10:15 Introduction
10:15-11:00 Jesse Prinz (CUNY, Philosophy), “Are emotions socially constructed?”
11:00-11:15 Break
11:15-12:00 Rodrigo Díaz (Bern, Philosophy), “Folk emotion concepts”
12:00-12:45 Juliette Vazard (NYU / Institut Jean Nicod, Paris / University of Geneva), “Epistemic anxiety”
12:45-2:15 Break (lunch)
2:15-3:00 S. Arnaud & K. Pendoley (CUNY, Philosophy), “Intentionalism and the understanding of emotion experience”
3:00-3:15 Break
3:15-4:00 Jonathan Gilmore (CUNY, Philosophy), “Emotion, absorption, and experiential imagining”
4:00-4:45 Jordan Wylie (CUNY, Psychology), “Investigating the influences of emotion on object recognition”
4:45-6:00 Reception
Philosophy-in-Manhattan
Sunday, December 8 at 2:00 PM
CUNY philosophy PhD candidate Liam Ryan will lead. One of the oldest questions in philosophy is: ‘How do I know that I know anything?’ Epistemology is…
Price: 14.00 USD
This paper will address the question of whether the logic of a fiction can be specified as part of the fiction. For example, can one tell a fictional story in which it is part of the story that the logic in question is, say, K3? It seems unproblematic that we can do this. After all, we can tell a story about a world with a different geometry from ours, different physical laws, and even different numbers of dimensions (e.g. the two-dimensional world of Flatland). While allowing fictions to specify their own logics seems a natural extension of such science fiction, there are problems looming. Fictions are, by their very nature, incomplete. Specifying that the logic in question is classical is to embrace, amongst other things, classical principles such as excluded middle. But if the fictional world is incomplete, in what sense can it be part of the story that excluded middle holds? We would, in effect, be specifying that the incomplete situation described in the fiction is complete. Imposing excluded middle where it doesn’t belong leads to contradiction. These are especially pressing issues for (particular kinds of) fictionalism about mathematics.
Logic and Metaphysics Workshop
September 2 GC Closed NO MEETING
September 9 Yael Sharvit, UCLA
September 16 Ole Hjortland and Ben Martin, Bergen
September 23 Alessandro Rossi, StAndrews
September 30 GC Closed NO MEETING
October 7 Dongwoo Kim, GC
October 14 GC Closed NO MEETING
October 21 Rohit Parikh, GC
October 28 Barbara Montero, GC
November 4 Sergei Aretmov, GC
November 11 Martin Pleitz, Muenster
November 18 Matias Bulnes, CUNY
November 25 Vincent Peluce, CUNY
December 2 Jessica Wilson, Toronto
December 9 Mark Colyvan, Sydney
December 16 MAYBE A MEETING; MAYBE NOT
We’re a community of philosophers of language centered in New York City. We have a meeting each week at which a speaker presents a piece of their own work relating to the philosophy of language.
Sept 9
Donka Farkas (Santa Cruz)
Sept 16
John Maackay (U Wisconsin–Madison)
Sept 23
Andrew Bacon (USC)
Sept 30
Eleonore Neufeld (USC)
Oct 7
Eli Alshanetsky (Temple)
Oct 21
Gabe Dupre (UCLA)
Oct 28
Dorit Bar-On (UConn)
Nov 4
Sam Berstler (Princeton)
Nov 11
Robert Henderson (Arizona)
Nov 18
Sam Cumming (UCLA)
Nov 25
Harvey Lederman (Princeton)
Dec 2
Sarah Fisher (Reading)
Dec 9
Michael Glanzberg (Northwestern)
Each colloquium is held on Wednesday at 4:15 P.M. All colloquia will take place at the Graduate Center in rooms 9205/9206 except as otherwise noted. Please call (212) 817-8615 for further information.
Download an interactive PDF version of the schedule here.
September 11 • Jonathan Adler Memorial Lecture
Philip Kitcher (Columbia University)
“Progress in the Sciences—and in the Arts”
September 18 • Note: colloquium will begin at 5:45pm
Jason Stanley (Yale University)
“Hustle: The Politics of Language”
September 25 • Note: colloquium will be held in C201/C202
Noël Carroll (CUNY Graduate Center)
“Forget Taste”
October 2
Zoë Johnson King (New York University)
“Radical Internalism”
October 23
Michelle M. Dyke (New York University)
“Could Our Epistemic Reasons Be Collective Practical Reasons?”
October 30
Stephen Grover (CUNY Queens College | Graduate Center)
“The Problem of Ugliness”
November 6
Sari Kisilevsky (CUNY Queens College)
“The Ethics of Punishment in the Age of Mass Incarceration”
November 13
Taylor Carman (Columbia University)
“Heidegger’s Nietzsche”
November 20
Luvell Anderson (Syracuse University) • Co-hosted by Minorities and Philosophy (MAP), CUNY GC Chapter
“Navigating Racial Satire”
November 27 • All-day Workshop for Practice Job Talks (Note: attendance limited to CUNY community)
TBD (CUNY Graduate Center)
TBD
December 4 • All-day Workshop for Practice Job Talks (Note: attendance limited to CUNY community)
TBD (CUNY Graduate Center)
TBD
December 11 • Alumni Day
Elvira Basevich (University of Massachusetts Lowell)
“Du Bois’s Theory of Justice”
Here is the tentative schedule for PoPRocks sessions this semester. We will be meeting, usually, on Thursday or Friday evenings from 7:00 pm to 9:00 pm in the 2nd floor seminar room at the NYU philosophy department.
Th. 10/03 Luke Roelofs
Fr. 10/18 Josh Myers
CANCELLED Fr. 10/25 Sam Clarke
Th. 10/31 Simon Brown
Th. 11/14 Noga Gratvol
Fr. 11/22 Cristina Ballarini
Th. 12/12 Rodrigo Diaz
You can still sign up to present! Of course, the earlier you request, the easier it is to schedule a session.
Philosophy-in-Manhattan
Sunday, January 12 at 2:00 PM
Philosophy PhD candidate Liam Ryan will lead us. Ludwig Wittgenstein is a philosopher whose work bridges various fields of philosophical inquiry, and …
Price: 16.00 USD
The Art of Change is a bold experimental work that introduces a radically new artistic form. Starting with the traditional notion of opera as a type of work that blends music, theater, art, and design into a single form, The Art of Change brings performers and thinkers together on stage and fuses live performance with historical video footage, recorded interviews and multimedia content. All of this is woven together into a tapestry that is generative, interactive, participative, and open.
As its title suggests, the work centers on the very idea of change and presents various ways of thinking, from the very pragmatic to the most speculative, about what needs to be changed in the world today. Actors, singers, instrumentalists, designers, and philosophers come together, with the audience, to speculate on this question and the many ways in which it can be answered.
The libretto, by philosopher Chiara Bottici, is the result of a process in which an initial text was developed through a collective authoring process that unfolded on Public Seminar – an online journal of ideas, politics and culture supported by The New School.
No two performances of The Art of Change are the same. Spoken dialogues within each performance are analyzed and processed on the fly through software which captures and develops the melodic and rhythmic patterns of speech to generate instrumental scores for the musicians and electronics. What is more, each evening features two guests – a thinker and a musician – who bring new perspectives and their unique vision to the work.
Performances:
January 16th, 8pm
January 17th, 5pm & 8pm
January 18th, 5pm & 8pm
January 21st, 8pm
Creative Team:
Jean-Baptiste Barrière, Concept, Video Design & Composition
Chiara Bottici, Libretto
Ashley Tata, Stage Direction
Timo Rissanen, Costume Design
Abigail Hoke-Brady, Lighting Design
Thomas Goepfer, Sound & Video Design
Camilla Hoitenga, Flutes Solo
Levy Lorenzo, Creative Technologist, Percussion
Actors, singers and instrumentalists of The New School’s College of Performing Arts: Hayley Boggs, William Desbiens, Youngwoo Jeon, Kalun Leung, Timmy Ong, Yeji Pyun, Samuel Rachmuth, Veronica Richer, Jane Skapek (assistant director), Zachary Sebek, Alexander Theiss, Jackie Traish, Yunnan Xu
Guest Artists:
January 16: Simon Critchley, philosopher and Joan La Barbara, musician
January 17: Cinzia Arruzza, philosopher and Rebekah Heller, musician
January 18: Dmitri Nikulin, philosopher and Ross Karre musician
January 21: Jamieson Webster, psychoanalyst and Joan La Barbara, musician
The Art of Change is a bold experimental work that introduces a radically new artistic form. Starting with the traditional notion of opera as a type of work that blends music, theater, art, and design into a single form, The Art of Change brings performers and thinkers together on stage and fuses live performance with historical video footage, recorded interviews and multimedia content. All of this is woven together into a tapestry that is generative, interactive, participative, and open.
As its title suggests, the work centers on the very idea of change and presents various ways of thinking, from the very pragmatic to the most speculative, about what needs to be changed in the world today. Actors, singers, instrumentalists, designers, and philosophers come together, with the audience, to speculate on this question and the many ways in which it can be answered.
The libretto, by philosopher Chiara Bottici, is the result of a process in which an initial text was developed through a collective authoring process that unfolded on Public Seminar – an online journal of ideas, politics and culture supported by The New School.
No two performances of The Art of Change are the same. Spoken dialogues within each performance are analyzed and processed on the fly through software which captures and develops the melodic and rhythmic patterns of speech to generate instrumental scores for the musicians and electronics. What is more, each evening features two guests – a thinker and a musician – who bring new perspectives and their unique vision to the work.
Performances:
January 16th, 8pm
January 17th, 5pm & 8pm
January 18th, 5pm & 8pm
January 21st, 8pm
Creative Team:
Jean-Baptiste Barrière, Concept, Video Design & Composition
Chiara Bottici, Libretto
Ashley Tata, Stage Direction
Timo Rissanen, Costume Design
Abigail Hoke-Brady, Lighting Design
Thomas Goepfer, Sound & Video Design
Camilla Hoitenga, Flutes Solo
Levy Lorenzo, Creative Technologist, Percussion
Actors, singers and instrumentalists of The New School’s College of Performing Arts: Hayley Boggs, William Desbiens, Youngwoo Jeon, Kalun Leung, Timmy Ong, Yeji Pyun, Samuel Rachmuth, Veronica Richer, Jane Skapek (assistant director), Zachary Sebek, Alexander Theiss, Jackie Traish, Yunnan Xu
Guest Artists:
January 16: Simon Critchley, philosopher and Joan La Barbara, musician
January 17: Cinzia Arruzza, philosopher and Rebekah Heller, musician
January 18: Dmitri Nikulin, philosopher and Ross Karre musician
January 21: Jamieson Webster, psychoanalyst and Joan La Barbara, musician
The Art of Change is a bold experimental work that introduces a radically new artistic form. Starting with the traditional notion of opera as a type of work that blends music, theater, art, and design into a single form, The Art of Change brings performers and thinkers together on stage and fuses live performance with historical video footage, recorded interviews and multimedia content. All of this is woven together into a tapestry that is generative, interactive, participative, and open.
As its title suggests, the work centers on the very idea of change and presents various ways of thinking, from the very pragmatic to the most speculative, about what needs to be changed in the world today. Actors, singers, instrumentalists, designers, and philosophers come together, with the audience, to speculate on this question and the many ways in which it can be answered.
The libretto, by philosopher Chiara Bottici, is the result of a process in which an initial text was developed through a collective authoring process that unfolded on Public Seminar – an online journal of ideas, politics and culture supported by The New School.
No two performances of The Art of Change are the same. Spoken dialogues within each performance are analyzed and processed on the fly through software which captures and develops the melodic and rhythmic patterns of speech to generate instrumental scores for the musicians and electronics. What is more, each evening features two guests – a thinker and a musician – who bring new perspectives and their unique vision to the work.
Performances:
January 16th, 8pm
January 17th, 5pm & 8pm
January 18th, 5pm & 8pm
January 21st, 8pm
Creative Team:
Jean-Baptiste Barrière, Concept, Video Design & Composition
Chiara Bottici, Libretto
Ashley Tata, Stage Direction
Timo Rissanen, Costume Design
Abigail Hoke-Brady, Lighting Design
Thomas Goepfer, Sound & Video Design
Camilla Hoitenga, Flutes Solo
Levy Lorenzo, Creative Technologist, Percussion
Actors, singers and instrumentalists of The New School’s College of Performing Arts: Hayley Boggs, William Desbiens, Youngwoo Jeon, Kalun Leung, Timmy Ong, Yeji Pyun, Samuel Rachmuth, Veronica Richer, Jane Skapek (assistant director), Zachary Sebek, Alexander Theiss, Jackie Traish, Yunnan Xu
Guest Artists:
January 16: Simon Critchley, philosopher and Joan La Barbara, musician
January 17: Cinzia Arruzza, philosopher and Rebekah Heller, musician
January 18: Dmitri Nikulin, philosopher and Ross Karre musician
January 21: Jamieson Webster, psychoanalyst and Joan La Barbara, musician