Apr
25
Thu
Mind, Attention, & World Themes in Indian and Buddhist Philosophical Theory @ NYU Events Space 2nd Floor
Apr 25 – Apr 26 all-day

The philosophical traditions of India offer contemporary researchers an unparalleled and mostly untapped resource for fresh thinking about attention, its relations to mind and world. From Nyāya manas-theory to the extensive Buddhist theories about attention’s relationship with consciousness, and from precise taxonomies of the varieties of attention to discussions about the norms governing attention, epistemic, moral, and practical, the wealth and sophistication of Indian analysis is astounding. Our workshop will look at the ways in which Indian, including Buddhist, philosophical theory can enrich contemporary discussion, and there will be presentations by a world-class panel of speakers.

We hope too that this workshop will serve as a catalyst to Indian philosophical studies in the New York area. The workshop is open to everyone, free and without registration, and the program is here.

April 25, 2019|DAY 1 

8:45 am – 9:00 am

Coffee & Welcome  (Jonardon Ganeri NYU)

9:00 am – 10:45 am

Panel 1. Attending to Oneself

Chair: Nic Bommarito (Buffalo)

        9:00 am – 9:50 am

Sharon Street (NYU, via video conferencing)

  “On Recognizing Oneself in Others: A Meditation-Based Response to Mackie’s Argument from Queerness”

        9:55 am – 10:45 am

Muhammad Faruque (Fordham)

“Attending to Oneself: Muḥammad Iqbāl and his Indian Contemporaries”

10:45 am – 11:00 am

   Morning Break

11:00 am – 12:45 pm 

Panel 2. Attention and Affect

Chair: Joerg Tuske (Salisbury)

11:00 am – 11:50am

Evan Thompson (British Columbia)

    “Affect Biased Attention and Concept Formation”

11:55 am – 12:45 pm

Sonam Kachru (Virginia)

    “Attention and Affect: A View from Indian Buddhist Philosophy”

12:45 pm – 2:00 pm

Lunch Break

2:00 pm – 3:45 pm 

Panel 3. Decision and Exclusion

Chair: Emily McRae (New Mexico)

2:00 pm – 2:50 pm

Arindam Chakrabarti (Stonybrook)

     “Deciding to Attend and the Problem of Disjunctive Attention”

2:55 pm – 3:45 pm

Catherine Prueitt (George Mason)

“At the Limits of Pain: Attention, Exclusion, and Self-Knowledge in Pratyabhijñā Śaivism.”

   3:45 pm – 4:00 pm

Afternoon Break

   4:00 pm – 5:45 pm 

Panel 4. The Ethics of Attention

Chair: Eyal Aviv (George Washington)

        4:00 pm – 4:50 pm

   Curie Virag (Edinburgh)

“Attention as Cognitive Resonance”

       4:55 pm – 5:45 pm

   Shalini Sinha (Reading)

   “The Ethics of Attention in Śāntideva and Simone Weil”

April 26, 2019|DAY 2 

10:15 am – 10:30 am

Coffee

10:30 am – 12:15 pm

Panel 5. Self-Awareness and Attention

Chair: Payal Doctor (LaGuardia)

       10:30 am – 11:20 am

Amit Chaturvedi (Hong Kong)

“Phenomenal Priority and Reflexive Self-Awareness: Watzl meets Yogācāra”

       11:25 am – 12:15 pm

Nilanjan Das  (University College London)

“Śrīharṣa on Self-knowledge and the Inner Sense”

12:15 pm – 1:30 pm

Lunch Break

   1:30 pm – 3:15 pm

Panel 6. Mindfulness and Justification

Chair: Bryce Huebner (Georgetown)

         1:30 pm – 2:20 pm

Georges Dreyfus (Williams)

   “But What is Mindfulness? A Phenomenological Approach”

         2:25 pm – 3:15 pm

Anand Vaidya (San Jose)

    “Attention and Justification”

   3:15 pm – 3:30 pm

Afternoon Break

3:30 pm – 5:15 pm

Panel 7. The Wandering Self

Chair: Adriana Renero (NYU)

         3:30 pm – 4:20 pm

Carolyn Jennings (UC Merced)

    “From Attention to Self”

         4:25 pm – 5:15 pm

Zac Irving (Virginia)

    “Harnessing the Wandering Mind”

https://philevents.org/event/show/71418

Sep
13
Fri
Balzan Conference: Dworkin’s Late Work @ Lester Pollack Colloquium Room, 9th Flr Furman Hall
Sep 13 – Sep 14 all-day

Ronald Dworkin’s work always spanned a wide array of topics, from the most abstract jurisprudence through the details of American constitutional law all the way over to political philosophy and theories of justice and equality. In the last decades of his life, however, Dworkin’s work flowered in ways that went beyond even this prodigious range. Though he continued his central work in the philosophy of law and constitutional theory, he also addressed issues in international law, human dignity, the philosophy of religion, the relation between ethics, morality and legal theory, and the unity of practical thought generally. This conference will explore some of these themes in Dworkin’s late work. Beginning with a panel on his understanding of religion, we will also convene discussions of his work on legal integrity, international law, and the relation between law and morality. There will be a total of nine presentations, with plenty of time for discussion. All are welcome.

Panel 1 (Friday 1:30 p.m.): Dworkin’s Religion without God.
Eric Gregory (Princeton),
Moshe Halbertal (NYU and Hebrew U.) Ronald Dworkin Religion Without God: Morality and the Transcendent
Larry Sager (Texas) Solving Religious Liberty

Panel 2 (Friday 4:30 p.m.): Dworkin on international law.
Samantha Besson (Fribourg)
The Political Legitimacy of International Law: Sovereign States and their International Institutional Order

John Tasioulas (King’s College, London)

Panel 3 (Saturday 10 a.m.): The idea of integrity in Law’s Empire.
Andrei Marmor (Cornell) Integrity in Law’s Empire
Jeremy Waldron (NYU)  The Rise and Decline of Integrity

Panel 4 (Saturday 2:15 p.m.): Law and morality in Justice for Hedgehogs.
Mark Greenberg (UCLA)
What Makes a Moral Duty Legal?  Dworkin’s Judicial Enforcement Theory Versus the Moral Impact Theory

Ben Zipursky (Fordham)

Oct
4
Fri
The Moral Imagination of the Novel @ Columbia U Philosophy Dept.
Oct 4 – Oct 5 all-day

Columbia University’s Department of Philosophy, the Morningside Institute, and the Thomistic Institute invite graduate students in philosophy, theology/religious studies, literature, and related disciplines to submit papers for “The Moral Imagination of the Novel.” The conference will examine the ways in which individual novels and the novel as a literary genre can be understood both to depict the search for moral, philosophical, and religious truth and to engage in this very search themselves. Is the novel a realistic or idealistic genre? Can novels expand our sense of moral possibilities? Can they contract them?

The conference will begin with four twenty-minute graduate student papers on Friday, October 4, followed by talks that day and the next from faculty. Confirmed speakers include:

Paul Elie (Georgetown)

Ann Astell (Notre Dame)

Thomas Pavel (Chicago)

Lauren Kopajtic (Fordham)

Dhananjay Jagannathan (Columbia)

 Limited financial assistance is available to defray the cost of travel for student presenters, but students are encouraged to seek funds from their own institutions as well.

 One-page proposals should be emailed to Molly Gurdon at mcg2197@columbia.edu by Saturday, August 31 to be considered. Invitations to present papers will be sent by Friday, September 6. Submissions should not contain any identifying information except for a title, but the author’s institution and program, along with the title of their proposed submission, should be noted in the e-mail submission.

https://philevents.org/event/show/74726

Oct
11
Fri
The Role of Negative Emotions in the Good Life: Reflections from the Zhuangzi. Richard Kim @ Columbia University Religion Dept. 101
Oct 11 @ 5:30 pm – 7:30 pm

The philosophical and psychological literature on well-being tend to focus on the prudential value of positive emotions such as pleasure, joy, or gratitude. But how do the negative emotions such as grief fit into our understanding of well-being? It is often assumed that negative emotions are intrinsically bad far us and that we should work toward eliminating them, especially from the perspective of our own well-being.

In this presentation I want to question this assumption by drawing on the ideas of Zhuangzi (a prominent early Daoist thinker from the 4th Century BCE) to argue that negative emotions are not intrinsically bad for us, and that their prudential value or disvalue is context dependent. Zhuangzi’s outlook, with his focus on the flexibility of perspectives and living according to our natural, spontaneous inclinations, gives us reason to reconsider the role of negative emotions in our lives and how we might think about them in a more constructive way.

With responses from: CHRISTOPHER GOWANS  (Fordham University)

The Fall dates for the Comparative Philosophy seminar:

September 20 – Justin Tiwald (San Francisco State University)
October 11 – Richard Kim (Loyola University, Chicago
November 8 – Sungmoon Kim (City University of Hong Kong)
December 6 – Paul R. Goldin (University of Pennsylvania)

More details (such as titles, abstracts, and respondents) to follow. Looking forward to seeing you soon.

Hagop Sarkissian
Associate Professor & Chair, Department of Philosophy, The City University of New York, Baruch College
Associate Professor, Department of Philosophy, CUNY Graduate Center 
Co-Director, Columbia Society for Comparative Philosophy

https://www.cbs.columbia.edu/cscp/

Oct
12
Sat
Northeast Philosophy of Religion Colloquium @ Philosophy Conference Room, Collins Hall
Oct 12 all-day

Contact Crina Gschwandtner for more information.

Oct
21
Mon
The Buddha versus Popper: When to Live? Rohit Parikh @ CUNY Grad Center, 7314
Oct 21 @ 4:15 pm – 6:15 pm

We discuss two approaches to life: presentism and futurism. The first one, which we are identifying with the Buddha, is to live in the present and not to allow the future to hinder us from living in the ever present now. The second one, which we will identify with Karl Popper, is to think before we act, and act now for a better future. We will discuss various aspects of presentism and futurism, such as Ruth Millikan’s Popperian animal, the psychologist Howard Rachlin’s social and temporal discounting, and even the popular but controversial idea, YOLO (you live only once). The purpose of this talk is to contrast one with the other. The central question of ethics is: How should one live? Our variation on that question is: When should one live? We conjecture that the notion of flow, developed by Csikszentmihalyi, may be a better optimal choice between these two positions.

This work, which is joint with Jongjin Kim, is to appear in the Journal of Buddhist Ethics.


Logic and Metaphysics Workshop:

September 2 GC Closed NO MEETING

September 9 Yael Sharvit, UCLA

September 16  Ole Hjortland and Ben Martin, Bergen

September 23 Alessandro Rossi, StAndrews

September 30 GC Closed NO MEETING

October 7 Dongwoo Kim, GC

October 14 GC Closed NO MEETING

October 21 Rohit Parikh, GC

October 28 Barbara Montero, GC

November 4 Sergei Aretmov, GC

November 11 Martin Pleitz, Muenster

November 18

November 25
December 2 Jessica Wilson, Toronto

December 9 Mark Colyvan, Sydney

December 16  MAYBE A MEETING; MAYBE NOT

Nov
8
Fri
Buddhism and Politics in Korea @ International Affairs Building, Room 918
Nov 8 @ 1:00 pm – 5:30 pm

Abstracts:

“Giving as Spending and Spending as Giving: Buddhism and the Politics of Spending during the Chosŏn Dynasty”
Juhn Ahn, University of Michigan

The impact of the Koryŏ-Chosŏn transition on the Buddhist establishment in Korea is generally understood in current scholarship to have been a negative one. It is all too often assumed that Buddhist monasteries, who enjoyed great economic prosperity under Koryŏ’s culture of giving, were forced to undergo a radical reduction in size and number and their wealth confiscated to replenish the empty royal fisc. There is also a tendency to assume that this systematic restructuring of the Buddhist establishment, often dubbed its “decline,” was orchestrated and executed by a small group of reform-minded Neo-Confucian scholar-officials who saw Buddhism as an economic parasite and cause of unnecessary spending. It is true that the Buddhist establishment never again enjoyed the kind of wealth that it once did during the Koryŏ, but this paper argues that we should not take this as a sign of decline or the necessary outcome of state suppression. Instead, this paper will turn its attention to the politics of spending that continued to shape and reshape the Chosŏn court and show that the politics of spending provided the Buddhist establishment with an opportunity—an opportunity that it did in fact use—to redefine the conditions of its existence.

“Court Lady Ch’ŏn Ilch’ŏng (1848 – 1934) in the Making of Modern Korean Buddhism”
Hwansoo Kim, Yale University

In this talk, I will introduce the work of a forgotten Korean Buddhist laywoman who served as one of the highest-ranking ladies in the court of the late Chosŏn dynasty. I will demonstrate that Court Lady Ch’ŏn (1848 – 1934) was as integral to modernizing Korean Buddhism during the pre-colonial and colonial era as the Korean Buddhist monastics with whom she worked. By examining Ch’ŏn’s seminal role in the incipient stage of modern Korean Buddhism, the history of female Buddhist leadership can be extended.

Ch’ŏn primarily worked with the Korean monk and leader Yi Hoegwang (1862-1933), drawing on a wide network of relationships both inside and outside the court to help him establish the first modern institution of Korean Buddhism, build the first modern temple in central Seoul, and open a Buddhist clinic. However, because Yi was later condemned by historiography as the worst of Buddhists who had collaborated with Korea’s colonizer, Ch’ŏn’s leadership and legacy were likewise stigmatized and sidelined. This talk seeks to restore Ch’ŏn’s centrality as a Buddhist modernizer, thereby giving balance to a largely male-centered and ethno-centric history and lengthening the lineage of lay female leadership in the transformation of Korean Buddhism in the early twentieth century.

“Buddhism and State Violence in Modern Korea”
Jin Y. Park, American University

Historically, Korean Buddhism has been known as “State Protection Buddhism” (護國佛敎). The seemingly positive character of this description also points to the limitations of Korean Buddhism’s role in the broader context of society. A state should exist to protect its members, but history has witnessed that the state can and did exercise its power against its members. Which members did the Korean government support, and which were sacrificed in the process? What role did Korean Buddhism play in the unfolding of that history?

This presentation deals with Buddhism’s response to state violence in modern Korea. Through an analysis of a specific instance of state violence and Korean Buddhism’s response, the presentation tries to gauge Korean Buddhism’s capacity to engage with the socio-political milieu of human existence.

Co-sponsored by
The Academy of Korean Studies, Seoul Korea; Weatherhead East Asian Institute; the Department of East Asian Languages and Cultures; The Institute for Religion, Culture, and Public Life; The Department of Religion;  The Center for Buddhism and East Asian Religion

Dec
6
Fri
The Immortal Spirit in Classical Chinese Aesthetics. Paul Goldin (UPenn) @ Columbia University Religion Dept. 101
Dec 6 @ 5:30 pm – 7:30 pm

This will be the third (and, time permitting, some material from the fourth) of a series of lectures that I aim to write up formally as a book.  We will begin with a brief review of the most familiar theory of Chinese aesthetics: works of art are the products of sensitive human beings who cannot suppress their sincere responses to emotional stimuli.  If art is understood as a sincere statement of this kind by a great genius, it stands to reason that, by correctly interpreting the work, one can communicate with that genius’s mind (xin 心) even after his or her death–and, likewise, that an artist today can communicate with audiences yet unborn.  Art is thus timeless and offers the possibility of incorporeal immortality.  If there is extra time, I will also survey two interrelated phenomena that I call meta-criticism and meta-writing (since there are no technical terms for them in Chinese).  Meta-criticism, i.e. criticism of criticism, is a major feature of Chinese theories about art.  Meta-criticism must be related to meta-writing, or the practice of writing about writing while exemplifying the very styles and techniques that one recommends: for example, artfully rhyming a couplet about rhyming.

With responses from: SANDRA SHAPSHAY (Hunter College, CUNY)


The Fall dates for the Comparative Philosophy seminar:

September 20 – Justin Tiwald (San Francisco State University)
October 11 – Richard Kim (Loyola University, Chicago
November 8 – Sungmoon Kim (City University of Hong Kong)
December 6 – Paul R. Goldin (University of Pennsylvania)

More details (such as titles, abstracts, and respondents) to follow. Looking forward to seeing you soon.

Hagop Sarkissian
Associate Professor & Chair, Department of Philosophy, The City University of New York, Baruch College
Associate Professor, Department of Philosophy, CUNY Graduate Center 
Co-Director, Columbia Society for Comparative Philosophy

https://www.cbs.columbia.edu/cscp/

Jan
16
Thu
The Art of Change: An Experimental Opera by Jean-Baptiste Barrière @ Ernst C. Stiefel Concert Hall, 4th floor.
Jan 16 @ 8:00 pm

The Art of Change is a bold experimental work that introduces a radically new artistic form. Starting with the traditional notion of opera as a type of work that blends music, theater, art, and design into a single form, The Art of Change brings performers and thinkers together on stage and fuses live performance with historical video footage, recorded interviews and multimedia content. All of this is woven together into a tapestry that is generative, interactive, participative, and open.

As its title suggests, the work centers on the very idea of change and presents various ways of thinking, from the very pragmatic to the most speculative, about what needs to be changed in the world today. Actors, singers, instrumentalists, designers, and philosophers come together, with the audience, to speculate on this question and the many ways in which it can be answered.

The libretto, by philosopher Chiara Bottici, is the result of a process in which an initial text was developed through a collective authoring process that unfolded on Public Seminar – an online journal of ideas, politics and culture supported by The New School.

No two performances of The Art of Change are the same. Spoken dialogues within each performance are analyzed and processed on the fly through software which captures and develops the melodic and rhythmic patterns of speech to generate instrumental scores for the musicians and electronics. What is more, each evening features two guests – a thinker and a musician – who bring new perspectives and their unique vision to the work.

 

Performances:

January 16th, 8pm

January 17th, 5pm & 8pm

January 18th, 5pm & 8pm

January 21st, 8pm

 

Creative Team:

Jean-Baptiste Barrière, Concept, Video Design & Composition

Chiara Bottici, Libretto

Ashley Tata, Stage Direction

Timo Rissanen, Costume Design

Abigail Hoke-Brady, Lighting Design

Thomas Goepfer, Sound & Video Design

Camilla Hoitenga, Flutes Solo

Levy Lorenzo, Creative Technologist, Percussion

 

Actors, singers and instrumentalists of The New School’s College of Performing Arts: Hayley Boggs, William Desbiens, Youngwoo Jeon, Kalun Leung, Timmy Ong, Yeji Pyun, Samuel Rachmuth, Veronica Richer, Jane Skapek (assistant director), Zachary Sebek, Alexander Theiss, Jackie Traish, Yunnan Xu

 

Guest Artists:

January 16: Simon Critchley, philosopher and Joan La Barbara, musician

January 17: Cinzia Arruzza, philosopher and Rebekah Heller, musician

January 18: Dmitri Nikulin, philosopher and Ross Karre musician

January 21: Jamieson Webster, psychoanalyst and Joan La Barbara, musician

Jan
17
Fri
The Art of Change: An Experimental Opera by Jean-Baptiste Barrière @ Ernst C. Stiefel Concert Hall, 4th floor.
Jan 17 @ 5:00 pm

The Art of Change is a bold experimental work that introduces a radically new artistic form. Starting with the traditional notion of opera as a type of work that blends music, theater, art, and design into a single form, The Art of Change brings performers and thinkers together on stage and fuses live performance with historical video footage, recorded interviews and multimedia content. All of this is woven together into a tapestry that is generative, interactive, participative, and open.

As its title suggests, the work centers on the very idea of change and presents various ways of thinking, from the very pragmatic to the most speculative, about what needs to be changed in the world today. Actors, singers, instrumentalists, designers, and philosophers come together, with the audience, to speculate on this question and the many ways in which it can be answered.

The libretto, by philosopher Chiara Bottici, is the result of a process in which an initial text was developed through a collective authoring process that unfolded on Public Seminar – an online journal of ideas, politics and culture supported by The New School.

No two performances of The Art of Change are the same. Spoken dialogues within each performance are analyzed and processed on the fly through software which captures and develops the melodic and rhythmic patterns of speech to generate instrumental scores for the musicians and electronics. What is more, each evening features two guests – a thinker and a musician – who bring new perspectives and their unique vision to the work.

 

Performances:

January 16th, 8pm

January 17th, 5pm & 8pm

January 18th, 5pm & 8pm

January 21st, 8pm

 

Creative Team:

Jean-Baptiste Barrière, Concept, Video Design & Composition

Chiara Bottici, Libretto

Ashley Tata, Stage Direction

Timo Rissanen, Costume Design

Abigail Hoke-Brady, Lighting Design

Thomas Goepfer, Sound & Video Design

Camilla Hoitenga, Flutes Solo

Levy Lorenzo, Creative Technologist, Percussion

 

Actors, singers and instrumentalists of The New School’s College of Performing Arts: Hayley Boggs, William Desbiens, Youngwoo Jeon, Kalun Leung, Timmy Ong, Yeji Pyun, Samuel Rachmuth, Veronica Richer, Jane Skapek (assistant director), Zachary Sebek, Alexander Theiss, Jackie Traish, Yunnan Xu

 

Guest Artists:

January 16: Simon Critchley, philosopher and Joan La Barbara, musician

January 17: Cinzia Arruzza, philosopher and Rebekah Heller, musician

January 18: Dmitri Nikulin, philosopher and Ross Karre musician

January 21: Jamieson Webster, psychoanalyst and Joan La Barbara, musician