Bewildered Perception: Exploring Mindfulness as Delusion

When:
April 13, 2018 @ 5:30 pm – 7:30 pm
2018-04-13T17:30:00-04:00
2018-04-13T19:30:00-04:00
Where:
Columbia Religion Dept. rm 101
80 Claremont Ave
New York, NY 10027
USA
Cost:
Free

The circa 9th century CE poet-saint Saraha enjoys a close association with spontaneity in both his reported actions and recorded works. This association leads him to be popularly read and remembered as a freewheeling antinomian sacred figure opposed to institutions, rituals, and even social norms. His appears to be a call to joyful chaos. But many of his verses invite readers towards a different kind of chaos, towards mental/perceptual chaos as the path towards correct conventional perception.

What does it mean to correctly perceive an object? Many Buddhist sources describe how perception functions, and theorize the differences between correct and incorrect perception. A related important distinction is made between conventional and ultimate truth in the discussion of the reality of phenomena even when correctly perceived. But this arguably epistemic distinction may also be understood as the difference between an ordinary person’s correct perception and a Buddha’s perception. I am not here exploring ultimate truth. I am interested in conventional truth, in what makes it true. Broadly, correct conventional perception is associated with the product of a rational mind processing sense perceptions fed to it by functioning sense organs, and conventional truth then is the experience of that reality. Correct conventional perception can be contrasted with incorrect conventional perception, which would be perception based on an irrational or deluded mind, or an experience based on damaged or non-functioning sense organs.

Saraha, however, sings a different tune. His work tells us that the very process of identifying and recognizing objects – what most of us would associate with the basic skills necessary to get around in the world – is itself deluded, its objects adventitious. He calls this kind of perception drenpa (dran pa; usually translated as mindfulness, memory, or recollection). In other words, he claims that our very perception of objects – no matter how carefully or clearly experienced – is evidence of our being deluded. In contrast, correct conventional perception is the undoing of that object-making, what he refers to as drenmé (dran med). Drenmé is an uncommon term the contexts of the two truths and meditation. Usually denoting a swoon or a coma, here it refers to a reversal or undoing of drenpa. What does it mean – if it means anything – to describe our perception of objects itself as evidence of our delusion? Can perception as object-making ever produce truth?

The Columbia Society for Comparative Philosophy (CSCP) is a University Seminar dedicated to the advancement of projects that draw on both western and non-western philosophy. The CSCP meets monthly on the campus of Columbia University and occasionally hosts conferences.

Please save the following dates for our upcoming talks:

March 30: Kin Cheung (Moravian College)

April 13: Lara Braitstein (McGill University)

May 11: David Cummiskey (Bates College)

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