Well-being, also known as prudential value, refers to whatever makes a life non-instrumentally good for the person living it. Well-being is the object of immense practical, philosophical, and scientific concern. Assessments of well-being help to guide our decisions in everyday life, from relationships, to health decisions, to education and career choices. Well-being is increasingly the object of governmental and institutional policy, and even policies that are not aimed directly at promoting it can be evaluated in terms of their impacts on well-being. Colleges and universities routinely offer programs designed to help students maintain their well-being in the face of academic and personal stress. However, debates over the nature of well-being have raged since the beginning of philosophical inquiry, leaving us in a bad position when it comes to making headway on addressing those practical and scientific concerns. The goal of this talk is to show how the application of naturalistic methodology can help us to resolve the philosophical stalemate and thus to make progress in our practical and scientific projects relating to well-being.
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Talk link — Email cruzdavis <at> umass.edu or jrc2266 <at> columbia.edu for the passcode
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Nietzsche (1844-1900) is one of the few philosophers who have an intimate connection to music. This connection has much to do with his early music education. His contemporaries testify that he was a good pianist. His musical ambition, or his musical daimon, urged him to compose music, although he had no training in this area. Most of his compositions are from his late teens; his earliest inspirations are Beethoven, Mozart, Haydn, Schubert, Schumann and Wagner. His compositions were gathered together and published by Curt Paul Janz in Friedrich Nietzsche, Der musikalische Nachlass. Nietzsche’s music is available in several productions. However, Nietzsche did not follow a musical path and decided to become a philologist and dedicated his life to writing and philosophy.
Nietzsche’s background in music, on the other hand, influenced his way of thinking and writing. All of these interesting areas between music, literature, and philosophy and Nietzsche’s relationship to music understood on a broad spectrum have been explored by many Nietzsche scholars including Georges Liébert, Graham Parkes, Francois Noudelmann, Stefan Lorenz Sorgner and others and in the anthology, An Anthology on Nietzsche and Music: Philosophical Thoughts and Musical Experiments, edited by the presenters of today’s event. This event is dedicated to the exploration of this relationship between Nietzsche and music.