Apr
5
Fri
German Idealism Workshop @ Columbia University, Philosophy rm 716
Apr 5 @ 4:30 pm – 6:30 pm

8 February @Columbia

Patricia Kitcher: The Fact of Reason in Kant’s Moral Psychology

Response: Jessica Tizzard

22 February @NSSR

Matters of Love: A Conference

5 April @Columbia

Beatrice Longuenesse: Residues of First Nature

19 April @NSSR

Angelica Nuzzo: Approaching Hegel’s Logic Obliquely: Melville, Moliere, Beckett

Response: David Carlson

10 May @Columbia

Amy Allen: Turning Dead Ends into Through Streets: Psychoanalysis and the Idea of Progress

Apr
19
Fri
German Idealism Workshop @ Columbia University, Philosophy rm 716
Apr 19 @ 4:30 pm – 6:30 pm

8 February @Columbia

Patricia Kitcher: The Fact of Reason in Kant’s Moral Psychology

Response: Jessica Tizzard

22 February @NSSR

Matters of Love: A Conference

5 April @Columbia

Beatrice Longuenesse: Residues of First Nature

19 April @NSSR

Angelica Nuzzo: Approaching Hegel’s Logic Obliquely: Melville, Moliere, Beckett

Response: David Carlson

10 May @Columbia

Amy Allen: Turning Dead Ends into Through Streets: Psychoanalysis and the Idea of Progress

May
10
Fri
German Idealism Workshop @ Columbia University, Philosophy rm 716
May 10 @ 4:30 pm – 6:30 pm

8 February @Columbia

Patricia Kitcher: The Fact of Reason in Kant’s Moral Psychology

Response: Jessica Tizzard

22 February @NSSR

Matters of Love: A Conference

5 April @Columbia

Beatrice Longuenesse: Residues of First Nature

19 April @NSSR

Angelica Nuzzo: Approaching Hegel’s Logic Obliquely: Melville, Moliere, Beckett

Response: David Carlson

10 May @Columbia

Amy Allen: Turning Dead Ends into Through Streets: Psychoanalysis and the Idea of Progress

Jun
26
Wed
Workshop on German Aesthetics @ Lowenstein, Plaza View Room (12th Floor)
Jun 26 all-day

Session I – Chair: Michael Begun (Fordham)

10:00 – Samantha Matherne (Harvard University)

“Rethinking Kantian Aesthetic Normativity”

11:30 – Wiebke Deimling (Clark University)

“Kant’s Theory of Tragedy”

1:00 – Lunch Break

Session II – Chair: Daryl Tress (Fordham)

2:30 – Melissa Zinkin (SUNY Binghamton)

“Aesthetic Judgment, the Generation of Concepts, and Cognitive Mastery in Kant”

4:00 – Jay Bernstein (New School for Social Research)

“Kant and Adorno on Mind and World: From Wild Beauties to Spiral Jetty

 

Sponsored by the Fordham Philosophy Department’s German Philosophy Group

Contact: Reed Winegar (bwinegar@fordham.edu)

Oct
4
Fri
Democracy and the Division of Labor. Axel Honneth (Columbia) @ Columbia U Philosophy Dept. 302
Oct 4 @ 4:00 pm – 6:00 pm

The New York German Idealism Workshop will be having its second session of the semester Friday, October 4th from 4:00-6:00 pm (please note time change) at Columbia University (302 Philosophy Hall). Axel Honneth (Columbia) will be presenting a paper entitled “Democracy and the Division of Labor” and Aminah Hasan-Birdwell (Furman/Columbia) will be providing comments.

For non-Columbia guests, please note that room 302 is located past the glass doors by the elevator; it requires a Columbia graduate/faculty/staff ID to enter, but people routinely enter and exit and you should be able to slip in very easily.

Oct
19
Sat
New Materialist Approaches to Sound @ Music Department, Columbia U
Oct 19 – Oct 20 all-day

Scholars working under the broad umbrella of New Materialism have offered compelling reappraisals of the ways in which we know, interact with, and exist in the world. This scholarship also intersects with recent work on music and sound, which raises rich sets of questions regarding human agency, material, ethics, aesthetics, embodiment, and the subject/object dichotomy, among other issues.

We invite scholars working in the humanities, arts and sciences to submit proposals for papers and performances that engage with the themes of sound and new materialism, broadly construed.  We welcome work that adopts historical, technological, analytical, philosophical, materialist, and creative vantage points, among others. Overall, this conference will direct these diverse disciplinary and methodological perspectives towards convergent and critical issues, creating new, interdisciplinary lines of enquiry and generating original research.

The one-day conference will consist of panels that comprise of papers with short reflections by a moderator, as well as an evening concert that includes opportunities for discussion. The concluding concert of work that engages with these themes from creative perspectives will afford attendees with an opportunity to consider and discuss issues concerning sound, material, and agency in a forum that contrasts with, but also complements, our events during the day. Conference participants are strongly encouraged to attend both the daytime and evening portions of the conference.

Proposals are called for:

Paper presentations of 20 minutes with 10 minutes of Q&A.

Artistic presentation of 20 minutes with 10 minutes of discussion

Submission: Proposals of no more than 500 words (300 words for artistic presentation) should be submitted as a PDF by August 14th 2019 to jc5036@columbia.edu

and include “NMAS Submission” in the subject line. If you’re applying for an artistic presentation please include three representative 2 minute audio/video examples. Please also include the title of your proposed paper and anonymize your submission.  Include your name, affiliation, and contact information in the body of the email, and also nominate any audio/visual requirements for your paper or performance.

https://philevents.org/event/show/74950

Oct
29
Tue
The Ethics of Immigration. Andrea Sangiovanni @ CUNY Grad Center, rm 9205/6
Oct 29 @ 6:15 pm – 8:00 pm

Presented by the Center for Global Ethics & Politics, The Ralph Bunche Institute for International Studies

Andrea Sangiovanni, European University Institute

Nov
18
Mon
Transnational Feminism. Serene Khader @ CUNY Grad Center, rm 9207
Nov 18 @ 6:15 pm – 8:00 pm

Presented by the Center for Global Ethics & Politics, The Ralph Bunche Institute for International Studies

Serene Khader, Brooklyn College

Nov
21
Thu
The Power of Art. Markus Gabriel @ Wolff Conference Room, D1106
Nov 21 @ 6:00 pm – 8:00 pm

We live in an era of aesthetics. Art has become both pervasive and powerful – it is displayed not only in museums and galleries but also on the walls of corporations and it is increasingly fused with design. But what makes art so powerful, and in what does its power consist?

According to a widespread view, the power of art – its beauty – lies in the eye of the beholder. What counts as art appears to be a function of individual acts of evaluation supported by powerful institutions. On this account, the power of art stems from a force that is not itself aesthetic, such as the art market and the financial power of speculators.  Art expresses, in a disguised form, the power of something else – like money – that lies behind it. In one word, art has lost its autonomy.

In his talk, Markus Gabriel rejects this view.  He argues that art is essentially uncontrollable. It is in the nature of the work of art to be autonomous to such a degree that the art world will never manage to overpower it. Ever since the cave paintings of Lascaux, art has taken hold of the human mind and implemented itself in our very being.   Thanks to the emergence of art we became human beings, that is, beings who lead their lives in light of an image of the human being and its position in the world and in relation to other species. Due to its structural, ontological power, art itself is and remains radically autonomous. Yet, this power is highly ambiguous, as we cannot control its unfolding.

Markus Gabriel holds the chair for Epistemology, Modern and Contemporary Philosophy at the University of Bonn and is also the Director of the International Center for Philosophy in Bonn as well as the director of the Center for Science at Thought at Bonn.

Presented by The New School for Social Research and Philosophy Department and it is co-sponsored with the Liberal Studies Department.

Dec
6
Fri
The Immortal Spirit in Classical Chinese Aesthetics. Paul Goldin (UPenn) @ Columbia University Religion Dept. 101
Dec 6 @ 5:30 pm – 7:30 pm

This will be the third (and, time permitting, some material from the fourth) of a series of lectures that I aim to write up formally as a book.  We will begin with a brief review of the most familiar theory of Chinese aesthetics: works of art are the products of sensitive human beings who cannot suppress their sincere responses to emotional stimuli.  If art is understood as a sincere statement of this kind by a great genius, it stands to reason that, by correctly interpreting the work, one can communicate with that genius’s mind (xin 心) even after his or her death–and, likewise, that an artist today can communicate with audiences yet unborn.  Art is thus timeless and offers the possibility of incorporeal immortality.  If there is extra time, I will also survey two interrelated phenomena that I call meta-criticism and meta-writing (since there are no technical terms for them in Chinese).  Meta-criticism, i.e. criticism of criticism, is a major feature of Chinese theories about art.  Meta-criticism must be related to meta-writing, or the practice of writing about writing while exemplifying the very styles and techniques that one recommends: for example, artfully rhyming a couplet about rhyming.

With responses from: SANDRA SHAPSHAY (Hunter College, CUNY)


The Fall dates for the Comparative Philosophy seminar:

September 20 – Justin Tiwald (San Francisco State University)
October 11 – Richard Kim (Loyola University, Chicago
November 8 – Sungmoon Kim (City University of Hong Kong)
December 6 – Paul R. Goldin (University of Pennsylvania)

More details (such as titles, abstracts, and respondents) to follow. Looking forward to seeing you soon.

Hagop Sarkissian
Associate Professor & Chair, Department of Philosophy, The City University of New York, Baruch College
Associate Professor, Department of Philosophy, CUNY Graduate Center 
Co-Director, Columbia Society for Comparative Philosophy

https://www.cbs.columbia.edu/cscp/