Søren Kierkegaard’s most famous work, Fear and Trembling, has the distinction of drawing near-universal derision from scholars of political theory and ethics. Dr. Dinan suggests that Kierkegaard’s readers haven’t accounted for his return to Socratic political philosophy as a direct riposte to the politics of G.W.F. Hegel and his successors. He considers the implications of Kierkegaard’s use of the ‘questionable stratagem’ of Socratic irony in relation to politics, ethics, Christian faith, and philosophy. Kierkegaard is concerned not with destroying political philosophy, but with restoring its attentiveness to paradox.
Dr. Matt Dinan, Assistant Professor, St. Thomas University
In this talk, I will sketch a theory of skill, which puts control at the center of the account. First, I present a definition of skill that integrates several essential features of skill that are often ignored or sidelined on other theories. In the second section, I spell out how we should think of the intentions involved in skilled actions and in the third section, I discuss why deliberate practice and not just experience, repetition, or exposure is required for skill development. In the fourth section, I claim that practice produces control and go on to spell out the notion of control relevant for a theory of skill. In the final section, I briefly outline three kinds of control that develop as a result of practice and which manifest the skillfulness of skilled action. They are strategic control, attention control, and motor control.
Presented by SWIP-Analytic
Scholars working under the broad umbrella of New Materialism have offered compelling reappraisals of the ways in which we know, interact with, and exist in the world. This scholarship also intersects with recent work on music and sound, which raises rich sets of questions regarding human agency, material, ethics, aesthetics, embodiment, and the subject/object dichotomy, among other issues.
We invite scholars working in the humanities, arts and sciences to submit proposals for papers and performances that engage with the themes of sound and new materialism, broadly construed. We welcome work that adopts historical, technological, analytical, philosophical, materialist, and creative vantage points, among others. Overall, this conference will direct these diverse disciplinary and methodological perspectives towards convergent and critical issues, creating new, interdisciplinary lines of enquiry and generating original research.
The one-day conference will consist of panels that comprise of papers with short reflections by a moderator, as well as an evening concert that includes opportunities for discussion. The concluding concert of work that engages with these themes from creative perspectives will afford attendees with an opportunity to consider and discuss issues concerning sound, material, and agency in a forum that contrasts with, but also complements, our events during the day. Conference participants are strongly encouraged to attend both the daytime and evening portions of the conference.
Proposals are called for:
Paper presentations of 20 minutes with 10 minutes of Q&A.
Artistic presentation of 20 minutes with 10 minutes of discussion
Submission: Proposals of no more than 500 words (300 words for artistic presentation) should be submitted as a PDF by August 14th 2019 to jc5036@columbia.edu
and include “NMAS Submission” in the subject line. If you’re applying for an artistic presentation please include three representative 2 minute audio/video examples. Please also include the title of your proposed paper and anonymize your submission. Include your name, affiliation, and contact information in the body of the email, and also nominate any audio/visual requirements for your paper or performance.
The last Philosophy in the Library talk of 2019 is coming up on December 4th at 7:00 PM! Sebastian Purcell is talking about “Good Habits Aren’t Enough: The Aztec Conception of Shared Agency!” If you’re into indigenous philosophy, the history of philosophy, virtue ethics, or collective action, you should enjoy it.
Brooklyn Public Philosophers is a forum for philosophers in the greater Brooklyn area to discuss their work with a general audience, hosted by the Brooklyn Public Library. Its goal is to raise awareness of the best work on philosophical questions of interest to Brooklynites, and to provide a civil space where Brooklynites can reason together about the philosophical questions that matter to them.
10/23 – Philosophy in the Library: Jennifer Morton on Education @ the Brooklyn Public Library’s Information Commons Lab // 7:30-9:00 PM
11/6 – Philosophy in the Library: Asia Ferrin on Mindfulness @ the Brooklyn Public Library’s Information Commons Lab // 7:30-9:00 PM
12/4 – Philosophy in the Library: Sebastian Purcell on Aztec Philosophy @ the Brooklyn Public Library’s Information Commons Lab // 7:00-9:00 PM
Eva Bockenheimer. Frederica Gregoratto. Thimo Heisenberg. Axel Honneth. Rahel Jaeggi. Gal Katz. Frederick Neuhouser. Andreja Novakovic. Angelica Nuzzo. Johannes-Georg Schülein. Italo Testa.
April 22-23 Time TBA
*In-person event
Please join us for a talk by Eric-John Russell (Universität Potsdam), who will present chapters from his recently published book, Why Everything is as it Seems: Hegel and Debord. Jacob McNulty (University College London) will provide a response followed by a Q&A with our audience.
Guy Debord has been called many things: pseudo-philosopher, nihilist, filmmaker, megalomaniac, strategist, third-rate Mephistopheles. His book The Society of the Spectacle (1967) has fallen into a similarly motley reception, frequently enveloped within the discourses of postmodernism, media and cultural studies, and avant-garde art history. My research however, dispenses with such narratives and instead offers a sustained examination of the concept of the society of the spectacle through the two pillars upon which Debord understood his own work as a critical theory of society: Marx’s critique of political economy and Hegel’s speculative philosophy. It is the latter that will be the focus of my paper, first by offering some introductory remarks on Debord’s theory of the spectacle but then arguing that it precisely the speculative dimension of Hegel’s dialectic that remains central for Debord’s diagnosis of twentieth century capitalism, with emphasis placed on the importance of Hegel’s Wesenslogik. I will conclude with the historical significance of Debord’s “heretical Hegelianism,” specifically as an intervention within the atmosphere of the French Hegelianism of the interwar and postwar period.
15 Feb, 4pm:
James Kreines (Claremont McKenna)
From Shapeless Abyss Towards Self-Developing Thought: Taking Hegel on Spinoza Seriously
@ The New School, Room L502, at 2 W 13th Street
Guests and visitors policies at the New School can be accessed via this website. You will have to download CLEAR and upload proof of vaccination or the results of a rapid test. Please try to arrive 15 minutes earlier so we can help you in case of complications.
Feb 24:
Georg Spoo (Freiburg)
Grounds and Limits of Immanent Critique: Kant, Hegel, Marx
@ Columbia
Mar 3:
Heikki Ikaheimo
Hegel, Humanity, and Social Critique
@ Zoom
Mar 24:
Stephen Howard (KU Leuven)
Kant’s Late Philosophy of Nature: The Opus Postumum
@ Columbia
Apr 11:
Karin de Boer
Does Kant’s Antinomy of Pure Reason Amount to an A Priori History of Rational Cosmology?
@ Columbia
Apr 15, 4pm:
Eva von Redecker
Co-sponsored by the New School Graduate Student Conference
@ The New School
Apr 21:
Giulia Battistoni
NAture, Life, Organizm: The Legacy of Romanticism and Classical German Philosophy in Jonas’ Philosophical Biology
@ The New School
David Bates, in conversation with Stefanos Geroulano and Joanna Stalnaker
We imagine that we are both in control of and controlled by our bodies—autonomous and yet automatic. This entanglement, according to David W. Bates, emerged in the seventeenth century when humans first built and compared themselves with machines. Reading varied thinkers from Descartes to Kant to Turing, Bates reveals how time and time again technological developments offered new ways to imagine how the body’s automaticity worked alongside the mind’s autonomy. Tracing these evolving lines of thought, David Bates discusses his new book, An Artificial History of Natural Intelligence, which offers a new theorization of the human as a being that is dependent on technology and produces itself as an artificial automaton without a natural, outside origin.
David Bates is Professor of Rhetoric at the University of California Berkeley. His research focuses on the history of legal and political ideas, and the relationship between technology, science, and the history of human cognition.
Stefanos Geroulanos is the Director of the Remarque Institute and Professor of European Intellectual History at NYU. He usually writes about concepts that weave together modern understandings of time, the human, and the body. His new book is a history of the concepts, images, and sciences of human origins since 1770, forthcoming from Liveright Press as The Invention of Prehistory: Empire, Violence, and Our Obsession with Human Origins in 2024.
Joanna Stalnaker is Professor of French at Columbia. She works on Enlightenment philosophy and literature, with a recent interest in how women shaped the Enlightenment. Her new book, The Rest Is Silence: Enlightenment Philosophers Facing Death, will be published by Yale University Press in the Walpole series.