Mar
17
Sun
Curved Spacetimes: Where Friedrich Nietzsche Meets Virginia Woolf @ The Tank, 1st flr.
Mar 17 @ 6:00 pm – 9:00 pm

Professor Barbara Gail Montero is the director of (and a performer in) the upcoming multimedia, interdisciplinary event Curved Spacetimes: Where Friedrich Nietzsche Meets Virginia Woolf. Prof. Nickolas Pappas will also perform (reading spoken word as Friedrich Nietzsche), and Prof. Jonathan Gilmore is a member of the team that brought the project to fruition.

According to the American Society for Aesthetics (who partially funded this project with a $7,000 grant), Curved Spacetimes is “multisensory event focused on the Physics, Aesthetics, and Metaphysics of Time. . . .[T]he evening will commence with a Nietzsche-Woolf-curved-spacetime-inspired reception that will allow you to test your knowledge of our central figures. Following the reception, you will experience Nietzsche, Woolf and curved spacetime coming to life on the stage (through dance, live music and the spoken word), and then listen to a panel discussion that will take you more deeply into the ideas guiding the performance.”

When: Sunday, March 17, 2019: 6-9 pm

Where: The Tank, 312 W. 36th St. 1st floor, New York  City.

Schedule of Events

  • 6 PM: Pre-performance catered reception—pass the Woolf/Nietzsche pre-test for a free drink!
  • 7 PM: Performance
  • 8 PM: Panel discussion on the physics, aesthetics, and metaphysics of time

Choreography: Logos Dance Collective (Barbara Gail Montero, Theresa Duhon, Patra Jongjitirat, and Gregory Kollarus)

Performers: Elise Crull, Theresa Duhon, Maxine Flasher-Duzgunes, Patra Jongjitirat, Gregory Kollarus, Barbara Gail Montero, and Nickolas Pappas

Music: Selections from Bach’s Cello Suites, performed live by cellist Ivan Luza

Text: excerpts from Thus Spoke Zarathustra, The Gay Science, Mrs. Dalloway, and The Diary of Virginia Woolf

Panelists for the after-performance discussion:

  • Jeff Friedman, Associate Professor of Dance Rutgers University
  • Kathleen Higgins, Professor of Philosophy, University of Texas at Austin
  • Timothy Maudlin, Professor of Philosophy, New York University
  • Heather Whitney, JD, Harvard Law School & PhD Candidate, New York University

Moderator: Rebecca Ariel Porte, Writer and member of the Core Faculty at the Brooklyn Institute for Social Research.

Free tickets for students in philosophy, literature, dance and physics are supported by the ASA grant and are available from bmontero@gc.cuny.edu

For all others, tickets are on sale now on-line at The Tank

Project Team:

  • Barbara Gail Montero (Project Director), Professor of Philosophy, CUNY and Founder and member of the Logos Dance Collective
  • Jonathan Gilmore, Professor of Philosophy, CUNY
  • Maxine Flasher-Duzgunes, BFA student in Dance at NYU’s Tisch School of the Arts and member of the Logos Dance Collective
  • Cliff Mak, Assistant Professor of English, Queens College, CUNY
May
17
Fri
Nietzsche Circle Fundraiser @ Beyhan Karahan & Associates Architects
May 17 @ 7:00 pm

Annual Nietzsche Circle Fundraiser with talk, music, drinks, and refreshments.

$25 General Admission

$10 Student Admission

Levels of Sponsorship:

Eagle: Above $600 (5 free tickets and 4 books)

Hawk: $600 (4 free tickets and 3 books)

Falcon: $400 (3 free tickets and 2 books)

Owl: $200 (2 free tickets and 1 book)

Donations can be made direct, at our website at www.nietzschecirclecom/support_us.html, or simply bring a check with you. Payable to: Nietzsche Circle. Funds may be held in an escrow account subject to determination of 501(c) compliance. We thank you.

Please RSVP with Luke Trusso at luke.trusso@gmail.com by May 10, 2019 and include any guests.

Oct
7
Mon
Resisting the Divides: Contemporary Philosophy of Art @ Brooklyn College Library
Oct 7 – Oct 8 all-day

The philosophy of art, as practiced in the western world, has tended to have two divided homes: in analytic philosophy and continental philosophy. Within the analytic tradition, the philosophy of art has recently undergone a revival with the emphasis on perception. This has more closely aligned art theory to science and questions of biology as well as to issues within psychology. The continental tradition has traditionally drawn upon phenomenology’s first-person experience with its ties to embodied perception as well as the social and historical concerns of the social aspect of art. In the realm itself of visual art, the state of (so-called) post-post modernism has resulted in both the dissolution of belief in progress and even, according to some art critics, a lamentable stagnation. But many philosophers of the last century, beginning with Walter Benjamin, Adorno, Nelson Goodman, etc., have suggested that art needs to be thought of within its social, pragmatic, or epistemological functions, suggesting perhaps a need to think of art outside the confines of modernism’s stylistic revolutions and formalist issues. Relatedly, the pluralism within science could be accessed as model for this enterprise. Multiple views on a phenomenon are required due to the complexity of the enterprise, and the practice of both making art and of perceiving it might be in that category. This conference seeks to bring these strands, the analytical and the continental ones, together and evaluate how to move forward with art theory in an age of globalization.

We welcome submissions on these possible questions:

1.     Should we value a diversity of perspectives in art theory? If so, what is the value? If not, why not?

2.     Are there aspects of art that we presume to be universal that are, in fact, culturally situated?

3.     How should different ways of experiencing art be characterized?

4.     What is the epistemological function of art?

5.     How does the monetary role in art affect both the artist and the perceiver of art?

6.     How do the mechanics of seeing (e.g., gist perception, peripheral vision, etc.) affect how we experience art?

7.     How does the practice of making art relate to the first-person experience?

8.     What role does Husserl’s “bracketing” have in the viewing or making of art?

9.     Are there specific non-western traditions that provide a better explanatory solution for the role of art than have the competing paradigms of continental and analytic?

We welcome your participation and look forward to your contributions. Papers should not extend over 45 minutes. Q & A are 15 minutes.

To submit anonymized abstract BY JULY 15, 2024: papers: https://docs.google.com/forms/d/e/1FAIpQLSe5c9bmoBYb3hCAb0YWWfzV0BLWbhig2PD5VeKU358VA3RKGw/viewform?usp=sf_link