There’s the question of what there is, and then there’s the question of what ultimately exists. Many contend that, once we have this distinction clearly in mind, we can see that there is no sensible debate to be had about whether there are such things as properties or tables or numbers, and that the only ontological question worth debating is whether such things are ultimate (in one or another sense). I argue that this is a mistake. Taking debates about ordinary objects as a case study, I show that the arguments that animate these debates bear directly on the question of which objects there are and cannot plausibly be recast as arguments about what’s ultimate. I also address the objection that, because they are trivially answerable, questions about what there is cannot be a proper subject of ontological debate.
Reception to follow.
The universe plausibly has an infinite future and an infinite past. Given unlimited time, every qualitative state that has ever occurred will occur again, infinitely many times. There will thus exist in the future persons arbitrarily similar to you, in any desired respects. A person sufficiently similar to you in the right respects will qualify as literally another incarnation of you. Some theories about the nature of persons rule this out; however, these theories also imply, given an infinite past, that your present existence is a probability-zero event. Hence, your present existence is evidence against such theories of persons.
Vegan reception to follow.
In this session, Mandik will expand on his idea that persons are abstract things. To do this, he will discuss recent philosophical issues about personal identity, mind-uploading, and whether you could upload your mind to a piece of technology and survive.
5/6 – Philosophy in the Library: Rivka Weinberg, “Ultimate Meaning: We Don’t Have it, We Can’t Get it, and We Should be Very, Very Sad” @ the Dweck Center // 7:30 P.M.-9:00 P.M.
“The issue of anarchy is at once metaphysical and political. Nevertheless, (French) philosophy and politics have always turned their backs on each other when defining it. One of the fundamental motivations of my lectures is to understand the reason of such a non-dialogue.
Different, sometimes contradictory, signs are making manifest the necessity of a new interrogation on anarchy in the current global political situation, far beyond the idea of a violent strategy against the State. How are we to understand and interpret those signs?”
– Catherine Malabou
Catherine Malabou is a Professor in the Philosophy Department at the Centre for Research in Modern European Philosophy (CRMEP) at Kingston University, at the European Graduate School, and in the department of Comparative Literature at the University of California Irvine, a position formerly held by Jacques Derrida.
Her last books include Morphing Intelligence, From IQ To IA, CUP (2018), Before Tomorrow: Epigenesis and Rationality (Cambridge: Polity Press, 2016, trans. Carolyn Shread), Self and Emotional Life: Merging Philosophy, Psychoanalysis, and Neuroscience (with Adrian Johnston; New York: Columbia University Press, 2013); with Judith Butler, You Be My Body For Me, For, Corporeity, Plasticity in Hegel’s Phenomenology of Spirit (London: Blackwell, 2012).
In English
Sponsored by Department of French Literature, Thought, and Culture
2023 marks the 50th anniversary of the birth of hip-hop, and the beginning of a sonic, cultural and socio-political revolution that changed the U.S. and the world. To commemorate the anniversary, Brooklyn Public Library will present NIGHT IN THE LIBRARY: THE PHILOSOPHY OF HIP-HOP on Saturday, June 17th, from 7 pm – 2 am at Central Library.
Join us for this FREE event that will take over the entire Central Library building to celebrate hip-hop culture past, present and future, with keynote addresses, live DJs, film screenings, discussions, debates and contemplative engagements. BPL invites you to celebrate hip-hop and spend a NIGHT IN THE LIBRARY.
Co-curated by LeBrandon Smith and Kelly Harrison. The Dilemma Series is curated by April R. Silver, founder of AKILA WORKSONGS.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.