Working Papers in Ethics and Moral Psychology is a speaker series conducted under the auspices of the Icahn School of Medicine Bioethics Program. It is a working group where speakers are invited to present well-developed, as yet unpublished work. The focus of the group is interdisciplinary, with an emphasis on topics in ethics, bioethics, neuroethics, and moral psychology. The meetings begin with a brief presentation by the invited speaker and the remaining time is devoted to a discussion of the paper. The speakers will make their papers available in advance of their presentation to those who sign up for the Working Papers mailing list.
Upcoming Speakers:
11 Oct: Jordan Mackenzie, NYU
8 Nov: Susana Nuccetelli, St. Cloud State
13 Dec: Michael Brownstein, John Jay
14 Mar: Kyle Ferguson, CUNY
18 Apr: Jeff Sebo, NYU
23 May: Johann Frick, Princeton
A number of authors have pointed out that the standard arguments for perception’s having nonconceptual content tell us nothing about the content of a state per se, but only instead about the sorts of capacities a subject must have in order to be in some state (i.e., whether the subject need or need not possess the specifying concepts in order to be in some state). Others have argued in response that the only reason for two states to require different conceptual capacities of the subject is precisely because they have different sorts of contents, and so there is no substantive difference between a ‘content’ view and a ‘state’ view. Here, I present evidence for states that do, in fact, share the same content but differ in the required conceptual capacities: exogenous perceptual states, and endogenous, voluntarily produced perceptual states. I argue that this functional difference—voluntary versus involuntary production—constitutes the difference in concept-dependence. I then look to three possibilities for how this claim could affect our understanding of the relationship between cognition and perception.
Brooklyn Public Philosophers is a forum for philosophers in the greater Brooklyn area to discuss their work with a general audience, hosted by the Brooklyn Public Library. Its goal is to raise awareness of the best work on philosophical questions of interest to Brooklynites, and to provide a civil space where Brooklynites can reason together about the philosophical questions that matter to them.
If you’re interested in finding out more, or if you’d like to give a talk, please e-mail Ian Olasov at his first and last name at gmail.com.
The Center for Philosophy of Religion at Rutgers University is pleased to host an in-person, working-papers conference on the Psychology and Epistemology of Religious Experience. We are seeking abstracts (150-350 words) from those interested in participating. The tentative date is 15-16 April 2023. And the deadline for submission is 28 February 2023. Participants with accepted submissions will be given hotel accommodations and a modest honorarium to help defray travel costs.
Theme
The overall theme of the workshop is the Psychology and Epistemology of Religious Experiences. Philosophers of religion frequently assign religious experiences important epistemic roles, such as justifying religious beliefs. But religious experiences of the kind philosophers are interested in are also studied in other fields as well, such as psychology and religious studies. However, the psychology and epistemology of religious experiences are presumably not independent; studying them together is likely to be insightful in various ways. To that end, we are interested in bringing together scholars working on the psychology and epistemology of religious experiences. Potential topics include:
· The nature of religious experiences
· Taxonomies of religious experiences
· Potential psychological mechanisms and accounts of religious experience
· The relation between perception and religious experiences
· The epistemology of religious experience
· The interactions between the psychology and epistemology of religious experience
· The relation of cognitive science of religion to religious experience
Any proposed papers on these topics, or similar ones, are welcome. Papers exploring interdisciplinary approaches are also welcome.
Instructions
Please submit an abstract (150-350 words), long abstract (350-650 words), or full paper to Timothy Perrine at tp654@scarletmail.rutgers.edu. Submission should be prepared for blind review. In a separate document please provide your name, institutional affiliation (if applicable), and contact information. Submission deadline is 28 February; acceptances will be decided by 5 March; and the workshop will be held 15-16 April.
Keynote Speakers: Lewis Gordon (University of Connecticut), Michael Nagenborg (Twente University), and Paula Cristina Pereira (Universidade do Porto)
The Philosophy of the City Research Group (POTC RG) is a global community of scholars dedicated to understanding the city and urban affairs. We invite you to join us for our tenth-anniversary conference.
Presentations on any philosophical issue about cities are welcome. Some topics include urban aesthetics, housing, local governance, conceptualizing cities, policy, infrastructure, distribution, recognition, urban technologies, nonhuman considerations, water issues, feeding the city, street art, energy, mobility, city life, urban culture, justice, the city in philosophy’s history, discrimination, public space, immigration, examining specific cities, urban expansion, and defining the city.
For individual submissions, provide abstracts of 300 words. For panels of 3-4, each abstract should be 200 words. The submission portal is available here. Deadline: May 1, 2023.
We are pleased to offer a Graduate Student Presentation Award of 300 USD and refunded registration ($50) to be given at the concluding ceremony. To be eligible, indicate a desire for consideration at the end of the submission. All participants are encouraged to submit revised versions of presentations to the Philosophy of the City Journal.
A special panel featuring Shane Epting, Michael Menser, and guests will discuss philosophy of the city’s progress, and possible future directions will be announced. For more information and questions, visit The Philosophy of the City Research Group’s website.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.