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I defend a contextual reconstruction of Nietzsche’s philosophical project. My contextualist reconstruction contrasts with the rationalist reconstruction predominant in contemporary Anglo-American scholarship. After discussing the differences between the two approaches, I show how the rationalist reconstruction has distorted our understanding of Nietzsche in at least two respects. First, in trying to extract theories from Nietzsche’s corpus that will be attractive to contemporary philosophers, it has caused scholars largely to neglect the nature, structure, and argument of Nietzsche’s published works. Here, I make my case by focusing on common misunderstandings of Nietzsche’s free spirit works. Second, it has caused scholars to tame Nietzsche’s project by dismissing Thus Spoke Zarathustra as mere poetry and distancing Nietzsche from controversial ideas such as the will to power and the eternal recurrence. In contrast, I argue that by reading Nietzsche as a naturalist through the lens of a historical influence like Schopenhauer, rather than anachronistically through Quine, we can begin to make sense of these essential features of his project. I close with some remarks about why a contextual reconstruction may not only be truer to Nietzsche, but also more philosophically satisfying than the rationally reconstructed Nietzsche currently on offer.

There is a broad consensus that Aristotle introduced the concept of matter in order to develop a consistent account of substantial change. However, it is disputed which role matter fulfills in substantial change. According to the traditional interpretation, matter persists while taking on or losing a substantial form. According to a rival interpretation, matter does not persist in substantial change; instead, it is an entity from which a new substance can emerge and which ceases to exist in this process. In my view, both interpretations are problematic in the light of Aristotle’s broader ontological project and are at odds with the way Aristotle describes the substantial generation of living beings. On the basis of Aristotle’s biological theory, I will suggest that Aristotelian matter is a continuant in substantial generation, but does not satisfy the common criteria for persistence that apply to individual substances.

Anna Schriefl
Anna Schriefl is Wissenschaftliche Mitarbeiterin (assistant professor) at the University of Bonn, and currently a visiting scholar at the New School. She has published a book about Plato’s criticism of money and wealth, and most recently an introduction into Stoicism (both in German).

The Vanishing Point of Existence: Kierkegaard and the Ethics of the Novel.

Presented by: Yi-Ping Ong, Associate Professor, Department of Comparative Thought and Literature, Johns Hopkins University.

Presented by Liberal Studies at The New School of Social Research

According to a pervasive and widespread literature, we came, whether we want it or not, to surround our existences with all sorts of narratives: retrospective interpretations of what came before us and how we were born, anticipative stories about what is to come and what we should expect, and, most of all, restless attempts to describe what our present is made of so that we know how to make sense of it. First-person narratives occupy a central position amongst these varieties of narratives, as they give each of us a chance to provide meaning to our lives and achieve some kind of self-understanding.

Taking a resolutely opposite stance, Sartre (in)famously declared through the voice of the main character of his novel La Nausée that stories cannot but betray the lives they claim to describe, and necessarily fail to be faithful to the very experiencing of life that constitutes its specific grain and texture. In which sense is this failure a failure? In which sense must we consider it a failure, if narratives are the privileged device we use to make sense of existences in general, and ours in particular? Wouldn’t it be both tragic and ironical, from that perspective, that we live our lives in a way that remains impervious to our attempts to bring some meaning over our existence, and that first-person narratives should be regarded as fundamentally inadequate to account for life as we live it?

This paper will address these questions in light of the definition of ‘tragic irony’ that Richard Moran draws from his interpretation of Sartre, understanding tragedy as a clash between forms of significance displayed by incompatible perspectives. We will examine in particular the problem raised by first-person narratives, which conflate the seemingly incompatible perspectives of the narrator and of the character of the story. I will argue that Moran’s view fails to show in which sense the failure of first-person narratives are also, according to Sartre, the condition of their success, and that the irony of life might rely first and foremost on its ability to succeed even when and where it fails. After all, isn’t it the most ironical of it all that Sartre, notwithstanding his harsh critique of the fundamental inadequacy of life narratives, ended his literary career with the publication of his most acclaimed autobiography?

Bio:

Pierre-Jean Renaudie is Assistant Professor of philosophy (phenomenology and contemporary German philosophy) at the University of Lyon. He is the author of a book on Husserl’s theory of knowledge (Husserl et les categories. Langage, pensée et perception, Paris, Vrin, 2015), co-edited a book on phenomenology of matter (Phénoménologies de la matière, with C.V. Spaak, Paris, CNRS Editions, 2020) and published many articles, in French and in English, on the phenomenological tradition and its connection with contemporary issues in philosophy of mind. He is a member of the Institut de recherches philosophiques de Lyon (IRPHIL) and an associate member of the Husserl Archives in Paris.

Western metaphysics is based on the opposition between reality and appearance. This construction essentially rests on a visual model, or more exactly on some staging of what visual experience is.
I am going to question the basis of this metaphysics, by taking into account the reality of appearances and reflecting on their various uses, in particular artistic ones. This path will be taken in the first place by shifting the focus of philosophical analysis from visual to acoustic models. Thus, I will envisage a realism of echoes, as opposed to the metaphysics of shadows.

Biography:

Jocelyn Benoist, born in 1968, is Professor at the university Paris 1 Panthéon-Sorbonne, where he teaches Contemporary Philosophy, and currently a member of the ‘Institut Universitaire de France’. He has dedicated his early work to phenomenology and the bridges between phenomenology and early Analytic philosophy. For some time he was the Director of the Husserl Archive of Paris at the Ecole Normale Supérieure. Then, he developed a personal investigation into the meaning of realism in philosophy. He has published many books, including recently: Toward a Contextual Realism, H.U.P., 2021, and Von der Phänomenologie zum Realismus, Mohr Siebeck, 2022.

In the final part of The Human Condition (1958) Hannah Arendt turns to the danger of ‘world- alienation’. Based on a variety of discoveries and evolutions that are constitutive of modernity (globalization, Protestantism, the invention of the telescope), modern man has adopted an Archimedean, external position vis-à-vis the world. According to Arendt, this ‘view from without’ has gradually jeopardized the experience of a shared world, endangering the foundation of all meaning-giving activities.

My talk can be considered as a reply to Arendt’s pessimistic account of modern ‘world-alienation’. It builds on the idea that some of the most influential thinkers of the twentieth century (Ernst Jünger, Georg Lukács, Ernst Bloch, Theodor Adorno, Walter Benjamin, Aby Warburg, Sigmund Freud) did not equate the loss of a shared world with the loss of meaning. Rather, the conceptual framework of a substantial part of early twentieth century German philosophy centers on the exploration of a productive opposition, negation or fragmentation of the world. From the perspective of these thinkers, the world’s ‘durability’ (Arendt) is not simply a source of shared meaning since it can be experienced as the mark of its indifference to change and renewal.

Bio:

Stéphane Symons is Full Professor of Philosophy at the Institute of Philosophy of the University of Leuven, Belgium. His research is focused on interwar German thought (Frankfurt School) and postwar French philosophy (structuralism and post-structuralism).