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In 1804 Schelling diagnosed our impending “annihilation of nature” due to our conceptual detachment from and consequent economic exploitation of our natural world. His critique of Modernity’s Cartesian Idealisms, effected through his inversion of the Kantian categories, results in a philosophical project whose relevance to our ongoing climate crisis is difficult to overstate.

Bruce Matthews
Bard College/BHSEC, professor of philosophy, research in German Idealism and Romanticism, with a focus on life and thought of F.W.J. Schelling, whose recent work revolves around Schelling’s critique of modernity with its anticipation of, as he wrote in 1804, ‘the annihilation of nature,’ and its relevance to the Anthropocene.

“Schelling in the Anthropocene: A New Mythology of Nature,” (Symposium: Canadian Journal of Continental Philosophy, 2015), “Schelling: A Brief Biographical Sketch of the Odysseus of German Idealism,” in The Palgrave Handbook to German Idealism (2014), and “The New Mythology: Between Romanticism and Humanism,” in The Relevance of Romanticism (Cambridge University Press, 2014). Books include the forthcoming intellectual biography, Schelling: Heretic of Modernity (2018), Schelling’s Organic Form of Philosophy: Life as the Schema of Freedom (SUNY 2011).

Presented by the Philosophy Department at The New School for Social Research

Over the last decades, the humanities have come under pressure from the scientific worldview. To many, it seems as if the humanities provide us at best with less-than-objective knowledge claims. Arguably, there are at least two overall reasons for this. On the one hand, the scientific worldview tends to associate objectivity with the kind of knowledge-acquisition, explanation, and justification characteristic of the natural sciences. On the other hand, the humanities themselves have contributed to the impression that they might be less relevant than the natural sciences to epistemic progress due to internal problems having to do with the very concept(s) of knowledge, reality and objectivity.

New Realism is a term for a whole series of current trends in philosophy that has important consequences for our understanding of knowledge in general. In particular, it reshapes our account of the human being qua source and object of knowledge claims. In this context, New Realism draws on a crucial indispensability thesis: we simply cannot eliminate the standpoint from which humans gather information about human and non-human reality alike from our account of reality itself. In light of this thesis, it turns out that the humanities are fully-fledged contributions to objective knowledge about reality – a fact we cannot ignore without succumbing to illusion. Against this background, the talk concludes that the so-called “scientific worldview” is untenable: it is built upon a denial of knowledge we actually possess, and so, by not being scientific enough, it fails to respect its own premises.

About the speaker:

Markus Gabriel holds the chair in epistemology, modern and contemporary philosophy at the University of Bonn. He is the director of the International Center for Philosophy and the multidisciplinary Center for Science and Thought. With Jocelyn Benoist he also directs Bonn-Paris Center for Research on New Realisms. His work focuses on contemporary philosophy, in particular epistemology and ontology, in an attempt to spell out the consequences of various trends in philosophy in a conversation with the humanities. Currently, he is working on a book called Fictions which deals with topics at the intersection of philosophy, literary studies and sociology.

The NYU Department of German and Deutsches Haus at NYU present “Objectivity and the Humanities – Prospects for a New Realism,” a talk by Professor Markus Gabriel.

Attendance information:

Events at Deutsches Haus are free of charge. If you would like to attend this event, please send us an email to deutscheshaus.rsvp@nyu.edu. Space at Deutsches Haus is limited; please arrive ten minutes prior to the event. Thank you!

“Objectivity and the Humanities – Prospects for a New Realism” is a DAAD-supported event.

This one-day symposium looks at Hofstra Professor Kathleen Wallace’s new book, The Network Self: Relation, Process, and Personal Identity (Routledge, 2019). The book offers a systematic treatment of the notion of the self as constituted by social, cultural, political, and biological relations. The event will feature Diana Meyers, University of Connecticut; Vincent Colapietro, University of Rhode Island; and Amy Shuster, Dennison University, with a response from Professor Wallace.

The Vanishing Point of Existence: Kierkegaard and the Ethics of the Novel.

Presented by: Yi-Ping Ong, Associate Professor, Department of Comparative Thought and Literature, Johns Hopkins University.

Presented by Liberal Studies at The New School of Social Research

According to a pervasive and widespread literature, we came, whether we want it or not, to surround our existences with all sorts of narratives: retrospective interpretations of what came before us and how we were born, anticipative stories about what is to come and what we should expect, and, most of all, restless attempts to describe what our present is made of so that we know how to make sense of it. First-person narratives occupy a central position amongst these varieties of narratives, as they give each of us a chance to provide meaning to our lives and achieve some kind of self-understanding.

Taking a resolutely opposite stance, Sartre (in)famously declared through the voice of the main character of his novel La Nausée that stories cannot but betray the lives they claim to describe, and necessarily fail to be faithful to the very experiencing of life that constitutes its specific grain and texture. In which sense is this failure a failure? In which sense must we consider it a failure, if narratives are the privileged device we use to make sense of existences in general, and ours in particular? Wouldn’t it be both tragic and ironical, from that perspective, that we live our lives in a way that remains impervious to our attempts to bring some meaning over our existence, and that first-person narratives should be regarded as fundamentally inadequate to account for life as we live it?

This paper will address these questions in light of the definition of ‘tragic irony’ that Richard Moran draws from his interpretation of Sartre, understanding tragedy as a clash between forms of significance displayed by incompatible perspectives. We will examine in particular the problem raised by first-person narratives, which conflate the seemingly incompatible perspectives of the narrator and of the character of the story. I will argue that Moran’s view fails to show in which sense the failure of first-person narratives are also, according to Sartre, the condition of their success, and that the irony of life might rely first and foremost on its ability to succeed even when and where it fails. After all, isn’t it the most ironical of it all that Sartre, notwithstanding his harsh critique of the fundamental inadequacy of life narratives, ended his literary career with the publication of his most acclaimed autobiography?

Bio:

Pierre-Jean Renaudie is Assistant Professor of philosophy (phenomenology and contemporary German philosophy) at the University of Lyon. He is the author of a book on Husserl’s theory of knowledge (Husserl et les categories. Langage, pensée et perception, Paris, Vrin, 2015), co-edited a book on phenomenology of matter (Phénoménologies de la matière, with C.V. Spaak, Paris, CNRS Editions, 2020) and published many articles, in French and in English, on the phenomenological tradition and its connection with contemporary issues in philosophy of mind. He is a member of the Institut de recherches philosophiques de Lyon (IRPHIL) and an associate member of the Husserl Archives in Paris.