Oct
31
Thu
Freud: An Intellectual Biography. Joel Whitebook @ Wolff Conference Room, D1106
Oct 31 @ 6:00 pm – 8:00 pm

Dr.Joel Whitebook, Philosopher and Psychoanalyst will discuss his book Freud: An Intellectual Biography

As Hegel observed, the “Objective Spirit” never stands still — an observation that is especially true today. As a result, members of every generation have to return to the classics and reappropriate them for themselves. This is what Joel Whitebook has done in his recently published intellectual biography of Freud (Cambridge University Press) that we will be discussing in this workshop.

Cutting through the tired clichés of the “Freud Wars,” the author presents us with a radically new portrait of the founder of psychoanalysis. Because Whitebook is a philosopher as well as a psychoanalyst, he has been able to integrate many of the profound transformations that have taken place in psychoanalytic theory and practice, infant research, gender studies, philosophy, and critical theory since Ernest Jones and Peter Gay published their canonical studies in the last century. Whitebook thereby succeeds in creating an account of Freud’s achievement that speaks to our cultural situation.

Furthermore, in addition to presenting the unfolding of Freud’s thinking in the context of the developments in his personal life and in the society at large, Whitebook has also succeeded in bringing this iconic man to life in compelling fashion.  Where Freud often tried to protect himself by hiding behind the forbidding mask of an authoritarian patriarch and unbending rationalist, we come to see him as the vulnerable, complex, and all-too-human person that he was.

Presented by The New School for Social Research and Philosophy Department and it is co-sponsored with the Ferenczi Center.

Dec
5
Thu
Conversion Disorder: Listening to the Body in Psychoanalysis. Jamieson Webster & Adrienne Harris @ Wolff Conference Room, D1106
Dec 5 @ 6:00 pm – 8:00 pm

“Being dragged into the orbit of Webster’s mind is like entering the Magic Mountain: you go in as a visitor, and stay as a patient”

– Tom Mcarthy, author of Remainder and Satin Island

“Jamieson Webster’s new work reflects upon that aspect of hysteria—or conversion disorder—that has eluded the attention of most commentators: the indifference of the subject at the very moment that the symptom is most clearly enacted. This point of departure allows Webster to think about what the body contains but also what traverses the body at a level that is prior to speech, that is perhaps the condition of speech itself. This incisive and unsettling meditation gives us a form of psychoanalytic writing that tracks the transference as bodily transformation and impasse. It is written in and for our times, when the courage and difficulty of the slow labor of psychoanalysis provides a perspective that eludes the certitudes of dogma and the exhilarations of false promises. Webster’s book asks us to stay within the domain of difficult exchange where what registers and shifts at the level of the body lets us know more about what we can expect of life and what our own living carries of the lives of others. Beautifully written, theoretically brave, and disturbing in all the best ways”.

– Judith Butler, Maxine Elliot Professor of Comparative Literature and Critical Theory, University of California, Berkeley

https://cup.columbia.edu/book/conversion-disorder/9780231184083

https://blog.lareviewofbooks.org/interviews/cost-alone-cassandra-seltman-interviews-jamieson-webster/

From the book:

Conversion disorder—a psychiatric term that names the enigmatic transformation of psychic energy into bodily manifestations—offers a way to rethink the present. With so many people suffering from unexplained bodily symptoms; with so many seeking recourse to pharmacological treatments or bodily modification; with young men and women seemingly willing to direct violence toward anybody, including themselves—a radical disordering in culture insists on the level of the body.

Part memoir, part clinical case, part theoretical investigation, this book searches for the body. Is it a psychopathological entity; a crossroads for the cultural, political, and biological in the form of care; or the foundation of psychoanalytic work on the question of sexuality? Jamieson Webster traces conversion’s shifting meanings—in religious, economic, and even chemical processes—revisiting the work of thinkers as diverse as Benjamin, Foucault, Agamben, and Lacan. She provides an intimate account of her own conversion from patient to psychoanalyst, as well as her continuing struggle to apprehend the complexities of the patient’s body. When listening to dreams, symptoms, worries, or sexual impasses, the body becomes a defining trope that belies a vulnerable and urgent wish for transformation. Conversion Disorder names what is singular about the entanglement of the fractured body and the social world in order to imagine what kind of cure is possible.

Presented by The New School for Social Research and Philosophy Department and it is co-sponsored with the Ferenczi Center.

Jan
31
Fri
Jamieson Webster & Adrienne Harris on “Conversion Disorder: Listening to the Body in Psychoanalysis” @ New School, Wolff Conference rm D1103
Jan 31 @ 6:00 pm – 8:00 pm

“Being dragged into the orbit of Webster’s mind is like entering the Magic Mountain: you go in as a visitor, and stay as a patient”

— Tom Mcarthy, author of Remainder and Satin Island

“Jamieson Webster’s new work reflects upon that aspect of hysteria—or conversion disorder—that has eluded the attention of most commentators: the indifference of the subject at the very moment that the symptom is most clearly enacted. This point of departure allows Webster to think about what the body contains but also what traverses the body at a level that is prior to speech, that is perhaps the condition of speech itself. This incisive and unsettling meditation gives us a form of psychoanalytic writing that tracks the transference as bodily transformation and impasse. It is written in and for our times, when the courage and difficulty of the slow labor of psychoanalysis provides a perspective that eludes the certitudes of dogma and the exhilarations of false promises. Webster’s book asks us to stay within the domain of difficult exchange where what registers and shifts at the level of the body lets us know more about what we can expect of life and what our own living carries of the lives of others. Beautifully written, theoretically brave, and disturbing in all the best ways”.

— Judith Butler, Maxine Elliot Professor of Comparative Literature and Critical Theory, University of California, Berkeley

https://cup.columbia.edu/book/conversion-disorder/9780231184083

https://blog.lareviewofbooks.org/interviews/cost-alone-cassandra-seltman-interviews-jamieson-webster/

From the book:

Conversion disorder—a psychiatric term that names the enigmatic transformation of psychic energy into bodily manifestations—offers a way to rethink the present. With so many people suffering from unexplained bodily symptoms; with so many seeking recourse to pharmacological treatments or bodily modification; with young men and women seemingly willing to direct violence toward anybody, including themselves—a radical disordering in culture insists on the level of the body.

Part memoir, part clinical case, part theoretical investigation, this book searches for the body. Is it a psychopathological entity; a crossroads for the cultural, political, and biological in the form of care; or the foundation of psychoanalytic work on the question of sexuality? Jamieson Webster traces conversion’s shifting meanings—in religious, economic, and even chemical processes—revisiting the work of thinkers as diverse as Benjamin, Foucault, Agamben, and Lacan. She provides an intimate account of her own conversion from patient to psychoanalyst, as well as her continuing struggle to apprehend the complexities of the patient’s body. When listening to dreams, symptoms, worries, or sexual impasses, the body becomes a defining trope that belies a vulnerable and urgent wish for transformation. Conversion Disorder names what is singular about the entanglement of the fractured body and the social world in order to imagine what kind of cure is possible.

Presented by The New School for Social Research and Philosophy Department and it is co-sponsored with the Ferenczi Center.

Nov
18
Fri
PHILOSOPHY FILM CLUB SCREENINGS: Mad Max: Fury Road @ New School M104 (The Bark Room), Sheila C. Johnson Design Center
Nov 18 @ 6:00 pm – 9:00 pm

General Description:

This semester, the Philosophy Film Club at The New School is hosting a series of films to consider the notion of founding myths — the inspiring, frightening, and defining speculative fictions that ground our sense of belonging to place, community, and a way of life. Each screening will begin and conclude with a discussion facilitated by a member of the NSSR Philosophy Department. In the spirit of community, all are welcome!

Philosophy Film Club hosts a screening of the post-
apocalyptic drama Mad Max: Fury Road directed by George Miller. Join us for a screening and post-film discussion of this style-redefining vision of a future “in which men have become the pawns of insane leaders and women hold fiercely onto [while fighting fiercely for] the last vestiges of hope.”

Location: Bark Room (M104), Sheila C. Johnson Design Center (ground floor), 2 W. 13th Street at Fifth Avenue

 

For more information or to be added to the mailing list, email: veronica@newschool.edu

Apr
28
Fri
Philosophy Film Club Screening: ‘The Banshees of Inisherin’ @ Bark Room (M104), Sheila C. Johnson Design Center
Apr 28 @ 6:00 pm – 9:00 pm

The Philosophy Film Club at The New School is hosting a screening of ‘The Banshees of Inisherin’ (dir. Martin McDonagh), with pre- and post-film discussion facilitated by James Trybendins, PhD Student in Philosophy.

In the spirit of community, all are invited to the Spring 2023 film screening series hosted by the Philosophy Film Club at The New School. Everyone — whether seasoned in philosophy or without any prior philosophical training — with an interest in philosophy, film, and/or conversation about the meaning of what we experience is welcome! Each screening will begin and conclude with a discussion facilitated by a member of the NSSR Philosophy Department. Snacks and beverages also provided.

For more information or to be added to the mailing list, email: veronica@newschool.edu

Sep
29
Fri
Nature’s Vicissitudes: Richard J. Bernstein’s final pragmatic naturalism @ Fordham University at Lincoln Center
Sep 29 – Sep 30 all-day

Richard J. Bernstein first encountered John Dewey’s pragmatist naturalism as a graduate student at Yale University, where  “Dewey’s naturalistic vision of the relation of experience and nature—how human beings as natural creatures are related to the rest of nature—spoke deeply to me.” This early enthusiasm for Dewey’s naturalistic vision never left him. During the final years of his long life, Bernstein finished two books that return to issues of pragmatist naturalism.

·       His Pragmatic Naturalism: John Dewey’s Living Legacy (2020), traces differing versions of Deweyan naturalism in the works of contemporary philosophers, including Robert Brandom, John McDowell, Richard Rorty, Wilfrid Sellars, Peter Godfrey-Smith, Philip Kitcher, Bjorn Ramberg, David Macarthur, Steven Levine, Mark Johnson, Robert Sinclair, Huw Price, and Joseph Rouse.

·       In his final book, The Vicissitudes of Nature (2022), Bernstein clarifies his own pragmatist naturalism in relation to the thinking of earlier modern philosophers: Spinoza, Hume, Kant, Hegel, Marx, Nietzsche, and Freud.

This conference will critically assess and expand the legacy of Bernstein’s final pragmatic naturalism as expressed in these two books. Accepted papers will be collected for publication.

The New York Pragmatist Forum

Paper topics may include: 

●      Bernstein’s discussion of Dewey’s thinking in relation to contemporary philosophers’ formulations of naturalism in Pragmatic Naturalism: John Dewey’s Living Legacy.

●      Bernstein’s interpretation of an earlier thinker’s understanding of naturalism or nature in The Vicissitudes of Nature (Spinoza, Hume, Kant, Hegel, Marx, Nietzsche, or Freud).

●      A larger theme or problem that brings one of these Bernstein’s texts into conversation with philosophical naturalism, either particular expressions or conceptual issues.

●      The consequences of one or both of these texts for questions of naturalism in relation to wider social and political questions, e.g., democracy, praxis, critique.

Abstracts: Please submit an abstract of no more than 500 words to tara@newschool.edu.

Submission Deadline: May 22, 2023 

NYPF Conference Committee:

Sergio Gallegos, John Jay College of Criminal Justice

Judith Green, Fordham University
Brendan Hogan, New York University

Tara Mastrelli, New School for Social Research

David Woods, New York University

Philosophy Film Club Screening: ‘Millennium Actress’ @ M104/The Bark Room
Sep 29 @ 6:00 pm – 9:00 pm

The Philosophy Film Club at The New School is hosting a screening of ‘Millennium Actress’ (dir. Satoshi Kon).

 

You are invited to join us in squaring this gorgeously animated circle, as we explore questions of memory, perspective, and narrative. Pre- and post-film discussion will be facilitated by none other than PJ Gorre (Director of Curricular Affairs + Implementation at Parsons and PhD Candidate in Philosophy).

This semester, an international lineup will take us on cosmic, labyrinthine, miraculous journeys; if that sounds hyperbolic, just wait. Those compelled by form will find ample meta-cinematic gristle, while those wishing to dive into content will meet oceans for us to navigate.

Everyone — whether seasoned in philosophy or without any prior philosophical training — with an interest in philosophy, film, and/or conversation about the meaning of what we experience is welcome! Each screening will begin and conclude with a discussion facilitated by a member of the NSSR Philosophy Department. Snacks and beverages always provided.

Future Screenings:

La Flor’ Part 3 (dir. Mariano Llinás), with guest facilitator Dr. Miguel Paley (Fordham University), on Friday, October 20, 2023

‘Stalker (dir. Andrei Tarkovsky), with guest facilitator Olga Knizhnik (PhD Candidate, Philosophy) on Friday, November 12, 2023

Location:

 

Bark Room (M104), Sheila C. Johnson Design Center (ground floor), 68 5 Ave (2 W. 13th Street at Fifth Avenue entrance)

For more information or to be added to the mailing list, email: veronica@newschool.edu

Oct
20
Fri
Philosophy Film Club Screening: ‘La Flor’ Part 3 @ M104/The Bark Room
Oct 20 @ 6:00 pm – 9:00 pm

The Philosophy Film Club at The New School is hosting a screening of Part 3 of ‘La Flor’ (dir. Mariano Llinás).

 

By way of introduction, a few words from our guest facilitator Dr. Miguel Paley (Fordham University):

“Hello all! For my session I’ve chosen to talk about the movie La Flor, a personal favorite! This amazing movie is a bit unusual though, it has 6 standalone parts which altogether end up totaling just over 14 hours (insane I know!). Since we obviously can’t watch it all together, I encourage everyone to watch the movie little by little a month or a few weeks before we meet. The movie is great and you won’t regret it!

(The movie is available to watch here and you can get some info about it here.

Looking forward to seeing everyone! -Miguel”

———–

 

This semester, an international lineup will take us on cosmic, labyrinthine, miraculous journeys; if that sounds hyperbolic, just wait. Those compelled by form will find ample meta-cinematic gristle, while those wishing to dive into content will meet oceans for us to navigate.

 

Everyone — whether seasoned in philosophy or without any prior philosophical training — with an interest in philosophy, film, and/or conversation about the meaning of what we experience is welcome! Each screening will begin and conclude with a discussion facilitated by a member of the NSSR Philosophy Department. Snacks and beverages always provided.

 

Future Screening:
‘Stalker (dir. Andrei Tarkovsky), with guest facilitator Olga Knizhnik (PhD Candidate, Philosophy) on Friday, November 12, 2023

Bark Room (M104), Sheila C. Johnson Design Center (ground floor), 68 5 Ave (2 W. 13th Street at Fifth Avenue entrance)

 

For more information or to be added to the mailing list, email: veronica@newschool.edu

Nov
10
Fri
Philosophy Film Club Screening: ‘Stalker’ @ M104/The Bark Room
Nov 10 @ 6:00 pm – 9:00 pm

The Philosophy Film Club at The New School is hosting a screening of ‘Stalker’ (dir. Andrei Tarkovsky).

 

You are warmly invited to join us for a screening + discussion of “the movie we need right now” (per Salon), an immersion into “undistracted contemplation” that “abounds with moments of baffling beauty and philosophical heft within its vast finitude.” Our esteemed colleague Olga Knizhnik (PhD Candidate in Philosophy) will help facilitate our pre- and post-film discussion.

———————-

 

This semester, an international lineup will take us on cosmic, labyrinthine, miraculous journeys; if that sounds hyperbolic, just wait. Those compelled by form will find ample meta-cinematic gristle, while those wishing to dive into content will meet oceans for us to navigate.

 

Everyone — whether seasoned in philosophy or without any prior philosophical training — with an interest in philosophy, film, and/or conversation about the meaning of what we experience is welcome! Each screening will begin and conclude with a discussion facilitated by a member of the NSSR Philosophy Department. Snacks and beverages always provided.

Location:

 

Bark Room (M104), Sheila C. Johnson Design Center (ground floor), 68 5 Ave (2 W. 13th Street at Fifth Avenue entrance)

For more information or to be added to the mailing list, email: veronica@newschool.edu

Apr
1
Mon
Robert Pippin discusses Bresson’s Pickpocket (screening + discussion) @ Wolff Conference Room/D1103
Apr 1 @ 6:00 pm – 9:00 pm

The Philosophy Film Club and Liberal Studies present a screening of Robert Bresson’s Pickpocket (1959) and discussion led by Robert Pippin (U Chicago).

Generally considered one of Bresson’s greatest works, Pickpocket tells an “incomparable story of crime and redemption … A cornerstone of the career of this most economical and profoundly spiritual of filmmakers, Pickpocket is an elegantly crafted, tautly choreographed study of humanity in all its mischief and grace, the work of a director at the height of his powers” (Criterion Collection).

Robert B. Pippin is the Evelyn Stefansson Nef Distinguished Service Professor in the Committee on Social Thought, the Department of Philosophy, and the College at the University of Chicago. He is the author of several books and articles on German idealism and later German philosophy, including Filmed Thought: Cinema as Reflective Form (University of Chicago Press, 2020), Metaphysical Exile: On J. M. Coetzee’s Jesus Fictions (Oxford University Press, 2021), Philosophy by Other Means: The Arts in Philosophy and Philosophy in the Arts (University of Chicago Press, 2021), and most recently, The Culmination: Heidegger, German Idealism, and the Fate of Philosophy (Chicago: University of Chicago Press, 2024).