Generative art made with algorithms has existed since the early days of computing in the 1960s. In recent years, a new strand of generative art has emerged: AI-generated art, which leverages the recent progress of artificial intelligence to create artworks. Unlike old-fashioned generative art, AI-generated art is not produced with an explicit set of programming instructions provided by human artists; instead, it involves training an algorithm on a dataset so that it can later produce artworks (images, music, or video clips) using its own internal parameters that have not been explicitly defined by a human. This process raises fascinating questions at the intersection of computer science, art history, and the philosophy of art. At a superficial level of analysis, AI-generated art seems to offload much of the creative impetus of art production to the machine, requiring minimal intervention from the artist. On closer inspection, however, it involves a novel process of curation at two key stages: upstream in the selection of the dataset on which the algorithm is trained, and downstream in the selection of the outputs that should qualify as artworks. Instead of replacing human artists with computers, AI-generated art can be understood as a new kind of collaboration between mind and machine, both of which contribute to the aesthetic value of the final artwork.
This seminar will bring together AI artists and philosophers to explore the significance of this new mode of art production. It will discuss the implications of AI-generated art for the definition of art, the nature of the relationship between artists and tools, the process of digital curation, and whether AI systems can be as creative as humans.
Event Speakers
- Sougwen Chung, artist and researcher
- Helena Sarin, visual artist
- Anne Spalter, digital mixed-media artist
- Katherine Thomson-Jones, Professor of Philosophy at Oberlin College
- Moderated by Raphaël Millière, Presidential Scholar in Society and Neuroscience at Columbia University
Event Information
Free and open to the public. Registration is required via Eventbrite. Registered attendees will receive an event link shortly before the seminar begins.
This event is hosted by the Presidential Scholars in Society and Neuroscience as part of the Seminars in Society and Neuroscience series.
The Center for Science and Society makes every reasonable effort to accommodate individuals with disabilities. If you require disability accommodations to attend a Center for Science and Society event, please contact us at scienceandsociety@columbia.edu or (212) 853-1612 at least 10 days in advance of the event. For more information, please visit the campus accessibility webpage.
A prominent logician Melvin Fitting has turned 80. This hybrid conference is a special event in his honor.
Melvin Fitting was in the departments of Computer Science, Philosophy, and Mathematics at the CUNY Graduate Center and in the department of Mathematics and Computer Science at Lehman College. He is now Professor Emeritus. He has authored 11 books and over a hundred research papers with staggering citation figures. In 2012, Melvin Fitting was given the Herbrand Award by the Conference on Automated Deduction (CADE) for distinguished contributions to the field. In 2019, Professor Fitting received a Doctor Honoris Causa (an Honorary Doctorate) from the University of Bucharest.
Greetings, congratulations, photos for posting, and ZOOM link requests could be sent to Sergei Artemov by sartemov@gmail.com or sartemov@gc.cuny.edu.
Conference website https://sartemov.ws.gc.cuny.edu/fitting-at-80/
Program (the times are given in the Eastern Day Time zone EST). In-person location: CUNY Graduate Center, rm. 3310-B.
January 28, Saturday
8:00-8:45 am Arnon Avron (Tel Aviv), “Breaking the Tie: Benacerraf’s Identification Argument Revisited”
8:45-9:30 am Junhua Yu (Beijing), “Exploring Operators on Neighborhood Models”
9:30-9:45 am Break
9:45-10:30 am Sara Negri (Genoa), “Faithful Modal Embedding: From Gödel to Labelled Calculi”
10:30-11:15 am Heinrich Wansing (Bochum), “Remarks on Semantic Information and Logic. From Semantic Tetralateralism to the Pentalattice 65536_5”
11:15-11:30 am Break
11:30 am -12:15 pm Roman Kuznets (Vienna), “On Interpolation”
12:15-1:00 pm Walter Carnielli (Campinas), “Combining KX4 and S4: A logic that encompasses factive and non-factive evidence“
1:00-1:15 pm Break
1:15-2:00 pm Eduardo Barrio and Federico Pailos (Buenos Aires), “Meta-classical Non-classical Logics”
2:00-2:45 pm Graham Priest (New York), “Jaśkowski and the Jains: a Fitting Tribute”
2:45-4:00 pm Session of memories and congratulations featuring Sergei Artemov, Anil Nerode, Hiroakira Ono, Melvin Fitting, and others.
2023 marks the 50th anniversary of the birth of hip-hop, and the beginning of a sonic, cultural and socio-political revolution that changed the U.S. and the world. To commemorate the anniversary, Brooklyn Public Library will present NIGHT IN THE LIBRARY: THE PHILOSOPHY OF HIP-HOP on Saturday, June 17th, from 7 pm – 2 am at Central Library.
Join us for this FREE event that will take over the entire Central Library building to celebrate hip-hop culture past, present and future, with keynote addresses, live DJs, film screenings, discussions, debates and contemplative engagements. BPL invites you to celebrate hip-hop and spend a NIGHT IN THE LIBRARY.
Co-curated by LeBrandon Smith and Kelly Harrison. The Dilemma Series is curated by April R. Silver, founder of AKILA WORKSONGS.
Nietzsche (1844-1900) is one of the few philosophers who have an intimate connection to music. This connection has much to do with his early music education. His contemporaries testify that he was a good pianist. His musical ambition, or his musical daimon, urged him to compose music, although he had no training in this area. Most of his compositions are from his late teens; his earliest inspirations are Beethoven, Mozart, Haydn, Schubert, Schumann and Wagner. His compositions were gathered together and published by Curt Paul Janz in Friedrich Nietzsche, Der musikalische Nachlass. Nietzsche’s music is available in several productions. However, Nietzsche did not follow a musical path and decided to become a philologist and dedicated his life to writing and philosophy.
Nietzsche’s background in music, on the other hand, influenced his way of thinking and writing. All of these interesting areas between music, literature, and philosophy and Nietzsche’s relationship to music understood on a broad spectrum have been explored by many Nietzsche scholars including Georges Liébert, Graham Parkes, Francois Noudelmann, Stefan Lorenz Sorgner and others and in the anthology, An Anthology on Nietzsche and Music: Philosophical Thoughts and Musical Experiments, edited by the presenters of today’s event. This event is dedicated to the exploration of this relationship between Nietzsche and music.