Professor Rupert Read (Personal Website link) will be joining us on the 22nd of October from 1-3 PM EDT on Zoom in presenting the introduction from his book, Wittgenstein’s Liberatory Philosophy: Thinking Through His Philosophical Investigations, in which he argues that “the key to understanding Wittgenstein’s later philosophy is to understand its liberatory purport.”
Thursday, September 29th, 2022
Christina Van Dyke (Barnard College)
Title “I feel it in my fingers, I feel it in my toes: Imaginative Meditation and Experience of Love in Medieval Contemplative Philosophy”
4:10-6:00 PM
716 Philosophy Hall
Generative art made with algorithms has existed since the early days of computing in the 1960s. In recent years, a new strand of generative art has emerged: AI-generated art, which leverages the recent progress of artificial intelligence to create artworks. Unlike old-fashioned generative art, AI-generated art is not produced with an explicit set of programming instructions provided by human artists; instead, it involves training an algorithm on a dataset so that it can later produce artworks (images, music, or video clips) using its own internal parameters that have not been explicitly defined by a human. This process raises fascinating questions at the intersection of computer science, art history, and the philosophy of art. At a superficial level of analysis, AI-generated art seems to offload much of the creative impetus of art production to the machine, requiring minimal intervention from the artist. On closer inspection, however, it involves a novel process of curation at two key stages: upstream in the selection of the dataset on which the algorithm is trained, and downstream in the selection of the outputs that should qualify as artworks. Instead of replacing human artists with computers, AI-generated art can be understood as a new kind of collaboration between mind and machine, both of which contribute to the aesthetic value of the final artwork.
This seminar will bring together AI artists and philosophers to explore the significance of this new mode of art production. It will discuss the implications of AI-generated art for the definition of art, the nature of the relationship between artists and tools, the process of digital curation, and whether AI systems can be as creative as humans.
Event Speakers
- Sougwen Chung, artist and researcher
- Helena Sarin, visual artist
- Anne Spalter, digital mixed-media artist
- Katherine Thomson-Jones, Professor of Philosophy at Oberlin College
- Moderated by Raphaël Millière, Presidential Scholar in Society and Neuroscience at Columbia University
Event Information
Free and open to the public. Registration is required via Eventbrite. Registered attendees will receive an event link shortly before the seminar begins.
This event is hosted by the Presidential Scholars in Society and Neuroscience as part of the Seminars in Society and Neuroscience series.
The Center for Science and Society makes every reasonable effort to accommodate individuals with disabilities. If you require disability accommodations to attend a Center for Science and Society event, please contact us at scienceandsociety@columbia.edu or (212) 853-1612 at least 10 days in advance of the event. For more information, please visit the campus accessibility webpage.
The pandemic compels us to ask fundamental questions about our place in the world: the many ways humans rely on one another, how we vitally and sometimes fatally breathe the same air, share the surfaces of the earth, and exist in proximity to other porous creatures in order to live in a social world. What we require to live can also imperil our lives. How do we think from, and about, this common bind?
In What World Is This? A Pandemic Phenomenology, Judith Butler shows how COVID-19 and all its consequences—political, social, ecological, economic—have challenged us to reconsider the sense of the world that such disasters bring about. Drawing on the work of Max Scheler, Maurice Merleau-Ponty, and critical feminist phenomenology, Butler illuminates the conditions in which we seek to make sense of our disorientation, precarity, and social bonds. What World Is This? offers a new account of interdependency in which touching and breathing, capacities that amid a viral outbreak can threaten life itself, challenge the boundaries of the body and selfhood. Criticizing notions of unlimited personal liberty and the killing forces of racism, sexism, and classism, this book suggests that the pandemic illuminates the potential of shared vulnerabilities as well as the injustice of pervasive inequalities.
Exposing and opposing forms of injustice that deny the essential interrelationship of living creatures, Butler argues for a radical social equality and advocates modes of resistance that seek to establish new conditions of livability and a new sense of a shared world.
Speaker
Judith Butler is a Distinguished Professor in the Graduate School at the University of California, Berkeley. They are the author of several books, most recently The Force of Nonviolence: An Ethico-Political Bind (2020). Butler’s previous Columbia University Press books include Parting Ways: Jewishness and the Critique of Zionism (2012), Antigone’s Claim: Kinship Between Life and Death (2000), and Subjects of Desire: Hegelian Reflections in Twentieth-Century France (1987).
Respondents
Mia Florin-Sefton is a Ph.D. candidate and University Writing Instructor in the English & Comparative Literature Department at Columbia University, where she specializes in 20th and 21st-century transatlantic anglophone literatures and culture. She is also working on a project that looks at the history of sex glands and early history of hormone replacement therapy in the context of theories of racial degeneration and eugenics post-World War I.
Professor Goyal is an Assistant Professor of Emergency Medicine at the Columbia University Medical Center and founding director of the major in Medical Humanities. Professor Goyal completed his residency in Emergency Medicine as Chief Resident while finishing his PhD in English and Comparative Literature. His research interests include the health humanities, the study of the novel, and medical epistemology. His writing has appeared in The Living Handbook of Narratology, Aktuel Forskning, Litteratur, Kultur og Medier, and The Los Angeles Review of Books, among other places. He is a Co-Founding Editor of the online journal, Synapsis: A Health Humanities Journal
Marianne Hirsch is the William Peterfield Trent Professor Emerita of English and Comparative Literature at Columbia University and Professor in the Institute for the Study of Sexuality and Gender. She is a member of the American Academy of Arts and Sciences and a former President of the Modern Language Association of America. Along with a group of local scholars, artists and activists, Hirsch is currently co-directing the Zip Code Memory Project, an initiative that seeks to find art and community-based ways to repair the devastating losses resulting from the Coronavirus pandemic while also acknowledging its radically differential effects on Upper New York City neighborhoods.
The NYC Wittgenstein Workshop presents:
March 31st — Sandra Laugier (Université Paris 1 Panthéon Sorbonne) will be presenting on Wittgenstein and Care Ethics
April 14th — Camila Lobo (PhD candidate in Philosophy at Nova University of Lisbon and visiting scholar) will be presenting on Wittgenstein and hermeneutical justice in connection with the so-called “problem of the new.”
April 21st — Harmut von Sass (Humboldt University Berlin and a visiting scholar) will be presenting on gratitude.
April 28th — Janna van Grunsven (Delft University of Technology) will be presenting on How Social Media Platforms Disrupt the Field of Social Affordances and Threaten Human Flourishing.
With the exception of our last talk (which will take place over Zoom), workshops will be in person from 4 to 6 pm EST, followed by a reception. As always, snacks and drinks will be provided.
Look out for an email closer to each event with more details regarding the location and materials the speaker would like to circulate.
The NYC Wittgenstein Workshop presents:
March 31st — Sandra Laugier (Université Paris 1 Panthéon Sorbonne) will be presenting on Wittgenstein and Care Ethics
April 14th — Camila Lobo (PhD candidate in Philosophy at Nova University of Lisbon and visiting scholar) will be presenting on Wittgenstein and hermeneutical justice in connection with the so-called “problem of the new.” (11am-1pm EDT)
April 21st — Harmut von Sass (Humboldt University Berlin and a visiting scholar) will be presenting on gratitude.
April 28th — Janna van Grunsven (Delft University of Technology) will be presenting on How Social Media Platforms Disrupt the Field of Social Affordances and Threaten Human Flourishing.
With the exception of our last talk (which will take place over Zoom), workshops will be in person from 4 to 6 pm EST, followed by a reception. As always, snacks and drinks will be provided.
Look out for an email closer to each event with more details regarding the location and materials the speaker would like to circulate.
The NYC Wittgenstein Workshop presents:
March 31st — Sandra Laugier (Université Paris 1 Panthéon Sorbonne) will be presenting on Wittgenstein and Care Ethics
April 14th — Camila Lobo (PhD candidate in Philosophy at Nova University of Lisbon and visiting scholar) will be presenting on Wittgenstein and hermeneutical justice in connection with the so-called “problem of the new.”
April 21st — Harmut von Sass (Humboldt University Berlin and a visiting scholar) will be presenting on gratitude.
April 28th — Janna van Grunsven (Delft University of Technology) will be presenting on How Social Media Platforms Disrupt the Field of Social Affordances and Threaten Human Flourishing.
With the exception of our last talk (which will take place over Zoom), workshops will be in person from 4 to 6 pm EST, followed by a reception. As always, snacks and drinks will be provided.
Look out for an email closer to each event with more details regarding the location and materials the speaker would like to circulate.
The NYC Wittgenstein Workshop presents:
March 31st — Sandra Laugier (Université Paris 1 Panthéon Sorbonne) will be presenting on Wittgenstein and Care Ethics
April 14th — Camila Lobo (PhD candidate in Philosophy at Nova University of Lisbon and visiting scholar) will be presenting on Wittgenstein and hermeneutical justice in connection with the so-called “problem of the new.”
April 21st — Harmut von Sass (Humboldt University Berlin and a visiting scholar) will be presenting on gratitude.
April 28th — Janna van Grunsven (Delft University of Technology) will be presenting on How Social Media Platforms Disrupt the Field of Social Affordances and Threaten Human Flourishing.
With the exception of our last talk (which will take place over Zoom), workshops will be in person from 4 to 6 pm EST, followed by a reception. As always, snacks and drinks will be provided.
Look out for an email closer to each event with more details regarding the location and materials the speaker would like to circulate.
A conference hosted by the Motherhood and Technology Working Group at the Center for the Study of Social Difference on the theme of “Conception and Its Discontents.”
Medical technologies have radically transformed the biological and social experience of motherhood. Advances in genomic and reproductive care, the circulation of novel kinship structures, the entrenchment of existing global networks of power and privilege, and the politics of contested bodily sites mark this emerging constellation.
Technological advancements have in particular impacted not just the understanding of conception, but the very process by which a human embryo is created, implanted, and matured. Egg freezing, embryo storage, IVF, and surrogacy afford women new freedoms in choosing when and how to become mothers, while also raising troubling questions about the pressures of capitalism and the extension of worklife, as well as the global inequalities present in the experience of motherhood. In addition, technologies have arisen allowing for unprecedented control over not just who becomes a mother, but what kind of embryo is allowed to be implanted and to grow. Technologies such as CRISPR and NIPT have re-introduced the question of eugenics, radically shifting the very epistemology of motherhood and what it means to be “expecting.” And contemporary abortion debates draw on technology in order to make arguments both for and against access, with imaging technologies being instrumentalized in the building of a sympathetic case for the unborn, and the very notion of a “heartbeat bill” reliant on the misreading of technologies for measuring fetal activity.
While these problems are urgent today, questions of conception and technology are by no means recent developments. The 18th century saw a flourishing of philosophical and scientific theories regarding the start of human life and its formation within the womb. Such theories relied on modern technologies, such as autopsy, to atomize and visualize the body. In the 19th and 20th centuries, eugenic medical science produced theories of reproductive difference between differing racial and social groups, leading to forced sterilization laws in both the US and in Germany. This long history of racializing the rhetoric of fertility and motherhood continues to influence political debates on immigration and demographic changes in the present.
Full conference details and schedule to come.
Please email disability@columbia.edu to request disability accommodations. Advance notice is necessary to arrange for some accessibility needs
When is anxiety justified? When does anxiety cease to function as an effective and reasonable signal preventing imminent threats, and when does it become an invasive projection of our own ghosts? My talk is divided into three sections. First, I will emphasize the anthropological relevance of anxiety: in various theoretical frameworks, the difference between free-floating anxiety and fear directed at a specific danger even serves as a criterion for distinguishing human beings from animals. Second, I will conduct a phenomenological analysis of anxiety focusing in particular on the altered relationship between perception and imagination. Third, I will address a specific form of anxiety which is particularly dominant in the context of our post-disciplinary societies: the feeling of being left behind. My talk presents a philosophical inquiry into the affective phenomenon that can both protect us from danger and be a danger in itself.
Bio:
Stefano Micali is a Professor at the KU Leuven and the Coordinator of the Husserl-Archives: Centre for Phenomenology and Continental Philosophy. He has published over 60 articles in different languages (English, German, Italian, French, and Dutch) in various areas of research ranging from psychopathology to religion, from political philosophy to aesthetics. He is the author of four monographic books: Überschüsse der Erfahrung (2008), Esperienze temporali (2008), Tra l’altro e se stessi (2020) and Phenomenology of Anxiety (2022). Together with Thomas Fuchs, he has edited several volumes focusing on the relation between psychopathology and philosophy. He is also co-editor of the DGAP (German Society for a Phenomenological Anthropology) series and the Phaenomenologica series (Springer).