“Sometimes people who are together are, if not hostile to one another, at least estranged in mood and feeling till perchance a story, a performance, a picture, or even a building, but most often of all music, unites them all as by an electric flash, and in place of their former isolation or even enmity they are all conscious of union and mutual love. Each is glad that another feels what he feels; glad of the communion established, not only between him and all present, but also with all now living who will yet share the same impression; and more than that, he feels the mysterious gladness of a communion which, reaching beyond the grave, unites us with all men of the past who have been moved by the same feelings, and with all men of the future who will yet be touched by them.“ – Tolstoy, “What is Art?”
What is it for a piece of music to express emotions like sadness or caring or joy? What role do emotions play in how we receive a piece of music? And what are emotions, exactly?
Coming up on Wednesday, October 17th at 7:30 PM, Saam Trivedi (Brooklyn College, author of the newly released Imagination, Music, and the Emotions: A Philosophical Study), joins us to share his work on these very questions. Here’s some more about the talk, in Dr. Trivedi’s own words.
“Emotions and Music”
I will begin with some brief remarks about the emotions. Next, I will discuss three philosophical theories about musical expressiveness. Finally, I will discuss one philosophical view about musical arousal.
As usual, we meet in the Dweck Center of the Grand Army Plaza branch of the Brooklyn Public Library. Please note the time change: future BKPP talks will start at 7:30.
Tell your friends/co-workers/strangers! Bring a musician! Bring the last person you went to a concert with! See you there, I hope!
Nietzsche Circle Presents: An Evening with Music and Philosophy
Speakers:
- Michael Teinmann
- Yunus Tuncel
Pianist:
- Aysegul Durakoglu
RSVP required!
Refreshments will be served. If you like to attend, Please RSVP by sending email to Luke Trusso at trussol@nietzschecircle.com
It has been said that there are not different “types” or categories of music, only good music and bad music. How can we know the difference between good and bad music however? Well, on some accounts, there are indeed different types (‘low’ vs ‘high’ art), some of which are by definition bad, others good. Yet, on other accounts, music is music – there are no essential differences in kind, and it is simply each listener’s favorable or unfavorable reaction to any given song or piece of music that decides its quality. In very broad strokes, these two contrasting orientations represent attitudes common in modernist and postmodernist theories, respectively. In the former, Western classical music was privileged (unjustly, in some respects) above all other kinds. However, the latter orientation, which is currently in fashion, seems to reduce all musical meaning and appraisal to little more than our own mental projections. In this presentation, a third, alternative way to identify musical “types” is proposed, one that seeks to illuminate meaningful musical distinctions in the natures and functions of three musical kinds (folk, mass, and art music), with some surprising results. A brief piano performance will precede the talk.
Monday, December 11, 2017 at 6pm. This event is part of the Philosophy Series at The Cornelia Street Café, located at 29 Cornelia Street, New York, NY 10014 (near Sixth Avenue and West 4th St.). Admission is $10, which includes the price of one drink. Reservations are recommended (212. 989.9319)
Jason Cutmore is a concert pianist, teacher, and the founder and director of the Canadian music festival, Alberta Pianofest. He has performed solo piano and collaborative recitals across much of North America, Europe, and India, and has published articles in peer review journals and trade magazines. Mr Cutmore lives in New York City, and is currently completing a Master’s degree in Philosophy at the CUNY Graduate Center.