Calendar

New York University’s Liberal Studies, in Collaboration with Nietzsche Circle, Presents:

Nietzsche and the Disadvantage of History: The rise of Western Oikophobia

More Info & RSVP:
If you like to attend, Please RSVP by sending email to Luke Trusso at luke.trusso@gmail.com

We are excited to announce a public talk featuring Elie During as part of French philosopher Gaston Bachelard’s 60th death anniversary. On the face of it, The Dialectic of Duration, Gaston Bachelard’s 1936 essay, is a pungent—if often unfair—criticism of the Bergsonian doctrine of time and creative evolution. The constructive side of this Anti-Bergson has received less attention: it implies a genuine poetics of time based on the intuition of the sporadic and oscillatory nature of becoming. Bachelard’s rhythmic theme is consistent with the idea of “surrationalism” introduced that same year as a formal counterpart to the surrealist experiments carried out on the fringes of conscious experience. Inspired by the explosive potential of scientific revolutions already celebrated in Le Nouvel Esprit Scientifique, the surrationalist project can be interpreted as that of a poetics of reason. André Breton believed it would “act simultaneously as a stimulant and restraining influence” (“Crisis of the Object”). Insights from the scientific investigation of time as well as poetic and musical experience will help us see how this double action is in keeping with the eruptive dynamics of imagination and reason, as much as with Bachelard’s ideal of “self-surveillance”.

Elie During is an Associate Professor of Philosophy at the University of Paris Ouest. His research focuses on the philosophical implications of relativity theory. His publications include an introduction to Poincaré’s philosophy of science (La Science et l’Hypothèse, 2001), an essay on the nature of time (The Future does not Exist, 2014), two critical editions of Bergson, a coedited volume on contemporary metaphysics of realism (Choses en soi, 2018, English translation forthcoming from Edinburgh University Press), and most recently a critical edition of Bachelard’s Dialectique de la durée (2021).

Organized by

Julie Beauté, Aix-Marseille Université, ADES (France)

Alexander Campolo, Durham University (UK)

Jeanne Etelain, New York University (USA)

Sam Kellogg, New York University (USA)

Alexander Miller, Ghent University (Belgium)

Pierre Schwarzer, New York University (USA)

Meg Wiessner, New York University (USA)

The Department of German at NYU and Deutsches Haus at NYU present a lecture by Professor Elisabeth Bronfen, who will speak on “Serial Reading as a Hermeneutic Practice,” in which Bronfen will discuss “serial reading” as a way of exploring variations and transformations within a given oeuvre. To do so, she will present the theoretical and methodological underpinning of her newest monograph Shakespeare and his Serial Configurations, which will appear with S. Fischer Verlag early 2025. Bronfen’s aim is, on the one hand, toillustrate what it means to read an oeuvre for the repetition and differences regarding the aesthetic, philosophical, psychological and cultural concerns it addresses for our contemporary moment. On the other hand, her concern is using critical terms taken from Aby Warburg, Walter Benjamin, Sigmund Freud and Stanley Cavell to expand on our current discussion of seriality as a theme of and as an ordering principle for critical reading.

To RSVP for in-person attendance, please click here.

Deutsches Haus at NYU presents a reading of Karl Marx’s Capital: Critique of Political Economy, Volume 1 (Princeton University Press, 2024) and a conversation with the book’s editor Paul North (Yale University) and translator Paul Reitter (Ohio State University), which will be moderated by Emily Apter (NYU). The first new English translation in fifty years – and the only one based on the last German edition revised by Marx himself – produces a critical edition of Capital for our time, one that faithfully preserves the vitality and directness of Marx’s German prose and renders his ideas newly relevant to modern readers.

Please RSVP for in-person attendance here.

About the book:

Karl Marx (1818–1883) was living in exile in England when he embarked on an ambitious, multivolume critique of the capitalist system of production. Though only the first volume saw publication in Marx’s lifetime, it would become one of the most consequential books in history. This magnificent new edition of Capital is a translation of Marx for the twenty-first century. It is the first translation into English to be based on the last German edition revised by Marx himself, the only version that can be called authoritative, and it features extensive commentary and annotations by Paul North and Paul Reitter that draw on the latest scholarship and provide invaluable perspective on the book and its complicated legacy. At once precise and boldly readable, this translation captures the momentous scale and sweep of Marx’s thought while recovering the elegance and humor of the original source.

For Marx, our global economic system is relentlessly driven by “value”—to produce it, capture it, trade it, and, most of all, to increase it. Lifespans are shortened under the demand for ever-greater value. Days are lengthened, work is intensified, and the division of labor deepens until it leaves two classes, owners and workers, in constant struggle for life and livelihood. In Capital, Marx reveals how value came to tyrannize our world, and how the history of capital is a chronicle of bloodshed, colonization, and enslavement.

About the participants:

Emily Apter (moderator) is Silver Professor of French and Comparative Literature at New York University.  Her books include: Unexceptional Politics: On Obstruction, Impasse and the Impolitic (Verso, 2018); Against World Literature:  On the Politics of Untranslatability (2013); Dictionary of Untranslatables: A Philosophical Lexicon (co-edited with Barbara Cassin, Jacques Lezra and Michael Wood) (2014); and The Translation Zone: A New Comparative Literature (2006).  The current project What is Just Translation? takes up questions of racial justice, reparative translation, and the limits of translation as a medial form.

Paul North writes and teaches in the tradition of critical theory, emphasizing Jewish thought, emancipatory strains in the history of philosophy, and European literatures. He has written books on the concept of distraction, on Franz Kafka, and on likeness in culture and thought. Currently he is co-editing an edition Marx’s Capital volume 1 with a new translation, which will appear from Princeton University Press in 2024 and writing a monograph entitled “The Standpoint of Marx’s Capital.” He co-edits the book series IDIOM: thinkingwritingtheory at Fordham University Press and co-directs the international exchange, Critical Theory in the Global South, in collaboration with faculty at the Universidad Metropolitana de Sciencias de la Educación in Santiago, Chile.

Paul Reitter earned his PhD at UC Berkeley and teaches in the German department at Ohio State University. He’s written many books, including a widely discussed history of crisis thinking in the academic humanities. His essays have appeared in Harper’s, The Nation, The New York Review of Books, The New Yorker, and The Chronicle of Higher Education, among other venues. His most recent translation, The Autobiography of Solomon Maimon, was shortlisted for a National Jewish Book Award.

Attendance information:

While NYU has ended COVID-19 related restrictions and policies, we continue to remind and recommend to members of the NYU community that they stay up-to-date on their boosters and stay home if they feel sick. Masks are always welcome.

Please RSVP for in-person attendance here.

“Karl Marx’s ‘Capital:’ An Evening with Paul North, Paul Reitter, and Emily Apter” is funded by the DAAD from funds of the German Federal Foreign Office (AA).