Oct
17
Thu
Thinking Beyond the Annihilation of Nature: Conscientia and Schelling’s Ethics of Redemptive Epistemology. Bruce Matthews, Bard @ Wolff Conference Room, D1106
Oct 17 @ 6:00 pm – 8:00 pm

In 1804 Schelling diagnosed our impending “annihilation of nature” due to our conceptual detachment from and consequent economic exploitation of our natural world. His critique of Modernity’s Cartesian Idealisms, effected through his inversion of the Kantian categories, results in a philosophical project whose relevance to our ongoing climate crisis is difficult to overstate.

Bruce Matthews
Bard College/BHSEC, professor of philosophy, research in German Idealism and Romanticism, with a focus on life and thought of F.W.J. Schelling, whose recent work revolves around Schelling’s critique of modernity with its anticipation of, as he wrote in 1804, ‘the annihilation of nature,’ and its relevance to the Anthropocene.

“Schelling in the Anthropocene: A New Mythology of Nature,” (Symposium: Canadian Journal of Continental Philosophy, 2015), “Schelling: A Brief Biographical Sketch of the Odysseus of German Idealism,” in The Palgrave Handbook to German Idealism (2014), and “The New Mythology: Between Romanticism and Humanism,” in The Relevance of Romanticism (Cambridge University Press, 2014). Books include the forthcoming intellectual biography, Schelling: Heretic of Modernity (2018), Schelling’s Organic Form of Philosophy: Life as the Schema of Freedom (SUNY 2011).

Presented by the Philosophy Department at The New School for Social Research

Nov
14
Thu
Aristotle’s concept of matter and the generation of animals. Anna Schriefl @ Wolff Conference Room, D1106
Nov 14 @ 6:00 pm – 8:00 pm

There is a broad consensus that Aristotle introduced the concept of matter in order to develop a consistent account of substantial change. However, it is disputed which role matter fulfills in substantial change. According to the traditional interpretation, matter persists while taking on or losing a substantial form. According to a rival interpretation, matter does not persist in substantial change; instead, it is an entity from which a new substance can emerge and which ceases to exist in this process. In my view, both interpretations are problematic in the light of Aristotle’s broader ontological project and are at odds with the way Aristotle describes the substantial generation of living beings. On the basis of Aristotle’s biological theory, I will suggest that Aristotelian matter is a continuant in substantial generation, but does not satisfy the common criteria for persistence that apply to individual substances.

Anna Schriefl
Anna Schriefl is Wissenschaftliche Mitarbeiterin (assistant professor) at the University of Bonn, and currently a visiting scholar at the New School. She has published a book about Plato’s criticism of money and wealth, and most recently an introduction into Stoicism (both in German).

Nov
18
Mon
The Vanishing Point of Existence: Kierkegaard and the Ethics of the Novel. Yi-Ping On @ Wolff Conference Room, D1106
Nov 18 @ 5:00 pm – 7:00 pm

The Vanishing Point of Existence: Kierkegaard and the Ethics of the Novel.

Presented by: Yi-Ping Ong, Associate Professor, Department of Comparative Thought and Literature, Johns Hopkins University.

Presented by Liberal Studies at The New School of Social Research

Nov
21
Thu
The Power of Art. Markus Gabriel @ Wolff Conference Room, D1106
Nov 21 @ 6:00 pm – 8:00 pm

We live in an era of aesthetics. Art has become both pervasive and powerful – it is displayed not only in museums and galleries but also on the walls of corporations and it is increasingly fused with design. But what makes art so powerful, and in what does its power consist?

According to a widespread view, the power of art – its beauty – lies in the eye of the beholder. What counts as art appears to be a function of individual acts of evaluation supported by powerful institutions. On this account, the power of art stems from a force that is not itself aesthetic, such as the art market and the financial power of speculators.  Art expresses, in a disguised form, the power of something else – like money – that lies behind it. In one word, art has lost its autonomy.

In his talk, Markus Gabriel rejects this view.  He argues that art is essentially uncontrollable. It is in the nature of the work of art to be autonomous to such a degree that the art world will never manage to overpower it. Ever since the cave paintings of Lascaux, art has taken hold of the human mind and implemented itself in our very being.   Thanks to the emergence of art we became human beings, that is, beings who lead their lives in light of an image of the human being and its position in the world and in relation to other species. Due to its structural, ontological power, art itself is and remains radically autonomous. Yet, this power is highly ambiguous, as we cannot control its unfolding.

Markus Gabriel holds the chair for Epistemology, Modern and Contemporary Philosophy at the University of Bonn and is also the Director of the International Center for Philosophy in Bonn as well as the director of the Center for Science at Thought at Bonn.

Presented by The New School for Social Research and Philosophy Department and it is co-sponsored with the Liberal Studies Department.

Dec
6
Fri
Symposium on Brian Cantwell Smith’s The Promise of Artificial Intelligence: Reckoning and Judgment (MIT Press, 2019) @ Kellen Auditorium, Room N101
Dec 6 all-day

Selected speakers:

Zed Adams

The New School

Brian Cantwell Smith

University of Toronto, St. George

Mazviita Chirimuuta

University of Pittsburgh
Mar
24
Fri
Visual Philosophy Conference @ B500
Mar 24 all-day

This conference aims to initiate dialogues between philosophy and the arts. Philosophers and thinkers/ scholars across disciplines of humanities and social sciences will meet with artists and scholars from a wide variety of visual and visual artistic disciplines, including painting, photography, and literature, as well as travel, dance, and fashion. Rather than taking art as a mere object of philosophical study, this conference will explore the manifold confluences and intersections of philosophy and art, exploring how each can become the object of the other and how the boundary between the philosophical and the artistic can be sharpened or blurred. The motive is specifically to explore the “visual” and “movement” element in art of, and in everyday life and theorize it – both philosophically and critically.

Co-sponsored by: Office of Deans: New School for Social Research and School of Art & Design History & Theory; University Student Senate and Graduate Faculty Student Senate

Schedule and Location

The conference will meet on The New School campus in New York City.

On March 24th, we will meet in room B500 at 65 W 11 Street.

On March 25th, we will meet in Starr Foundation Hall UL105 at University Center (63 Fifth Avenue).

Following is the schedule for both days, (please see the website for details on panels and speakers):

11:00 am Panel 1 Speaker presentations.

12:00 pm Panel 1 roundtable and audience Q&A.

1:15 pm Lunch break.

2:15 pm Panel 2 Speaker presentations.

3:15 pm Panel 2 roundtable and audience Q&A.

4:30 pm Evening reception with free food and drinks for attendees!

Mar
25
Sat
Visual Philosophy Conference @ Starr Foundation Hall UL105 at University Center
Mar 25 all-day

This conference aims to initiate dialogues between philosophy and the arts. Philosophers and thinkers/ scholars across disciplines of humanities and social sciences will meet with artists and scholars from a wide variety of visual and visual artistic disciplines, including painting, photography, and literature, as well as travel, dance, and fashion. Rather than taking art as a mere object of philosophical study, this conference will explore the manifold confluences and intersections of philosophy and art, exploring how each can become the object of the other and how the boundary between the philosophical and the artistic can be sharpened or blurred. The motive is specifically to explore the “visual” and “movement” element in art of, and in everyday life and theorize it – both philosophically and critically.

Co-sponsored by: Office of Deans: New School for Social Research and School of Art & Design History & Theory; University Student Senate and Graduate Faculty Student Senate

Schedule and Location

The conference will meet on The New School campus in New York City.

On March 24th, we will meet in room B500 at 65 W 11 Street.

On March 25th, we will meet in Starr Foundation Hall UL105 at University Center (63 Fifth Avenue).

Following is the schedule for both days, (please see the website for details on panels and speakers):

11:00 am Panel 1 Speaker presentations.

12:00 pm Panel 1 roundtable and audience Q&A.

1:15 pm Lunch break.

2:15 pm Panel 2 Speaker presentations.

3:15 pm Panel 2 roundtable and audience Q&A.

4:30 pm Evening reception with free food and drinks for attendees!

Sep
7
Thu
Philosophy Colloquium: The Dialectic of Mind Design. Zed Adams (NSSR) @ Wolff Conference Room/D1103
Sep 7 @ 6:00 pm – 8:00 pm

In this paper, I explore the role that metaphor plays in the development of new scientific models. My goal is to illustrate metaphor’s fecundity in this regard, the way in which it extends our understanding in surprisingly diverse ways. As Mary Hesse put this point, “it is precisely in its extension that the fruitfulness of the model may lie” (1980, 114).

 

The particular focus of my paper is on the history of what John Haugeland called mind design: the use of mechanical models to reverse-engineer how minds work (1997, 1). My history focuses on two such models: the clockwork model and the computer model. In each case, I show how a metaphorical understanding of the model led to conceptual innovation in two distinct ways. First, it provided an interpretive frame that guided new research by offering an abstract, hypothesized structure to be later filled in by empirical research (Camp 2020). Second, it provided a concrete exemplar to contrast with human minds (Daston 1994). For instance, while on the one hand Descartes invoked the clockwork model to explain how color vision works (Adams 2015), he also invoked it as a vivid illustration of how human reasoning does not work (Riskin 2016).

 

It is this second source of conceptual innovation that is the real core of the paper; it reveals what I call the dialectic of mind design. This dialectic is especially evident in our tendency to redefine what it is to be human in response to new technological developments. For instance, it is evident when we take something that was previously assumed to be paradigmatic of mental acuity, such as the ability to play chess, and redefine it as something merely mechanical (Ensmenger 2012). But it is equally well evident when we take something that was previously taken to be mechanical—such as color vision—and redefine it as paradigmatically mental (Chalmers 1997; cf. Adams and Browning 2020). The concept of mindedness is, in this sense, a constantly moving goalpost that is perennially being redefined in response to new technological developments.

Sep
11
Mon
Mind-Dependent Artifacts: Artifact-Dependent Minds @ Starr Foundation Hall (UL102)
Sep 11 – Sep 15 all-day

Join us for a series of keynote presentations as part of the 2023 Institute for Philosophy and New Humanities: Mind-Dependent Artifacts: Artifact-Dependent Minds.

Artifacts are a primary object of study in the humanities. They are products and, thus, manifestations of human thought, action, and self-determination without which they cannot be understood. At the same time, human mindedness depends on artifacts, and as well as other objects – a dependence that is manifest in the form of artifacts. Human mindedness and the reality of artifacts are therefore intertwined in complex ways.

Our Fall institute meeting 2023 Institute will consider ways in which human mindedness and the reality of artifacts are dialectically intertwined. Of special interest will be automatically or mechanically produced artifacts, and AI systems as artifacts that are neither inert causal models of human thinking nor independently minded entities. The ontology of such products thus needs to be calibrated in light of their contribution to the deep diversity of the mutual dependence of mindedness and artifacts. Some questions our seminar will address include: How do AI-research and AI-systems structure and restructure the historical, diverse articulation of human mindedness? How does our understanding of these and other artifacts shape our self-conception at the most fundamental level?

 

We will explore these issues in the ontology, epistemology, and humanistic study of AI and other artifacts together with distinguished keynote speakers:

Monday, September 11, 4pm
Hans Ulrich Gumbrecht: UNFOLDING A FUZZY FUTURE? Dimensions for Thinking about “Singularity”

Tuesday, September 12, 10am
Cameron Buckner: Understanding Progress in AI Using Empiricist Philosophy of Mind

Wednesday, September 13, 3pm
Kanta Dihal

Wednesday, September 13, 5pm
David ChalmersForum Humanum Lecture

Thursday, September 14, 4pm
Nandi Theunissen: Rethinking Regress Arguments for the Value of Humanity

Friday, September 15, 4pm
Kalindi Vora

Nov
3
Fri
Non-Idea Justice: A Family Resemblance Approach. Nadia ben Hassine (Cambridge) @ New School room 1101
Nov 3 @ 4:00 pm – 6:00 pm

The importance of incorporating value pluralism into a theory of justice is recognized in many conceptualizations of justice. This pluralism is often seen as a reason to attend to a range of perspectives, perspectives which can function as a source of information in determining which principles should guide justice. However, philosophy’s ability to properly attend to different perspectives has received extensive attention in the criticisms of various non-ideal theorists, who argue that ideal-theoretical philosophy runs the risk of excluding important aspects of actual social problems. Taking these criticisms on board, this paper builds on non-ideal theory by arguing for a Wittgensteinian family resemblance approach to justice. I will explain how this linguistic practice-embedded understanding of justice can be a helpful tool for non-ideal theory, as it can give us insight into why, in various similar but different cases, the notion of justice is seen as applicable. In light of this approach, I will suggest a reorientation of the pluralist demand towards an empirical starting point.