The Philosophy Department of The New School for Social Research invites you to a conference in honor of the life and work of Hans Jonas Professor of Philosophy Yirmiyahu Yovel.
The conference will be on March 29th and 30th in the Wolff Conference Room, D1103, 6 E 16th Street.
Celebrating Yirmiyahu Yovel
Friday, March 29th
Chair: Richard J. Bernstein
9 AM – 11 AM: Agnes Heller “The Other Within”
11 AM – 1 PM: Jay Bernstein “Yovel and Hegel’s Phenomenology
Lunch
2 PM – 4 PM: James Dodd “The Historical Antinomy”
4PM – 6PM: Jonathan Yovel “Normativity as a Poetic Quality”
Saturday, March 30th
Chari: Dmitri Nikulin
9 AM – 11 AM: Joel Whitebook “Immanence, Finitude, and Emancipation: A Psychoanalytic Perspective”
11 AM – 1 PM: Omri Boehm “Immanence, Knowledge, and Immortality: Spinoza’s Ethics as an Inversion of the Biblical Fall”
Lunch
2 PM – 4 PM: Chiara Bottici “Marrano of Reason”
4 PM – 6 PM: Eli Friedlander “On the Different Ways to the Highest Good”
Conference Schedule
Friday May 10
- 1pm: Rachel Goodman (University of Wisconsin-Milwaukee)
Introductory Overview1:30pm: Jake Quilty-Dunn (University of Oxford)
On Elisabeth Camp’s “Putting Thoughts to Work”4:30pm: John Kulvicki (Darmouth College)
On Jacob Beck’s “Perception is Analog”
Saturday May 11
- 1pm: Jacob Beck (York University)
On Jake Quilty-Dunn’s “Perceptual Pluralism”4pm: Elisabeth Camp (Rutgers University)
On John Kulvicki’s “Modeling the Meanings of Pictures”
The Five Essential Readings for the Conference
The conference is predicated on the assumption that everyone in attendance will have read all five of these essays:
- John Haugeland, Representational Genera
- Elisabeth Camp, Putting Thoughts to Work
- Jacob Beck, Perception Is Analog
- Jake Quilty-Dunn, Perceptual Pluralism
- John Kulvicki, Modeling The Meanings of Pictures (excerpt)
Some Helpful Background Readings
Here are ten additional readings that help to fill in some of the background to the topics that will be discussed at the conference. Those new to these topics might start with the Kulvicki, Camp, and Giardino and Greenberg readings, and then move on to the others.
- John Kulvicki, Images in Mind
- Elisabeth Camp, Thinking With Maps
- Valeria Giardino and Gabriel Greenberg, Introduction: Varieties of Iconicity
- John Haugeland, Analog and Analog
- Fred Dretske, Sensation and Perception
- Jerry Fodor, Preconceptual Representation
- Michael Rescorla, Cognitive Maps and the Language of Thought
- Tyler Burge, Origins of Perception
- Tyler Burge, Steps Towards Origins of Propositional Thought
- Jacob Beck, The Generality Constraint and the Structure of Thought
- Whit Schonbein, Varieties of Analog and Digital Representation
If you have any questions about the conference, please contact Zed Adams at zed@newschool.edu.
This essay tries to develop a “black radical Kantianism” – that is, a Kantianism informed by the black experience in modernity. After looking briefly at socialist and feminist appropriations of Kant, I argue that an analogous black radical appropriation should draw on the distinctive social ontology and view of the state associated with the black radical tradition. In ethics, this would mean working with a (color-conscious rather than colorblind) social ontology of white persons and black sub-persons and then asking what respect for oneself and others would require under those circumstances. In political philosophy, it would mean framing the state as a Rassenstaat (a racial state) and then asking what measures of corrective justice would be necessary to bring about the ideal Rechtsstaat.
Response by César Cabezas Gamarra.
Presented by the German Idealism Workshop
ERIK OLIN WRIGHT spent the last years of his life thinking about ways to challenge and transform capitalist societies. He distilled his thinking in a book, How to Be an Anti-Capitalist in the 21st Century (Verso, 2019). The symposium is designed to launch a debate about the strengths and weaknesses of Wright’s approach. We seek to both honor our colleague’s memory and assure that his ideas become part of current discussions of socialism and socialist strategy. The event will consist of three panels during the day and an evening session that will include tributes to Wright and a keynote by his friend, Ira Katznelson.
This event is co-sponsored by the Robert L. Heilbroner Center for Capitalism Studies at The New School for Social Research, and the journal, Politics & Society.
Conference Schedule
10AM Teddy Seidenfeld – Conditional Probability, Conditionalization, and Total Evidence
11AM Eleonora Cresto – Beyond Indeterminate Utilities. The Case of Neurotic Cake-Cutting
11:20AM Ignacio Ojea Quintana – Unawareness and Levi’s Consensus as Common Ground
11:40AM Rush Stewart – Uncertainty, Equality, Fraternity
1PM Nils-Eric Sahlin – Levi’s Decision Theory: Lessons Learned
1:45PM Wilfried Sieg – Scientific Theories as Set-Theoretic Predicates?
2:45PM Panel Discussion – Learning from Levi
Abstracts available in attached documents under “Supporting material.”
Memorial
A memorial service will be held at 5PM at St. Paul’s Chapel on the Columbia campus. Reception to follow on the 7th floor of Philosophy Hall.
Columbia University’s Department of Philosophy, the Morningside Institute, and the Thomistic Institute invite graduate students in philosophy, theology/religious studies, literature, and related disciplines to submit papers for “The Moral Imagination of the Novel.” The conference will examine the ways in which individual novels and the novel as a literary genre can be understood both to depict the search for moral, philosophical, and religious truth and to engage in this very search themselves. Is the novel a realistic or idealistic genre? Can novels expand our sense of moral possibilities? Can they contract them?
The conference will begin with four twenty-minute graduate student papers on Friday, October 4, followed by talks that day and the next from faculty. Confirmed speakers include:
Paul Elie (Georgetown)
Ann Astell (Notre Dame)
Thomas Pavel (Chicago)
Lauren Kopajtic (Fordham)
Dhananjay Jagannathan (Columbia)
Limited financial assistance is available to defray the cost of travel for student presenters, but students are encouraged to seek funds from their own institutions as well.
One-page proposals should be emailed to Molly Gurdon at mcg2197@columbia.edu by Saturday, August 31 to be considered. Invitations to present papers will be sent by Friday, September 6. Submissions should not contain any identifying information except for a title, but the author’s institution and program, along with the title of their proposed submission, should be noted in the e-mail submission.
Scholars working under the broad umbrella of New Materialism have offered compelling reappraisals of the ways in which we know, interact with, and exist in the world. This scholarship also intersects with recent work on music and sound, which raises rich sets of questions regarding human agency, material, ethics, aesthetics, embodiment, and the subject/object dichotomy, among other issues.
We invite scholars working in the humanities, arts and sciences to submit proposals for papers and performances that engage with the themes of sound and new materialism, broadly construed. We welcome work that adopts historical, technological, analytical, philosophical, materialist, and creative vantage points, among others. Overall, this conference will direct these diverse disciplinary and methodological perspectives towards convergent and critical issues, creating new, interdisciplinary lines of enquiry and generating original research.
The one-day conference will consist of panels that comprise of papers with short reflections by a moderator, as well as an evening concert that includes opportunities for discussion. The concluding concert of work that engages with these themes from creative perspectives will afford attendees with an opportunity to consider and discuss issues concerning sound, material, and agency in a forum that contrasts with, but also complements, our events during the day. Conference participants are strongly encouraged to attend both the daytime and evening portions of the conference.
Proposals are called for:
Paper presentations of 20 minutes with 10 minutes of Q&A.
Artistic presentation of 20 minutes with 10 minutes of discussion
Submission: Proposals of no more than 500 words (300 words for artistic presentation) should be submitted as a PDF by August 14th 2019 to jc5036@columbia.edu
and include “NMAS Submission” in the subject line. If you’re applying for an artistic presentation please include three representative 2 minute audio/video examples. Please also include the title of your proposed paper and anonymize your submission. Include your name, affiliation, and contact information in the body of the email, and also nominate any audio/visual requirements for your paper or performance.
David Albert’s work has been of seminal importance to the foundations of physics, exerting central influence on the direction the field and laying foundations for much of its ongoing development. In celebration of David’s many past and continuing contributions, we will be hosting a conference at Columbia University on the foundations of physics. We expect talks on a range of topics, including the foundations of quantum mechanics and statistical mechanics, the possible emergence of space and time, the metaphysics of science, and the nature of agency.
Confirmed Speakers
Jeff Barrett (UC Irvine)
Gordon Belot (Michigan)
Craig Callender (UC San Diego)
Sean Carroll (Caltech)
Eddy Chen (UC San Diego)
Sidney Felder (Rutgers)
Alison Fernandes (Dublin)
Shelly Goldstein (Rutgers)
Ned Hall (Harvard)
Barry Loewer (Rutgers)
Tim Maudlin (NYU)
Michael Miller (Toronto)
Alyssa Ney (UC Davis)
Lev Vaidman (Tel Aviv)
David Wallace (Pittsburgh)
Nino Zanghi (Genoa)
Organizing Committee
Alison Fernandes (alison.fernandes@tcd.ie)
Michael Miller (mike.miller@utoronto.ca)
Porter Williams (porterwi@usc.edu)
.
The conference is open to the public. Please direct any questions to Porter Williams (porterwi@usc.edu).
Friday, November 15
8:45 am: Breakfast
9:30 am: Jeff Barrett (UC Irvine): Quantum Randomness and Empirical Underdetermination
10:15 am: Shelly Goldstein (Rutgers): Typicality, Humean Probability, and the Mentaculus
11:00: Coffee Break
11:20 am: Craig Callender (UC San Diego): No Time for Time from No-Time
12:05 pm: Alyssa Ney (UC Davis): WFR or QFT?
12:50: Lunch
2:20 pm: Gordon Belot (Michigan): The Mach-Einstein Principle of 1917-1918
3:05 pm: Sean Carroll (Caltech): The Mentaculus as a Causal Network
3:50: Coffee Break
4:10 pm: David Wallace (Pittsburgh): TBA
4:55 pm: Ned Hall (Harvard): Respectful Deflationism
5:45 pm: Adjourn
Saturday, November 16
8:45 am: Breakfast
9:30 am: Lev Vaidman (Tel Aviv): The many-worlds interpretation and the Born rule
10:15 am: Eddy Chen (UC San Diego): Nomic Vagueness
11:00: Coffee Break
11:20 am: Michael Miller (Toronto): Infrared Cancellation and Measurement
12:05 pm: Alison Fernandes (Trinity College Dublin): The Direction of Records
12:50: Lunch
2:20 pm: Sidney Felder (Rutgers): Gödel’s Rotating Solutions, Bilking, and Natural Laws
3:05 pm: Nino Zanghi (INFN Genova): TBA
3:50: Coffee Break
4:10 pm: Tim Maudlin (NYU): S = k ln(B(W)): Boltzmann entropy, the Second Law, and the Architecture of Hell
4:55 pm: Barry Loewer (Rutgers): The Consequence Argument Meets the Mentaculus
5:45 pm: Adjourn
We live in an era of aesthetics. Art has become both pervasive and powerful – it is displayed not only in museums and galleries but also on the walls of corporations and it is increasingly fused with design. But what makes art so powerful, and in what does its power consist?
According to a widespread view, the power of art – its beauty – lies in the eye of the beholder. What counts as art appears to be a function of individual acts of evaluation supported by powerful institutions. On this account, the power of art stems from a force that is not itself aesthetic, such as the art market and the financial power of speculators. Art expresses, in a disguised form, the power of something else – like money – that lies behind it. In one word, art has lost its autonomy.
In his talk, Markus Gabriel rejects this view. He argues that art is essentially uncontrollable. It is in the nature of the work of art to be autonomous to such a degree that the art world will never manage to overpower it. Ever since the cave paintings of Lascaux, art has taken hold of the human mind and implemented itself in our very being. Thanks to the emergence of art we became human beings, that is, beings who lead their lives in light of an image of the human being and its position in the world and in relation to other species. Due to its structural, ontological power, art itself is and remains radically autonomous. Yet, this power is highly ambiguous, as we cannot control its unfolding.
Markus Gabriel holds the chair for Epistemology, Modern and Contemporary Philosophy at the University of Bonn and is also the Director of the International Center for Philosophy in Bonn as well as the director of the Center for Science at Thought at Bonn.
Presented by The New School for Social Research and Philosophy Department and it is co-sponsored with the Liberal Studies Department.