In recent decades, “mindfulness” has spread like wildfire in the United States, pervading schools, hospitals, the tech industry, and even Wall Street. Thanks to research by Professor of Medicine Jon Kabat-Zinn, mindful practices such as meditation are increasingly used to address a wide range of social, emotional, and spiritual issues—such as alienation, anger, and depression—as well as a variety of physical conditions—such as cancer recovery and psoriasis. In this talk, I encourage us to get curious about this trend of mindfulness, asking: Who does it benefit? Where did it come from? What does it owe?
Brooklyn Public Philosophers is a forum for philosophers in the greater Brooklyn area to discuss their work with a general audience, hosted by the Brooklyn Public Library. Its goal is to raise awareness of the best work on philosophical questions of interest to Brooklynites, and to provide a civil space where Brooklynites can reason together about the philosophical questions that matter to them.
10/23 – Philosophy in the Library: Jennifer Morton on Education @ the Brooklyn Public Library’s Information Commons Lab // 7:30-9:00 PM
11/6 – Philosophy in the Library: Asia Ferrin on Mindfulness @ the Brooklyn Public Library’s Information Commons Lab // 7:00-9:00 PM
12/4 – Philosophy in the Library: Sebastian Purcell on Aztec Philosophy @ the Brooklyn Public Library’s Information Commons Lab // 7:30-9:00 PM
We live in an era of aesthetics. Art has become both pervasive and powerful – it is displayed not only in museums and galleries but also on the walls of corporations and it is increasingly fused with design. But what makes art so powerful, and in what does its power consist?
According to a widespread view, the power of art – its beauty – lies in the eye of the beholder. What counts as art appears to be a function of individual acts of evaluation supported by powerful institutions. On this account, the power of art stems from a force that is not itself aesthetic, such as the art market and the financial power of speculators. Art expresses, in a disguised form, the power of something else – like money – that lies behind it. In one word, art has lost its autonomy.
In his talk, Markus Gabriel rejects this view. He argues that art is essentially uncontrollable. It is in the nature of the work of art to be autonomous to such a degree that the art world will never manage to overpower it. Ever since the cave paintings of Lascaux, art has taken hold of the human mind and implemented itself in our very being. Thanks to the emergence of art we became human beings, that is, beings who lead their lives in light of an image of the human being and its position in the world and in relation to other species. Due to its structural, ontological power, art itself is and remains radically autonomous. Yet, this power is highly ambiguous, as we cannot control its unfolding.
Markus Gabriel holds the chair for Epistemology, Modern and Contemporary Philosophy at the University of Bonn and is also the Director of the International Center for Philosophy in Bonn as well as the director of the Center for Science at Thought at Bonn.
Presented by The New School for Social Research and Philosophy Department and it is co-sponsored with the Liberal Studies Department.
The last Philosophy in the Library talk of 2019 is coming up on December 4th at 7:00 PM! Sebastian Purcell is talking about “Good Habits Aren’t Enough: The Aztec Conception of Shared Agency!” If you’re into indigenous philosophy, the history of philosophy, virtue ethics, or collective action, you should enjoy it.
Brooklyn Public Philosophers is a forum for philosophers in the greater Brooklyn area to discuss their work with a general audience, hosted by the Brooklyn Public Library. Its goal is to raise awareness of the best work on philosophical questions of interest to Brooklynites, and to provide a civil space where Brooklynites can reason together about the philosophical questions that matter to them.
10/23 – Philosophy in the Library: Jennifer Morton on Education @ the Brooklyn Public Library’s Information Commons Lab // 7:30-9:00 PM
11/6 – Philosophy in the Library: Asia Ferrin on Mindfulness @ the Brooklyn Public Library’s Information Commons Lab // 7:30-9:00 PM
12/4 – Philosophy in the Library: Sebastian Purcell on Aztec Philosophy @ the Brooklyn Public Library’s Information Commons Lab // 7:00-9:00 PM
How can we know what it’s like to be someone else? Classical Indian philosophers found the answer in theater, arguing that it’s not just a form of entertainment, but a source of knowledge of other minds. In this talk, I’ll explore how this theme is developed in Śrī Śaṅkuka (c. 850 CE) and examine the reasons his views were rejected in the later tradition. I’ll argue that those reasons are unsound, and that we can see why by turning to contemporary studies of the relationship between knowledge and luck.
Jonardon Ganeri is the Bimal. K. Matilal Distinguished Professor of Philosophy at the University of Toronto. He is a philosopher whose work draws on a variety of philosophical traditions to construct new positions in the philosophy of mind, metaphysics and epistemology. His books include Attention, Not Self (2017), a study of early Buddhist theories of attention; The Concealed Art of the Soul (2012), an analysis of the idea of a search for one’s true self; Virtual Subjects, Fugitive Selves (2020), an analysis of Fernando Pessoa’s philosophy of self; and Inwardness: An Outsiders’ Guide (2021), a review of the concept of inwardness in literature, film, poetry, and philosophy across cultures. He joined the Fellowship of the British Academy in 2015, and won the Infosys Prize in the Humanities the same year, the only philosopher to do so.
This series is curated and co-presented by Brooklyn Public Philosophers, aka Ian Olasov.
This conference aims to initiate dialogues between philosophy and the arts. Philosophers and thinkers/ scholars across disciplines of humanities and social sciences will meet with artists and scholars from a wide variety of visual and visual artistic disciplines, including painting, photography, and literature, as well as travel, dance, and fashion. Rather than taking art as a mere object of philosophical study, this conference will explore the manifold confluences and intersections of philosophy and art, exploring how each can become the object of the other and how the boundary between the philosophical and the artistic can be sharpened or blurred. The motive is specifically to explore the “visual” and “movement” element in art of, and in everyday life and theorize it – both philosophically and critically.
Co-sponsored by: Office of Deans: New School for Social Research and School of Art & Design History & Theory; University Student Senate and Graduate Faculty Student Senate
Schedule and Location
The conference will meet on The New School campus in New York City.
On March 24th, we will meet in room B500 at 65 W 11 Street.
On March 25th, we will meet in Starr Foundation Hall UL105 at University Center (63 Fifth Avenue).
Following is the schedule for both days, (please see the website for details on panels and speakers):
11:00 am Panel 1 Speaker presentations.
12:00 pm Panel 1 roundtable and audience Q&A.
1:15 pm Lunch break.
2:15 pm Panel 2 Speaker presentations.
3:15 pm Panel 2 roundtable and audience Q&A.
4:30 pm Evening reception with free food and drinks for attendees!
This conference aims to initiate dialogues between philosophy and the arts. Philosophers and thinkers/ scholars across disciplines of humanities and social sciences will meet with artists and scholars from a wide variety of visual and visual artistic disciplines, including painting, photography, and literature, as well as travel, dance, and fashion. Rather than taking art as a mere object of philosophical study, this conference will explore the manifold confluences and intersections of philosophy and art, exploring how each can become the object of the other and how the boundary between the philosophical and the artistic can be sharpened or blurred. The motive is specifically to explore the “visual” and “movement” element in art of, and in everyday life and theorize it – both philosophically and critically.
Co-sponsored by: Office of Deans: New School for Social Research and School of Art & Design History & Theory; University Student Senate and Graduate Faculty Student Senate
Schedule and Location
The conference will meet on The New School campus in New York City.
On March 24th, we will meet in room B500 at 65 W 11 Street.
On March 25th, we will meet in Starr Foundation Hall UL105 at University Center (63 Fifth Avenue).
Following is the schedule for both days, (please see the website for details on panels and speakers):
11:00 am Panel 1 Speaker presentations.
12:00 pm Panel 1 roundtable and audience Q&A.
1:15 pm Lunch break.
2:15 pm Panel 2 Speaker presentations.
3:15 pm Panel 2 roundtable and audience Q&A.
4:30 pm Evening reception with free food and drinks for attendees!
2023 marks the 50th anniversary of the birth of hip-hop, and the beginning of a sonic, cultural and socio-political revolution that changed the U.S. and the world. To commemorate the anniversary, Brooklyn Public Library will present NIGHT IN THE LIBRARY: THE PHILOSOPHY OF HIP-HOP on Saturday, June 17th, from 7 pm – 2 am at Central Library.
Join us for this FREE event that will take over the entire Central Library building to celebrate hip-hop culture past, present and future, with keynote addresses, live DJs, film screenings, discussions, debates and contemplative engagements. BPL invites you to celebrate hip-hop and spend a NIGHT IN THE LIBRARY.
Co-curated by LeBrandon Smith and Kelly Harrison. The Dilemma Series is curated by April R. Silver, founder of AKILA WORKSONGS.
Serving as a response to Aimé Césaire’s call for a universal filled with particularity from his infamous resignation from the French Communist Party in 1956, I focus on the role of culture for a project of universal emancipation. To do so, I follow Sylvia Wynter’s statement that the Négritude movement is an example of a universal and cultural project. Recalling Césaire’s words in “Return to My Native Land,” culture that serves universal emancipation must be “free of the desire to tame but familiar with the play of the world.” To this end, I develop a conception of culture that is both local and universal, that centers on the importance of what it means to be human, as life, as being, and as experience by reading culture as necessarily local, collective, disenchanted, and related to play.
Bio:
Elisabeth Paquette is Associate Professor of Comparative Literature at the University at Buffalo, SUNY. Her book, titled Universal Emancipation: Race beyond Badiou (University of Minnesota Press, 2020), engages French political theorist Alain Badiou’s discussion of Négritude and the Haitian Revolution to develop a nuanced critique of his theory of emancipation. Currently, she is working on a monograph on the writings of decolonial theorist Sylvia Wynter. She is also the Founder of the Feminist Decolonial Politics Workshop, which takes place annually during the summer.
The 2025 annual conference of the Telos-Paul Piccone Institute will culminate the first year of a five-year program—the Telos China Initiative—that has aimed to set Telos on a distinct intellectual course.
The Telos circle falls outside many conventional intellectual categories. During the Cold War, this quality enabled us to form a bridge between Eastern Europe and the Anglosphere. We fostered work by Soviet-bloc intellectuals, helping Western readers understand the ideological dynamics at play behind the Iron Curtain; we supported a wide variety of dissidents in their opposition to bureaucratic centralization, as we have likewise for opponents of bureaucratic governance in the West; and we brokered an encounter between Marxism and phenomenology that was vital for critical thinkers in the Soviet and the liberal democratic world.
We believe that the future of the TPPI now lies in a parallel reciprocal engagement with China, to which we have given steadily increasing focus for the past ten years in our annual conferences. These meetings have laid the basis for seven special issues of the journal Telos, as well as numerous individual articles in the field. With the Telos China Initiative, we seek to become a key bridge for a mutually regarding, critical discussion of social and political theory between China and the West, well beyond the circles of East Asia specialists.
Keywords
Our 2025 conference will cap the first year of this initiative, during which we launched our webinar series “China Keywords.” Taking broad inspiration from Raymond Williams’s Keywords: A Vocabulary of Culture and Society (1976), each webinar critically explores a single concept essential for understanding contemporary Chinese social and political theory, illuminating these concepts with an eye toward non-specialists in the West, while also addressing deep contestations of interest to experts in the field. Our conference takes the name of this webinar series and seeks to build on its themes. We expect the conference to result in a special issue of Telos.
We seek proposals for individual papers and full panels focused on, or that take as their starting point, a single keyword important for critically understanding the political-theoretical dynamics of contemporary China, which include its ideologies of global order and Chinese mission. These keywords may change meaning based on where one is standing—and they are, therefore, key points of contention. Some examples include:
- tianxia (天下)
- wangdao (王道)
- Wealth and power (富强)
- The party-state
- Socialism with Chinese characteristics (中国特色社会主义)
- Cultural Self-Confidence (文化自信)
- New Confucianism (新儒家)
- Mr. Democracy (德先生)
- Reform and Opening-Up (改革开放)
- River Elegy (河殤)
- Sinocentrism (中国中心主义)
- Neo-imperialism (新帝國主義)
- The China Model (中国模式)
- Community of Common Destiny (人类命运共同体)
- The New Era (新时代)
We are also open to considering papers that examine keywords or concepts from the West as they may apply to China and its place in the world, such as: authoritarianism, New Cold War, liberal world order, Leninism, and illiberal globalization.
Papers or panels that illuminate the possibilities for critical theoretical dialogue between China and the West are most welcome, as are those from specialists that focus on intellectual debates within China. Likewise, contributions are welcome from specialists in Western theoretical traditions who seek to make a bridge to Chinese discursive communities—for instance, through the work of Carl Schmitt or the tradition of Critical Theory, with which the Telos circle has long been interested—as are papers that, fitting with the traditions of our circle, oppose any authority, East or West, that limits the possibility of individual emancipation within the telos of politics and of humankind.
Submissions Guidelines
Presentations at the conference should be no more than 15 minutes long, between 1500–2000 words. Our conference has a two-stage process for acceptance: first, submission of a presentation proposal and, second, submission of a presentation draft. Both stages must be completed for final acceptance to the conference.
Presentation proposals should describe the topic of a talk or of a full panel in 100–250 words. They should be made by September 1, 2024. Proposals for full panels, which can include up to four presenters, should include proposals for all presentations as well as for the panel as a whole.
With each proposal, please include the name and institutional affiliation of each presenter, as well as a curriculum vita or resume. In addition to established university faculty, independent scholars, students, and individuals working fully outside university circles are warmly invited to submit proposals.
Review of proposals will be conducted on a rolling basis until the September 1 deadline, with final notification by September 15. Successful proposals will be invited to submit a presentation draft.
Presentation drafts are due by November 15, 2024. A presentation draft need be only 1000 words long and need not be polished, though submission of full presentations is strongly encouraged. Final notification of acceptance will take place by December 1. Feedback on drafts will be provided by the organizers to ensure an excellent conference event based with a fruitful exchange of competing and complementary ideas.
Please note that TPPI is not able to provide travel or accommodation funds, that there will be no option to present via Zoom, and that there will be a conference registration fee. Past registration fees for non-student members of TPPI have been about $300. These fees provide not only for conference attendance but also for a celebratory conference dinner, lunches, and refreshments.
Submit proposals or inquiries to chinaconference2025@telosinstitute.net.