Apr
16
Tue
Socratic Alternatives to Hegelian Political Thought in Kierkegaard’s Fear and Trembling, Dr. Matt Dinan @ Philosophy Dept, St. John's U. rm 212
Apr 16 @ 5:30 pm – 7:00 pm

Søren Kierkegaard’s most famous work, Fear and Trembling, has the distinction of drawing near-universal derision from scholars of political theory and ethics. Dr. Dinan suggests that Kierkegaard’s readers haven’t accounted for his return to Socratic political philosophy as a direct riposte to the politics of G.W.F. Hegel and his successors. He considers the implications of Kierkegaard’s use of the ‘questionable stratagem’ of Socratic irony in relation to politics, ethics, Christian faith, and philosophy. Kierkegaard is concerned not with destroying political philosophy, but with restoring its attentiveness to paradox.

Dr. Matt Dinan, Assistant Professor, St. Thomas University

May
17
Fri
Nietzsche Circle Fundraiser @ Beyhan Karahan & Associates Architects
May 17 @ 7:00 pm

Annual Nietzsche Circle Fundraiser with talk, music, drinks, and refreshments.

$25 General Admission

$10 Student Admission

Levels of Sponsorship:

Eagle: Above $600 (5 free tickets and 4 books)

Hawk: $600 (4 free tickets and 3 books)

Falcon: $400 (3 free tickets and 2 books)

Owl: $200 (2 free tickets and 1 book)

Donations can be made direct, at our website at www.nietzschecirclecom/support_us.html, or simply bring a check with you. Payable to: Nietzsche Circle. Funds may be held in an escrow account subject to determination of 501(c) compliance. We thank you.

Please RSVP with Luke Trusso at luke.trusso@gmail.com by May 10, 2019 and include any guests.

Sep
27
Fri
NYC Nietzsche Group: Michael Begun (Fordham) @ Plaza View Room (12th Floor)
Sep 27 @ 6:00 pm – 8:00 pm

Presented by Fordham Philosophy

Oct
10
Thu
Reconstructing Nietzsche, Contextually. Matthew Meyer @ Wolff Conference Room, D1106
Oct 10 @ 6:00 pm – 8:00 pm

I defend a contextual reconstruction of Nietzsche’s philosophical project. My contextualist reconstruction contrasts with the rationalist reconstruction predominant in contemporary Anglo-American scholarship. After discussing the differences between the two approaches, I show how the rationalist reconstruction has distorted our understanding of Nietzsche in at least two respects. First, in trying to extract theories from Nietzsche’s corpus that will be attractive to contemporary philosophers, it has caused scholars largely to neglect the nature, structure, and argument of Nietzsche’s published works. Here, I make my case by focusing on common misunderstandings of Nietzsche’s free spirit works. Second, it has caused scholars to tame Nietzsche’s project by dismissing Thus Spoke Zarathustra as mere poetry and distancing Nietzsche from controversial ideas such as the will to power and the eternal recurrence. In contrast, I argue that by reading Nietzsche as a naturalist through the lens of a historical influence like Schopenhauer, rather than anachronistically through Quine, we can begin to make sense of these essential features of his project. I close with some remarks about why a contextual reconstruction may not only be truer to Nietzsche, but also more philosophically satisfying than the rationally reconstructed Nietzsche currently on offer.

Oct
18
Fri
NYC Nietzsche Group: Dylan Bailey (Fordham) @ Plaza View Room (12th Floor)
Oct 18 @ 6:00 pm – 8:00 pm

Contact Sara Pope for more information.

Nov
22
Fri
NYC Nietzsche Group: Yunus Tuncel (New School) @ Plaza View Room (12th Floor)
Nov 22 @ 6:00 pm – 8:00 pm

Contact Sara Pope for more information.

Apr
22
Fri
Hegel’s Heritage: First Nature in Social Philosophy Conference @ Columbia University
Apr 22 – Apr 23 all-day

Eva Bockenheimer. Frederica Gregoratto. Thimo Heisenberg. Axel Honneth. Rahel Jaeggi. Gal Katz. Frederick Neuhouser. Andreja Novakovic. Angelica Nuzzo. Johannes-Georg Schülein. Italo Testa.
April 22-23 Time TBA
*In-person event

Dec
16
Fri
Why Everything is as it Seems: Hegel & Debord. Eric-John Russell @ Philosophy Hall, rm 716
Dec 16 @ 5:00 pm – 7:00 pm

Please join us for a talk by Eric-John Russell (Universität Potsdam), who will present chapters from his recently published book, Why Everything is as it Seems: Hegel and Debord. Jacob McNulty (University College London) will provide a response followed by a Q&A with our audience.

Guy Debord has been called many things: pseudo-philosopher, nihilist, filmmaker, megalomaniac, strategist, third-rate Mephistopheles. His book The Society of the Spectacle (1967) has fallen into a similarly motley reception, frequently enveloped within the discourses of postmodernism, media and cultural studies, and avant-garde art history. My research however, dispenses with such narratives and instead offers a sustained examination of the concept of the society of the spectacle through the two pillars upon which Debord understood his own work as a critical theory of society: Marx’s critique of political economy and Hegel’s speculative philosophy. It is the latter that will be the focus of my paper, first by offering some introductory remarks on Debord’s theory of the spectacle but then arguing  that it precisely the speculative dimension of Hegel’s dialectic that remains central for Debord’s diagnosis of twentieth century capitalism, with emphasis placed on the importance of Hegel’s Wesenslogik. I will conclude with the historical significance of Debord’s “heretical Hegelianism,” specifically as an intervention within the atmosphere of the French Hegelianism of the interwar and postwar period.

 

Feb
15
Wed
From Shapeless Abyss Towards Self-Developing Thought: Taking Hegel on Spinoza Seriously. James Kreines (Claremont McKenna) @ The New School L502
Feb 15 @ 4:00 pm – 6:00 pm

15 Feb, 4pm:

James Kreines (Claremont McKenna)

From Shapeless Abyss Towards Self-Developing Thought: Taking Hegel on Spinoza Seriously

@ The New School, Room L502, at 2 W 13th Street

Guests and visitors policies at the New School can be accessed via this website. You will have to download CLEAR and upload proof of vaccination or the results of a rapid test. Please try to arrive 15 minutes earlier so we can help you in case of complications.


Feb 24:

Georg Spoo (Freiburg)

Grounds and Limits of Immanent Critique: Kant, Hegel, Marx

@ Columbia


Mar 3:

Heikki Ikaheimo

Hegel, Humanity, and Social Critique

@ Zoom


Mar 24:

Stephen Howard (KU Leuven)

Kant’s Late Philosophy of Nature: The Opus Postumum

@ Columbia


Apr 11:

Karin de Boer

Does Kant’s Antinomy of Pure Reason Amount to an A Priori History of Rational Cosmology?

@ Columbia


Apr 15, 4pm:

Eva von Redecker

Co-sponsored by the New School Graduate Student Conference

@ The New School


Apr 21:

Giulia Battistoni

NAture, Life, Organizm: The Legacy of Romanticism and Classical German Philosophy in Jonas’ Philosophical Biology

@ The New School

 

 

Feb
2
Fri
Nietzsche and Music @ Arnold Hall rm i400
Feb 2 @ 6:00 pm – 8:30 pm

Nietzsche (1844-1900) is one of the few philosophers who have an intimate connection to music. This connection has much to do with his early music education. His contemporaries testify that he was a good pianist. His musical ambition, or his musical daimon, urged him to compose music, although he had no training in this area. Most of his compositions are from his late teens; his earliest inspirations are Beethoven, Mozart, Haydn, Schubert, Schumann and Wagner. His compositions were gathered together and published by Curt Paul Janz in Friedrich Nietzsche, Der musikalische Nachlass. Nietzsche’s music is available in several productions. However, Nietzsche did not follow a musical path and decided to become a philologist and dedicated his life to writing and philosophy.

Nietzsche’s background in music, on the other hand, influenced his way of thinking and writing. All of these interesting areas between music, literature, and philosophy and Nietzsche’s relationship to music understood on a broad spectrum have been explored by many Nietzsche scholars including Georges Liébert, Graham Parkes, Francois Noudelmann, Stefan Lorenz Sorgner and others and in the anthology, An Anthology on Nietzsche and Music: Philosophical Thoughts and Musical Experiments, edited by the presenters of today’s event. This event is dedicated to the exploration of this relationship between Nietzsche and music.