Various programmes and results in the philosophy/foundations of spacetime theories illustrate themes from reductionism and functionalism in general philosophy of science. I will focus on some programmes and results about how the physics of matter contributes to determining, or even determines, or even explains, chrono-geometry. I hope to say something about most of the following examples: in the philosophical literature, Robb (1914), and Mundy (1983); and in the physics literature: Barbour and Bertotti (1982); Hojman, Kuchar and Teitelboim (1976); Dull, Schuller et al. (2012, 2018); and Gomes & Shyam (2016).
Presented by Metro Area Philosophers of Science
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Armin Schulz (University of Kansas)
Details: 4:30-6:30pm Wednesday Oct 9; 3rd floor seminar room, 5 Washington Place (NYU).
Title: TBD.
Abstract: TBD.
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Christopher Weaver (University of Illinois)
Details: 4:30-6:30pm Wednesday Nov 13; 3rd floor seminar room, 5 Washington Place (NYU).
Title: TBD.
Abstract: TBD.
Rebecca Comay, Professor of Philosophy and Comparative Literature, The University of Toronto discusses Hegel and Beckett followed by a response from Paul Kottman of The New School for Social Research.
Columbia University’s Department of Philosophy, the Morningside Institute, and the Thomistic Institute invite graduate students in philosophy, theology/religious studies, literature, and related disciplines to submit papers for “The Moral Imagination of the Novel.” The conference will examine the ways in which individual novels and the novel as a literary genre can be understood both to depict the search for moral, philosophical, and religious truth and to engage in this very search themselves. Is the novel a realistic or idealistic genre? Can novels expand our sense of moral possibilities? Can they contract them?
The conference will begin with four twenty-minute graduate student papers on Friday, October 4, followed by talks that day and the next from faculty. Confirmed speakers include:
Paul Elie (Georgetown)
Ann Astell (Notre Dame)
Thomas Pavel (Chicago)
Lauren Kopajtic (Fordham)
Dhananjay Jagannathan (Columbia)
Limited financial assistance is available to defray the cost of travel for student presenters, but students are encouraged to seek funds from their own institutions as well.
One-page proposals should be emailed to Molly Gurdon at mcg2197@columbia.edu by Saturday, August 31 to be considered. Invitations to present papers will be sent by Friday, September 6. Submissions should not contain any identifying information except for a title, but the author’s institution and program, along with the title of their proposed submission, should be noted in the e-mail submission.
I will argue, pace a great many of my contemporaries, that there’s something right about Boltzmann’s attempt to ground the 2nd law of thermodynamics in deterministic time-reversal invariant classical dynamics, and that in order to appreciate what’s right about (what was at least at one time) Boltzmann’s explanatory project one has to fully apprehend the nature of (a) microphysical causal structure, (b) time-reversal invariance, and (c) the relationship between Boltzmann entropy and the work of Rudolf Clausius.
There will be dinner after the talk. If you are interested, please send an email with “Dinner” in the heading to nyphilsci@gmail.com (please note that all are welcome, but only the speaker’s dinner will be covered.) If you have any other questions, please email denise.dykstra@rutgers.edu.
David Albert’s work has been of seminal importance to the foundations of physics, exerting central influence on the direction the field and laying foundations for much of its ongoing development. In celebration of David’s many past and continuing contributions, we will be hosting a conference at Columbia University on the foundations of physics. We expect talks on a range of topics, including the foundations of quantum mechanics and statistical mechanics, the possible emergence of space and time, the metaphysics of science, and the nature of agency.
Confirmed Speakers
Jeff Barrett (UC Irvine)
Gordon Belot (Michigan)
Craig Callender (UC San Diego)
Sean Carroll (Caltech)
Eddy Chen (UC San Diego)
Sidney Felder (Rutgers)
Alison Fernandes (Dublin)
Shelly Goldstein (Rutgers)
Ned Hall (Harvard)
Barry Loewer (Rutgers)
Tim Maudlin (NYU)
Michael Miller (Toronto)
Alyssa Ney (UC Davis)
Lev Vaidman (Tel Aviv)
David Wallace (Pittsburgh)
Nino Zanghi (Genoa)
Organizing Committee
Alison Fernandes (alison.fernandes@tcd.ie)
Michael Miller (mike.miller@utoronto.ca)
Porter Williams (porterwi@usc.edu)
.
The conference is open to the public. Please direct any questions to Porter Williams (porterwi@usc.edu).
Friday, November 15
8:45 am: Breakfast
9:30 am: Jeff Barrett (UC Irvine): Quantum Randomness and Empirical Underdetermination
10:15 am: Shelly Goldstein (Rutgers): Typicality, Humean Probability, and the Mentaculus
11:00: Coffee Break
11:20 am: Craig Callender (UC San Diego): No Time for Time from No-Time
12:05 pm: Alyssa Ney (UC Davis): WFR or QFT?
12:50: Lunch
2:20 pm: Gordon Belot (Michigan): The Mach-Einstein Principle of 1917-1918
3:05 pm: Sean Carroll (Caltech): The Mentaculus as a Causal Network
3:50: Coffee Break
4:10 pm: David Wallace (Pittsburgh): TBA
4:55 pm: Ned Hall (Harvard): Respectful Deflationism
5:45 pm: Adjourn
Saturday, November 16
8:45 am: Breakfast
9:30 am: Lev Vaidman (Tel Aviv): The many-worlds interpretation and the Born rule
10:15 am: Eddy Chen (UC San Diego): Nomic Vagueness
11:00: Coffee Break
11:20 am: Michael Miller (Toronto): Infrared Cancellation and Measurement
12:05 pm: Alison Fernandes (Trinity College Dublin): The Direction of Records
12:50: Lunch
2:20 pm: Sidney Felder (Rutgers): Gödel’s Rotating Solutions, Bilking, and Natural Laws
3:05 pm: Nino Zanghi (INFN Genova): TBA
3:50: Coffee Break
4:10 pm: Tim Maudlin (NYU): S = k ln(B(W)): Boltzmann entropy, the Second Law, and the Architecture of Hell
4:55 pm: Barry Loewer (Rutgers): The Consequence Argument Meets the Mentaculus
5:45 pm: Adjourn
The Vanishing Point of Existence: Kierkegaard and the Ethics of the Novel.
Presented by: Yi-Ping Ong, Associate Professor, Department of Comparative Thought and Literature, Johns Hopkins University.
Presented by Liberal Studies at The New School of Social Research
Well-known ties between arithmetical proof and intuitionistic logic make it natural to think of provability in terms of intuitionistic logic and hence absolute provability in terms of one of its extensions. For this reason, we propose Intuitionistic Tense Logic, or tINT, to study absolute provability. We delineate tINT models and a Hilbert-style system, and then prove soundness and completeness. We then use the tINT framework to discuss and compare ideas of absolute provability of authors in the literature.
The Saul Kripke Center is pleased to announce that Vincent A. Peluce (PhD student, Philosophy, CUNY Graduate Center) will deliver the fourth Saul Kripke Center Young Scholars Series talk on Thursday, December 5, 2019, from 2:00 to 4:00 in room 9206 of the CUNY Graduate Center.
The Art of Change is a bold experimental work that introduces a radically new artistic form. Starting with the traditional notion of opera as a type of work that blends music, theater, art, and design into a single form, The Art of Change brings performers and thinkers together on stage and fuses live performance with historical video footage, recorded interviews and multimedia content. All of this is woven together into a tapestry that is generative, interactive, participative, and open.
As its title suggests, the work centers on the very idea of change and presents various ways of thinking, from the very pragmatic to the most speculative, about what needs to be changed in the world today. Actors, singers, instrumentalists, designers, and philosophers come together, with the audience, to speculate on this question and the many ways in which it can be answered.
The libretto, by philosopher Chiara Bottici, is the result of a process in which an initial text was developed through a collective authoring process that unfolded on Public Seminar – an online journal of ideas, politics and culture supported by The New School.
No two performances of The Art of Change are the same. Spoken dialogues within each performance are analyzed and processed on the fly through software which captures and develops the melodic and rhythmic patterns of speech to generate instrumental scores for the musicians and electronics. What is more, each evening features two guests – a thinker and a musician – who bring new perspectives and their unique vision to the work.
Performances:
January 16th, 8pm
January 17th, 5pm & 8pm
January 18th, 5pm & 8pm
January 21st, 8pm
Creative Team:
Jean-Baptiste Barrière, Concept, Video Design & Composition
Chiara Bottici, Libretto
Ashley Tata, Stage Direction
Timo Rissanen, Costume Design
Abigail Hoke-Brady, Lighting Design
Thomas Goepfer, Sound & Video Design
Camilla Hoitenga, Flutes Solo
Levy Lorenzo, Creative Technologist, Percussion
Actors, singers and instrumentalists of The New School’s College of Performing Arts: Hayley Boggs, William Desbiens, Youngwoo Jeon, Kalun Leung, Timmy Ong, Yeji Pyun, Samuel Rachmuth, Veronica Richer, Jane Skapek (assistant director), Zachary Sebek, Alexander Theiss, Jackie Traish, Yunnan Xu
Guest Artists:
January 16: Simon Critchley, philosopher and Joan La Barbara, musician
January 17: Cinzia Arruzza, philosopher and Rebekah Heller, musician
January 18: Dmitri Nikulin, philosopher and Ross Karre musician
January 21: Jamieson Webster, psychoanalyst and Joan La Barbara, musician
The Art of Change is a bold experimental work that introduces a radically new artistic form. Starting with the traditional notion of opera as a type of work that blends music, theater, art, and design into a single form, The Art of Change brings performers and thinkers together on stage and fuses live performance with historical video footage, recorded interviews and multimedia content. All of this is woven together into a tapestry that is generative, interactive, participative, and open.
As its title suggests, the work centers on the very idea of change and presents various ways of thinking, from the very pragmatic to the most speculative, about what needs to be changed in the world today. Actors, singers, instrumentalists, designers, and philosophers come together, with the audience, to speculate on this question and the many ways in which it can be answered.
The libretto, by philosopher Chiara Bottici, is the result of a process in which an initial text was developed through a collective authoring process that unfolded on Public Seminar – an online journal of ideas, politics and culture supported by The New School.
No two performances of The Art of Change are the same. Spoken dialogues within each performance are analyzed and processed on the fly through software which captures and develops the melodic and rhythmic patterns of speech to generate instrumental scores for the musicians and electronics. What is more, each evening features two guests – a thinker and a musician – who bring new perspectives and their unique vision to the work.
Performances:
January 16th, 8pm
January 17th, 5pm & 8pm
January 18th, 5pm & 8pm
January 21st, 8pm
Creative Team:
Jean-Baptiste Barrière, Concept, Video Design & Composition
Chiara Bottici, Libretto
Ashley Tata, Stage Direction
Timo Rissanen, Costume Design
Abigail Hoke-Brady, Lighting Design
Thomas Goepfer, Sound & Video Design
Camilla Hoitenga, Flutes Solo
Levy Lorenzo, Creative Technologist, Percussion
Actors, singers and instrumentalists of The New School’s College of Performing Arts: Hayley Boggs, William Desbiens, Youngwoo Jeon, Kalun Leung, Timmy Ong, Yeji Pyun, Samuel Rachmuth, Veronica Richer, Jane Skapek (assistant director), Zachary Sebek, Alexander Theiss, Jackie Traish, Yunnan Xu
Guest Artists:
January 16: Simon Critchley, philosopher and Joan La Barbara, musician
January 17: Cinzia Arruzza, philosopher and Rebekah Heller, musician
January 18: Dmitri Nikulin, philosopher and Ross Karre musician
January 21: Jamieson Webster, psychoanalyst and Joan La Barbara, musician
The Art of Change is a bold experimental work that introduces a radically new artistic form. Starting with the traditional notion of opera as a type of work that blends music, theater, art, and design into a single form, The Art of Change brings performers and thinkers together on stage and fuses live performance with historical video footage, recorded interviews and multimedia content. All of this is woven together into a tapestry that is generative, interactive, participative, and open.
As its title suggests, the work centers on the very idea of change and presents various ways of thinking, from the very pragmatic to the most speculative, about what needs to be changed in the world today. Actors, singers, instrumentalists, designers, and philosophers come together, with the audience, to speculate on this question and the many ways in which it can be answered.
The libretto, by philosopher Chiara Bottici, is the result of a process in which an initial text was developed through a collective authoring process that unfolded on Public Seminar – an online journal of ideas, politics and culture supported by The New School.
No two performances of The Art of Change are the same. Spoken dialogues within each performance are analyzed and processed on the fly through software which captures and develops the melodic and rhythmic patterns of speech to generate instrumental scores for the musicians and electronics. What is more, each evening features two guests – a thinker and a musician – who bring new perspectives and their unique vision to the work.
Performances:
January 16th, 8pm
January 17th, 5pm & 8pm
January 18th, 5pm & 8pm
January 21st, 8pm
Creative Team:
Jean-Baptiste Barrière, Concept, Video Design & Composition
Chiara Bottici, Libretto
Ashley Tata, Stage Direction
Timo Rissanen, Costume Design
Abigail Hoke-Brady, Lighting Design
Thomas Goepfer, Sound & Video Design
Camilla Hoitenga, Flutes Solo
Levy Lorenzo, Creative Technologist, Percussion
Actors, singers and instrumentalists of The New School’s College of Performing Arts: Hayley Boggs, William Desbiens, Youngwoo Jeon, Kalun Leung, Timmy Ong, Yeji Pyun, Samuel Rachmuth, Veronica Richer, Jane Skapek (assistant director), Zachary Sebek, Alexander Theiss, Jackie Traish, Yunnan Xu
Guest Artists:
January 16: Simon Critchley, philosopher and Joan La Barbara, musician
January 17: Cinzia Arruzza, philosopher and Rebekah Heller, musician
January 18: Dmitri Nikulin, philosopher and Ross Karre musician
January 21: Jamieson Webster, psychoanalyst and Joan La Barbara, musician