Meetings are held on Tuesdays at Fordham’s Lincoln Center campus in Manhattan in the Plaza View Room on the 12th floor of the Lowenstein Building (113 W 60th St).We meet from 5:30 to 6:45 and papers are read in advance. If interested in attending, contact sahaddad@fordham.edu, swhitney@fordham.edu, or jeflynn@fordham.edu.
2019-20
- September 24 – Rosaura Martínez (UNAM) “Alterability and Writing. Rethinking an Ontology of Dependency”
- October 15 – Jesús Luzardo (Fordham) “The Wages of the Past: Whiteness, Nostalgia, and Property”
- November 19 – Verena Erlenbusch-Anderson (Syracuse) “Conceptualizing Terrorism ‘From Below’: Lynching as Racial Terrorism”
- February 11 – Jill Stauffer (Haverford)
- March 10 – Sina Kramer (Loyola Marymount), “How to Read a City: Toward a Political Epistemology of Gentrification.”
- April 7 – David Lay Williams (DePaul) “’Too much abundance in one or a few private men’: Hobbes on Inequality and the Concentration of Wealth”
Scholars working under the broad umbrella of New Materialism have offered compelling reappraisals of the ways in which we know, interact with, and exist in the world. This scholarship also intersects with recent work on music and sound, which raises rich sets of questions regarding human agency, material, ethics, aesthetics, embodiment, and the subject/object dichotomy, among other issues.
We invite scholars working in the humanities, arts and sciences to submit proposals for papers and performances that engage with the themes of sound and new materialism, broadly construed. We welcome work that adopts historical, technological, analytical, philosophical, materialist, and creative vantage points, among others. Overall, this conference will direct these diverse disciplinary and methodological perspectives towards convergent and critical issues, creating new, interdisciplinary lines of enquiry and generating original research.
The one-day conference will consist of panels that comprise of papers with short reflections by a moderator, as well as an evening concert that includes opportunities for discussion. The concluding concert of work that engages with these themes from creative perspectives will afford attendees with an opportunity to consider and discuss issues concerning sound, material, and agency in a forum that contrasts with, but also complements, our events during the day. Conference participants are strongly encouraged to attend both the daytime and evening portions of the conference.
Proposals are called for:
Paper presentations of 20 minutes with 10 minutes of Q&A.
Artistic presentation of 20 minutes with 10 minutes of discussion
Submission: Proposals of no more than 500 words (300 words for artistic presentation) should be submitted as a PDF by August 14th 2019 to jc5036@columbia.edu
and include “NMAS Submission” in the subject line. If you’re applying for an artistic presentation please include three representative 2 minute audio/video examples. Please also include the title of your proposed paper and anonymize your submission. Include your name, affiliation, and contact information in the body of the email, and also nominate any audio/visual requirements for your paper or performance.
Sjoerd van Tuinen and Jürgen Schaflechner will present their film “Toxic Reigns of Resentment” featuring Wendy Brown, Grayson Hunt, Rahel Jaeggi, Alexander Nehamas, Robert Pfaller, Gyan Prakash, Peter Sloterdijk, and Sjoerd van Tuinen. NSSR philosopher Jay Bernstein will respond after the screening.
After the fall of the Soviet empire and the triumph of global capitalism, modernity appeared to keep its dual promise of liberty and equality. The spreading of human rights and democratic forms of government were intrinsically linked to free flows of global capital and free markets. Supported by technological developments and an ever-increasing digitalization of daily life, the future contained the promise of abundance and recognition for all.
Only a few decades later, however, we witness an oppositional trend: A revival of nationalism paired with xenophobia, an increasing tribalization of politics, a public sphere oscillating between cruelty and sentimentality, and a Left caught up in wounded attachments. Social media, once the promise to give voice to the disempowered, link cognitive capitalism with a culture of trolling and hyper moralization. Algorithms programmed to monetarize outrage feed isolated information bubbles and produce what many call the era of post-truth politics.
How did we enter this toxic climate? Are these developments a response to the ubiquity of neoliberal market structures eroding the basic solidarities in our society? Has the spread of social media limited our ability to soberly deal with conflicting life worlds? And have both the left and the right given in to a form of politics where moralization and cynical mockery outdo collective visions of the future?
Meetings are held on Tuesdays at Fordham’s Lincoln Center campus in Manhattan in the Plaza View Room on the 12th floor of the Lowenstein Building (113 W 60th St).We meet from 5:30 to 6:45 and papers are read in advance. If interested in attending, contact sahaddad@fordham.edu, swhitney@fordham.edu, or jeflynn@fordham.edu.
2019-20
- September 24 – Rosaura Martínez (UNAM) “Alterability and Writing. Rethinking an Ontology of Dependency”
- October 15 – Jesús Luzardo (Fordham) “The Wages of the Past: Whiteness, Nostalgia, and Property”
- November 19 – Verena Erlenbusch-Anderson (Syracuse) “Conceptualizing Terrorism ‘From Below’: Lynching as Racial Terrorism”
- February 11 – Jill Stauffer (Haverford)
- March 10 – Sina Kramer (Loyola Marymount), “How to Read a City: Toward a Political Epistemology of Gentrification.”
- April 7 – David Lay Williams (DePaul) “’Too much abundance in one or a few private men’: Hobbes on Inequality and the Concentration of Wealth”
This will be the third (and, time permitting, some material from the fourth) of a series of lectures that I aim to write up formally as a book. We will begin with a brief review of the most familiar theory of Chinese aesthetics: works of art are the products of sensitive human beings who cannot suppress their sincere responses to emotional stimuli. If art is understood as a sincere statement of this kind by a great genius, it stands to reason that, by correctly interpreting the work, one can communicate with that genius’s mind (xin 心) even after his or her death–and, likewise, that an artist today can communicate with audiences yet unborn. Art is thus timeless and offers the possibility of incorporeal immortality. If there is extra time, I will also survey two interrelated phenomena that I call meta-criticism and meta-writing (since there are no technical terms for them in Chinese). Meta-criticism, i.e. criticism of criticism, is a major feature of Chinese theories about art. Meta-criticism must be related to meta-writing, or the practice of writing about writing while exemplifying the very styles and techniques that one recommends: for example, artfully rhyming a couplet about rhyming.
With responses from: SANDRA SHAPSHAY (Hunter College, CUNY)
The Fall dates for the Comparative Philosophy seminar:
September 20 – Justin Tiwald (San Francisco State University)
October 11 – Richard Kim (Loyola University, Chicago
November 8 – Sungmoon Kim (City University of Hong Kong)
December 6 – Paul R. Goldin (University of Pennsylvania)
More details (such as titles, abstracts, and respondents) to follow. Looking forward to seeing you soon.
Hagop Sarkissian
Associate Professor & Chair, Department of Philosophy, The City University of New York, Baruch College
Associate Professor, Department of Philosophy, CUNY Graduate Center
Co-Director, Columbia Society for Comparative Philosophy
https://www.cbs.columbia.edu/cscp/
This paper considers Cornelius Castoriadis’s articulation of social imaginary significations with an emphasis on their link to the radical imaginary. Castoriadis wrote on social imaginary significations for more than thirty years, and his understanding of them changed significantly during this time, yet this is not reflected in debates on his work. The paper argues that there are three distinct phases in his reflections. The first phase can be dated 1964-1970. This early phase is characterized by Castoriadis’s break from Marx and subsequent settling of accounts with Marxism. Central to Castoriadis’s critique of Marx was the recognition of history (or: the social-historical) as the domain of meaning and unmotivated creation as the work of the radical imaginary. Importantly, Castoriadis also considered the intertwining of the imaginary with the symbolic, on the one hand, and with social doing, on the other. Castoriadis’s approach in this early phase can be considered phenomenological in the broad sense that Merleau-Ponty gave it in the Phenomenology of Perception. The second phase is dated 1970-1975; that is, the period in which Castoriadis wrote the second part of The Imaginary Institution of Society wherein he announced his turn to ontology. This is his most self-contained and systematic articulation of social imaginary significations. Castoriadis extends and develops his notion of magma in relation to social imaginary significations and emphasizes the social imaginary creation of a world ex nihilo as an ontological creation, whilst the radical imaginary is presented as a part of his emergent general ontology of à-être. The third ‘kaleidoscopic’ phase is dated 1976-1997 and may be understood as a period of consolidation and expansion. Although his basic understanding of social imaginary significations did not dramatically alter (although further developments are visible), his thought went in a myriad of different directions and patterns – hence kaleidoscopic — that nonetheless shaped a wider background against which his elucidation of social imaginaries were configured. His reconsideration of the sacred, the ‘ground power’ of institutions, and the development of a poly-regional ontology of the for-itself were key to this changing background. The paper will conclude with a critical engagement with the implications of the changing permutations of the imaginary element for Castoriadis’s thought.
Dr. Suzi Adams is Senior Lecturer in the College of Humanities, Arts, and Social Sciences at Flinders University and permanent External Fellow at the East-Central European Institute for Philosophy, Charles University (Prague). She is a founding co-ordinating editor of the Social Imaginaries refereed journal and book series, and from October-December 2019, was an inaugural Senior Research Fellow at the Humanities Centre for Sustainable Futures at the University of Hamburg. She has published widely in the social imaginaries field, including most recently Social Imaginaries: Critical Interventions (Eds. Suzi Adams and Jeremy Smith), 2019, Rowman and Littlefield International, London. She is currently writing a monograph entitled Castoriadis and the Imaginary Element (forthcoming with Rowman and Littlefield International).
Meetings are held on Tuesdays at Fordham’s Lincoln Center campus in Manhattan in the Plaza View Room on the 12th floor of the Lowenstein Building (113 W 60th St).We meet from 5:30 to 6:45 and papers are read in advance. If interested in attending, contact sahaddad@fordham.edu, swhitney@fordham.edu, or jeflynn@fordham.edu.
2019-20
- September 24 – Rosaura Martínez (UNAM) “Alterability and Writing. Rethinking an Ontology of Dependency”
- October 15 – Jesús Luzardo (Fordham) “The Wages of the Past: Whiteness, Nostalgia, and Property”
- November 19 – Verena Erlenbusch-Anderson (Syracuse) “Conceptualizing Terrorism ‘From Below’: Lynching as Racial Terrorism”
- February 11 – Jill Stauffer (Haverford)
- March 10 – Sina Kramer (Loyola Marymount), “How to Read a City: Toward a Political Epistemology of Gentrification.”
- April 7 – David Lay Williams (DePaul) “’Too much abundance in one or a few private men’: Hobbes on Inequality and the Concentration of Wealth”
The Politics department at the New School for Social Research will host its 1st Graduate Conference in Political Theory on March 6-7th, 2020.
We are launching this event to provide graduate students in the history of political thought, political theory and political philosophy an opportunity to present and receive feedback on their work. A total of six (6) papers will be accepted and each of them will receive substantial comments from a New School graduate student, to be followed by a general discussion. We welcome submissions from all traditions, but we are particularly interested in providing a venue for those students working on critical approaches. We would also like to encourage applications from under-represented groups in the field.
We are delighted to announce that Professor Robyn Marasco (Hunter College, City University of New York) will deliver the inaugural keynote address.
Submissions for the conference are due by December 10th, 2019. Papers should not exceed 8,000 words (excluding footnotes and bibliography) and should be sent in PDF format with the help of the electronic form provided below. Papers should be formatted for blind review with no identifying information. Abstracts will not be accepted. A Google account is needed in order to sign-in to the submission form; if you don’t have one, please email us. Papers will be reviewed over the winter break and notifications will be sent out early January 2020.
For any questions, please contact NSSRconferencepoliticaltheory@gmail.com
https://docs.google.com/forms/d/e/1FAIpQLSfqJWRPS5DBI-zlmS4-3m-FpZA3suckmInHSIlvayKoibzQYg/viewform
https://philevents.org/event/show/77746
Meetings are held on Tuesdays at Fordham’s Lincoln Center campus in Manhattan in the Plaza View Room on the 12th floor of the Lowenstein Building (113 W 60th St).We meet from 5:30 to 6:45 and papers are read in advance. If interested in attending, contact sahaddad@fordham.edu, swhitney@fordham.edu, or jeflynn@fordham.edu.
2019-20
- September 24 – Rosaura Martínez (UNAM) “Alterability and Writing. Rethinking an Ontology of Dependency”
- October 15 – Jesús Luzardo (Fordham) “The Wages of the Past: Whiteness, Nostalgia, and Property”
- November 19 – Verena Erlenbusch-Anderson (Syracuse) “Conceptualizing Terrorism ‘From Below’: Lynching as Racial Terrorism”
- February 11 – Jill Stauffer (Haverford)
- March 10 – Sina Kramer (Loyola Marymount), “How to Read a City: Toward a Political Epistemology of Gentrification.”
- April 7 – David Lay Williams (DePaul) “’Too much abundance in one or a few private men’: Hobbes on Inequality and the Concentration of Wealth”
Contact Professor Gooding-Williams for more info.