The Philosophy Film Club at The New School is hosting a screening of ‘Stalker’ (dir. Andrei Tarkovsky).
You are warmly invited to join us for a screening + discussion of “the movie we need right now” (per Salon), an immersion into “undistracted contemplation” that “abounds with moments of baffling beauty and philosophical heft within its vast finitude.” Our esteemed colleague Olga Knizhnik (PhD Candidate in Philosophy) will help facilitate our pre- and post-film discussion.
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This semester, an international lineup will take us on cosmic, labyrinthine, miraculous journeys; if that sounds hyperbolic, just wait. Those compelled by form will find ample meta-cinematic gristle, while those wishing to dive into content will meet oceans for us to navigate.
Everyone — whether seasoned in philosophy or without any prior philosophical training — with an interest in philosophy, film, and/or conversation about the meaning of what we experience is welcome! Each screening will begin and conclude with a discussion facilitated by a member of the NSSR Philosophy Department. Snacks and beverages always provided.
Location:
Bark Room (M104), Sheila C. Johnson Design Center (ground floor), 68 5 Ave (2 W. 13th Street at Fifth Avenue entrance)
For more information or to be added to the mailing list, email: veronica@newschool.edu
The Philosophy Film Club and Liberal Studies present a screening of Robert Bresson’s Pickpocket (1959) and discussion led by Robert Pippin (U Chicago).
Generally considered one of Bresson’s greatest works, Pickpocket tells an “incomparable story of crime and redemption … A cornerstone of the career of this most economical and profoundly spiritual of filmmakers, Pickpocket is an elegantly crafted, tautly choreographed study of humanity in all its mischief and grace, the work of a director at the height of his powers” (Criterion Collection).
Robert B. Pippin is the Evelyn Stefansson Nef Distinguished Service Professor in the Committee on Social Thought, the Department of Philosophy, and the College at the University of Chicago. He is the author of several books and articles on German idealism and later German philosophy, including Filmed Thought: Cinema as Reflective Form (University of Chicago Press, 2020), Metaphysical Exile: On J. M. Coetzee’s Jesus Fictions (Oxford University Press, 2021), Philosophy by Other Means: The Arts in Philosophy and Philosophy in the Arts (University of Chicago Press, 2021), and most recently, The Culmination: Heidegger, German Idealism, and the Fate of Philosophy (Chicago: University of Chicago Press, 2024).