The speaker will explain the meaning of concepts of movements such as communism, liberalism, and republicanism. Then she will argue how these concepts were used as guides to praxis by focusing first on republicanism and Kant. Finally, she will articulate her concept of feminist imaginaries focusing on how the sediments of historical time have enabled different struggles for emancipation.
“Feminism as a Concept of Movement: the Sediments of the Historical Reorganization of Feminist Imaginaries” presented by Maria Pia Lara
Program
May 23, 2023
9:25–9:30: Welcome
9:30-10:50: Keynote Talk by Michael Della Rocca (Yale)
10:50-11:00: Break
11:00-1:00: Spinoza Panel, featuring talks by Karolina Hübner (Cornell), Yitzhak Melamed (Johns Hopkins), and John Morrison (Barnard)
1:00-3:00: Lunch break
3:00–4:20: Keynote Talk by Elizabeth Radcliffe (William and Mary)
4:20–4:30: Break
4:30–6:30: Hume Panel, featuring talks by Rachel Cohon (SUNY Albany), Peter Millican (Oxford), and Karl Schafer (UT Austin)
May 24, 2023
9:30–10:50: Keynote Talk by Christia Mercer (Columbia)
10:50–11:00: Break
11:00–1:00: Early Modern Women Philosophers Panel, featuring talks by Maité Cruz (Union College), David Landy (SFSU), and Antonia LoLordo (Virginia)
1:00–3:00: Lunch break
3:00–4:20: Keynote Talk by Geoffrey Sayre-McCord (UNC Chapel Hill)
4:20–4:30: Break
4:30–6:30: Naturalism panel, featuring talks by Angela Coventry (Portland State), Louis Loeb (Michigan–Ann Arbor), and Justin Steinberg (CUNY, Brooklyn College)
2023 marks the 50th anniversary of the birth of hip-hop, and the beginning of a sonic, cultural and socio-political revolution that changed the U.S. and the world. To commemorate the anniversary, Brooklyn Public Library will present NIGHT IN THE LIBRARY: THE PHILOSOPHY OF HIP-HOP on Saturday, June 17th, from 7 pm – 2 am at Central Library.
Join us for this FREE event that will take over the entire Central Library building to celebrate hip-hop culture past, present and future, with keynote addresses, live DJs, film screenings, discussions, debates and contemplative engagements. BPL invites you to celebrate hip-hop and spend a NIGHT IN THE LIBRARY.
Co-curated by LeBrandon Smith and Kelly Harrison. The Dilemma Series is curated by April R. Silver, founder of AKILA WORKSONGS.
riday, November 10
9:30–9:55 Check–in and Coffee
9:55 Welcome
10:00–12:00 Adam Smith
Speaker: Ryan Patrick Hanley (Boston College)
Commentator: Samuel Fleischacker (University of Illinois Chicago)
12:00–2:00 Lunch Break
2:00–4:00 Immanuel Kant
Speaker: Marcia Baron (Indiana University Bloomington)
Commentator: Kyla Ebels–Duggan (Northwestern University)
4:00–4:30 Coffee Break
4:30–6:30 German Romanticism
Speaker: Frederick Beiser (Syracuse University)
Commentator: Owen Ware (University of Toronto)
6:30–7:30 Reception
Saturday, November 11
9:30–10:00 Check–in and Coffee
10:00–12:00 Friedrich Nietzsche
Speaker: Andrew Huddleston (University of Warwick)
Commentator: Claire Kirwin (Northwestern University)
12:00–2:00 Lunch Break
2:00–4:00 Simone De Beauvoir
Speaker: Michelle Kosch (Cornell University)
Commentator: Susan J. Brison (Dartmouth University)
4:00–4:30 Coffee Break
4:30–6:30 Contemporary
Speaker: Simon May (King’s College London)
Commentator: Alecxander Nehamas (Princeton University)
6:30–7:30 Reception
Nietzsche (1844-1900) is one of the few philosophers who have an intimate connection to music. This connection has much to do with his early music education. His contemporaries testify that he was a good pianist. His musical ambition, or his musical daimon, urged him to compose music, although he had no training in this area. Most of his compositions are from his late teens; his earliest inspirations are Beethoven, Mozart, Haydn, Schubert, Schumann and Wagner. His compositions were gathered together and published by Curt Paul Janz in Friedrich Nietzsche, Der musikalische Nachlass. Nietzsche’s music is available in several productions. However, Nietzsche did not follow a musical path and decided to become a philologist and dedicated his life to writing and philosophy.
Nietzsche’s background in music, on the other hand, influenced his way of thinking and writing. All of these interesting areas between music, literature, and philosophy and Nietzsche’s relationship to music understood on a broad spectrum have been explored by many Nietzsche scholars including Georges Liébert, Graham Parkes, Francois Noudelmann, Stefan Lorenz Sorgner and others and in the anthology, An Anthology on Nietzsche and Music: Philosophical Thoughts and Musical Experiments, edited by the presenters of today’s event. This event is dedicated to the exploration of this relationship between Nietzsche and music.
We are seeking submissions for our 14th annual conference hosted in Spring, 2024.
Send abstracts to newyorkcityearlymodern [at] gmail.com by December 8, 2023.
https://philevents.org/event/show/114750
Speakers:
Organisers:
Paternal, patriarchal, and fraternal concepts, metaphors, and images have long dominated thinking about politics. But the political, Gil Anidjar argues, has always been maternal.
In a series of finely woven meditations on slavery, sovereignty, and the social contract, this book places mothers and mothering at the crux of political thought. Anidjar identifies a maternal sovereignty and a maternal contract, showing that without motherhood, there could be no constitution, preservation, or reproduction of collective existence in time. And maternal power is also power over life and death, as he reveals through a nuanced consideration of abortion.
Through the concept of the maternal, Anidjar offers new insights into abiding sources from the Bible and ancient Greece to classical and modern political philosophy—the story of Hagar and Sarah, Oedipus and his two mothers, Hegel’s dialectic of master and slave—reinterpreted in light of Black and feminist criticism, psychoanalytic theory, and autotheoretical reflection. Elegantly written and provocative, On the Sovereignty of Mothers offers the maternal as a new frame for understanding the political order.
About the Author
Gil Anidjar teaches in the Department of Religion, where his interest in religion and politics, and more specifically in political theology and political philosophy, have guided courses such “God,” “Vampires” and “Mothers” for a number of years now. He is the author, among other books, of The Jew, the Arab: A History of the Enemy (Columbia University Press 2003) and Blood: A Critique of Christianity (Columbia University Press 2014). He has also edited Jacques Derrida’s Acts of Religion. Recent essays include “The Destruction of Thought,” “That Great Mother of Danger,” “The Rights of White (In Search of a Majority),” “D—nce,” and “Learning Waters.”
About the Speakers
Amaryah Armstrong is an assistant professor of race in American religion and culture at Virginia Tech. Her research cuts across the fields of Black Studies, American Studies, Political Theology, and Continental Philosophy of Religion to explore the relationship between religion and the reproduction of race in the aftermath of 1492. She is working on two projects: Reproducing Peoplehood: On the Afterlife of Christian Orde and A Measure of Existence: On the Value of Black Theology. She also has several articles in the works on the insights of various black intellectuals (W.E.B. Du Bois, Hortense Spillers) and the relationship between black culture and political theology.
Beth A. Berkowitz is Ingeborg Rennert Chair of Jewish Studies and Professor in the Department of Religion at Barnard College. She is the author of Execution and Invention: Death Penalty Discourse in Early Rabbinic and Christian Cultures (Oxford University Press, 2006; winner of the Salo Baron prize for First Book in Jewish Studies); Defining Jewish Difference: From Antiquity to the Present (Cambridge University Press, 2012); and Animals and Animality in the Babylonian Talmud (Cambridge University Press, 2018). She is co-editor of Religious Studies and Rabbinics: A Conversation (Routledge, 2017) and a contributor to it.
Matthew Engelke is Professor and Chair of the Department of Religion and a member of the Executive Committee of the Institute for Comparative Literature and Society. From 2018-2024, he also served as Director of the Institute for Religion, Culture, and Public Life. Trained as an anthropologist, Professor Engelke’s main research interests are on Christianity, secular humanism, media theory, materiality, and semiotics. He has conducted fieldwork in Zimbabwe and in Britain. He is currently working on a book about secularity and death, based on research among humanist funeral celebrants in London.
Zehra Mehdi is a PhD candidate in South Asian Religions, working at the intersections of religion, political violence, and psychoanalysis. Her dissertation is a thick psychoanalytic ethnographic account of how Muslims as religious minorities in India facing state oppression use religion to express themselves both emotionally and politically. Focusing on the lives of Muslims in north India, her research studies how persecuted religious minorities draw upon religion as a psychic reserve to articulate their trauma, mourn their losses, and forge political resistance against the state. Her dissertation is titled, “The ‘work of Religion’: Trauma, Mourning and Political Resistance in the lives of Muslims in ‘Old Lucknow.’”