Mar
13
Wed
Why Read Hannah Arendt Now: Book Launch and Movie Screening @ Wolff Conference Room, NSSR, D1103
Mar 13 @ 6:00 pm – 9:00 pm

Vera List Professor of Philosophy, Richard J. Bernstein, will present his new book on Hannah Arendt, Why Read Hannah Arendt Now (2018, Polity Press), followed by a screening of the documentary film Vita Activa: The Spirit of Hannah Arendt.

Free and open to the public.

Sep
12
Thu
International Merleau-Ponty Circle: Affect / Emotion / Feeling @ 12th Floor Lounge
Sep 12 – Sep 14 all-day

Thursday, September 12 Schedule

8:30 – 9 a.m. Registration and coffee
9 – 9:15 a.m. Opening remarks: Shiloh Whitney, Conference Director
Session 1 – Organic Affectivity and Animality
Moderator: Emilia Angelova, Concordia University
9:15 – 10 a.m. Hermanni Yli-Tepsa, University of Jyväskylä: “How to feel like our eyes: tracing the theme of instinctive affectivity in Phenomenology of Perception”
10 – 10:45 a.m. Sarah DiMaggio, Vanderbilt University: “Flesh and Blood: Reimagining Kinship”
10:45 – 11 a.m. Break
Session 2 – Passivity
Moderator: Philip Walsh, Fordham University
11 – 11:45 a.m. David Morris, Concordia University: “The Transcendentality of Passivity: Affective Being and the Contingency of Phenomenology as Institution”
11:45 a.m. – 12:30 p.m. Rajiv Kaushik, Brock University “Merleau-Ponty on Passivity and the Limit of Philosophical Critique”
12:30 – 2 p.m. Lunch Break
Session 3 – Theorizing Emotion 1: Outside-in, Inside-Outside
Moderator: Duane H. Davis, University of North Carolina at Asheville
2 – 2:45 p.m. Ed Casey, Stonybrook University: “Bringing Edge to Bear: Vindicating Merleau-Ponty’s Nascent Ideas on Emotion”
2:45 – 3:30 p.m. Ondřej Švec, Charles University Prague: “Acting out one’s emotion”
3:30 – 3:45 p.m. Break
Session 4 – Theorizing Emotion 2: Intersubjective Dimensions
Moderator: April Flakne, New College of Florida
3:45 – 4:30 p.m. Jan Halák, Palacky University Olomouc: “On the diacritical value of expression with regard to emotion”
4:30 – 5:15 p.m. Corinne Lajoie, Penn State University: “The equilibrium of sense: Levels of embodiment and the (dis)orientations of love”
Winner of the M. C. Dillon Award for best graduate essay
5:15 – 5:45 p.m. Snack Break (light refreshments provided)
Thursday Keynote
Introduction: Shiloh Whitney, Fordham University
5:45 – 7:15 p.m. Alia Al-Saji, McGill University
“The Affective Flesh of Colonial Duration”

Friday, September 13 Schedule

8:30 – 9 a.m. Registration and coffee
Session 5 – Affective Pathologies and Empathy
Moderator: Lisa Käll, Stockholm University
9 – 9:45 a.m. Ståle Finke, Norwegian University of Science and Technology Trondheim: “Structuring Affective Pathology: Merleau-Ponty and Psychoanalysis”
9:45 – 10:30 a.m. Catherine Fullarton, Emory University: “Empathy, Perspective, Parallax”
10:30 – 10:45 a.m. Break
Session 6 – Eating and Breathing
Moderator: Ann Murphy, University of New Mexico
10:45 – 11:30 a.m. Whitney Ronshagen, Emory University: “Visceral Relations: On Eating, Affect, and Sharing the World”
11:30 a.m. – 12:15 p.m. Amie Leigh Zimmer, University of Oregon: “Rethinking Chronic Breathlessness Beyond Symptom and Syndrome”
12:15 – 2 p.m. Lunch Break (and graduate student Mentoring Session in Lowenstein 810)
Session 7 – Critical Phenomenologies 1: Work and Freedom
Moderator: Whitney Howell, La Salle University
2 – 2:45 p.m. Talia Welsh, University of Tennessee Chattanooga: “Toward a Critical Phenomenology of Work and Its Discontents”
2:45 – 3:30 p.m. Laura McMahon, Eastern Michigan University: “The ‘Great Phantom’: Merleau-Ponty on Habitus, Freedom, and Political Transformation”
3:30 – 3:45 p.m. Break
Session 8 – Critical Phenomenologies 2: The “I Can”
Moderator: Cheryl Emerson, SUNY Buffalo
3:45 – 4:30 p.m. Kym Maclaren, Ryerson University: “Criminalization and the Self-Constituting Dynamics of Distrust”
4:30 – 5:15 p.m. Joel Reynolds, University of Massachusetts Lowell and Lauren Guilmette, Elon University: “Rethinking the Ableism of Affect Theory with Merleau-Ponty”
5:15 – 5:45 p.m. Snack Break (light refreshments provided)
Friday Keynote
Introduction: Shiloh Whitney, Fordham University
5:45 – 7:15 p.m. Matthew Ratcliffe, York University
“Towards a Phenomenology of Grief: Insights from Merleau-Ponty”

Saturday, September 14 Schedule

8:30 – 9 a.m. Registration and coffee
Session 9 – Feeling Beyond Humanism
Moderator: Wayne Froman, George Mason University
9 – 9:45 a.m. Marie-Eve, Morin, University of Alberta. “Merleau-Ponty’s ‘cautious anthropomorphism’”
9:45 – 10:30 a.m. Jay Worthy, University of Alberta: “Feelings of Adversity: Towards a Critical Humanism”
10:30 – 10:45 a.m. Break
Session 10 – Art and Affect
Moderator: Stephen Watson, Notre Dame
10:45 – 11:30 a.m. Veronique Foti, Pennsylvania State University. “Body, Animality, and Cosmos in the Art of Kiki Smith”
11:30 a.m. – 12:15 p.m. Rebecca Longtin, State University of New York New Paltz: “From Stone to Flesh: Affect and the Poetic Ambiguity of the Body”
12:15 – 2:15 p.m. Lunch Break (and Business Lunch at Rosa Mexicano, 61 Columbus Ave)
Session 11 – Voice and Silence
Moderator: Gail Weiss, George Washington University
2:15 – 3 p.m. Susan, Bredlau, Emory University. “Losing One’s Voice: Merleau-Ponty and the Lived Space of Conversation”
3 – 3:45 p.m. Martina, Ferrari, University of Oregon. “The Laboring of Deep Silence: ‘Conceptless Opening(s),’ the Suspension of the Familiar, and the Dismemberment of the Ego”
3:45 – 4 p.m. Break
Session 12 – Affectivity and Language
Moderator: Galen Johnson, University of Rhode Island
4 – 4:45 p.m. Silvana de Souza Ramos, University of São Paulo. “Merleau-Ponty and the Prose of Dora’s World”
4:45 – 5:30 p.m. Katie Emery Brown, University of California Berkeley. “Queer Silence in Merleau-Ponty’s Gesture”
Banquet
7 – 10 p.m. At Salam, 104 W 13th St.
Oct
24
Thu
Film screening & discussion “Toxic Reigns of Resentment” @ Klein Conference Room, Room A510
Oct 24 @ 6:00 pm – 8:00 pm

Sjoerd van Tuinen and Jürgen Schaflechner will present their film “Toxic Reigns of Resentment” featuring Wendy Brown, Grayson Hunt, Rahel Jaeggi, Alexander Nehamas, Robert Pfaller, Gyan Prakash, Peter Sloterdijk, and Sjoerd van Tuinen. NSSR philosopher Jay Bernstein will respond after the screening.

After the fall of the Soviet empire and the triumph of global capitalism, modernity appeared to keep its dual promise of liberty and equality. The spreading of human rights and democratic forms of government were intrinsically linked to free flows of global capital and free markets. Supported by technological developments and an ever-increasing digitalization of daily life, the future contained the promise of abundance and recognition for all.

Only a few decades later, however, we witness an oppositional trend: A revival of nationalism paired with xenophobia, an increasing tribalization of politics, a public sphere oscillating between cruelty and sentimentality, and a Left caught up in wounded attachments. Social media, once the promise to give voice to the disempowered, link cognitive capitalism with a culture of trolling and hyper moralization. Algorithms programmed to monetarize outrage feed isolated information bubbles and produce what many call the era of post-truth politics.

How did we enter this toxic climate? Are these developments a response to the ubiquity of neoliberal market structures eroding the basic solidarities in our society? Has the spread of social media limited our ability to soberly deal with conflicting life worlds? And have both the left and the right given in to a form of politics where moralization and cynical mockery outdo collective visions of the future?

Nov
14
Thu
Aristotle’s concept of matter and the generation of animals. Anna Schriefl @ Wolff Conference Room, D1106
Nov 14 @ 6:00 pm – 8:00 pm

There is a broad consensus that Aristotle introduced the concept of matter in order to develop a consistent account of substantial change. However, it is disputed which role matter fulfills in substantial change. According to the traditional interpretation, matter persists while taking on or losing a substantial form. According to a rival interpretation, matter does not persist in substantial change; instead, it is an entity from which a new substance can emerge and which ceases to exist in this process. In my view, both interpretations are problematic in the light of Aristotle’s broader ontological project and are at odds with the way Aristotle describes the substantial generation of living beings. On the basis of Aristotle’s biological theory, I will suggest that Aristotelian matter is a continuant in substantial generation, but does not satisfy the common criteria for persistence that apply to individual substances.

Anna Schriefl
Anna Schriefl is Wissenschaftliche Mitarbeiterin (assistant professor) at the University of Bonn, and currently a visiting scholar at the New School. She has published a book about Plato’s criticism of money and wealth, and most recently an introduction into Stoicism (both in German).

Nov
18
Fri
PHILOSOPHY FILM CLUB SCREENINGS: Mad Max: Fury Road @ New School M104 (The Bark Room), Sheila C. Johnson Design Center
Nov 18 @ 6:00 pm – 9:00 pm

General Description:

This semester, the Philosophy Film Club at The New School is hosting a series of films to consider the notion of founding myths — the inspiring, frightening, and defining speculative fictions that ground our sense of belonging to place, community, and a way of life. Each screening will begin and conclude with a discussion facilitated by a member of the NSSR Philosophy Department. In the spirit of community, all are welcome!

Philosophy Film Club hosts a screening of the post-
apocalyptic drama Mad Max: Fury Road directed by George Miller. Join us for a screening and post-film discussion of this style-redefining vision of a future “in which men have become the pawns of insane leaders and women hold fiercely onto [while fighting fiercely for] the last vestiges of hope.”

Location: Bark Room (M104), Sheila C. Johnson Design Center (ground floor), 2 W. 13th Street at Fifth Avenue

 

For more information or to be added to the mailing list, email: veronica@newschool.edu

Apr
28
Fri
Philosophy Film Club Screening: ‘The Banshees of Inisherin’ @ Bark Room (M104), Sheila C. Johnson Design Center
Apr 28 @ 6:00 pm – 9:00 pm

The Philosophy Film Club at The New School is hosting a screening of ‘The Banshees of Inisherin’ (dir. Martin McDonagh), with pre- and post-film discussion facilitated by James Trybendins, PhD Student in Philosophy.

In the spirit of community, all are invited to the Spring 2023 film screening series hosted by the Philosophy Film Club at The New School. Everyone — whether seasoned in philosophy or without any prior philosophical training — with an interest in philosophy, film, and/or conversation about the meaning of what we experience is welcome! Each screening will begin and conclude with a discussion facilitated by a member of the NSSR Philosophy Department. Snacks and beverages also provided.

For more information or to be added to the mailing list, email: veronica@newschool.edu

Sep
29
Fri
Philosophy Film Club Screening: ‘Millennium Actress’ @ M104/The Bark Room
Sep 29 @ 6:00 pm – 9:00 pm

The Philosophy Film Club at The New School is hosting a screening of ‘Millennium Actress’ (dir. Satoshi Kon).

 

You are invited to join us in squaring this gorgeously animated circle, as we explore questions of memory, perspective, and narrative. Pre- and post-film discussion will be facilitated by none other than PJ Gorre (Director of Curricular Affairs + Implementation at Parsons and PhD Candidate in Philosophy).

This semester, an international lineup will take us on cosmic, labyrinthine, miraculous journeys; if that sounds hyperbolic, just wait. Those compelled by form will find ample meta-cinematic gristle, while those wishing to dive into content will meet oceans for us to navigate.

Everyone — whether seasoned in philosophy or without any prior philosophical training — with an interest in philosophy, film, and/or conversation about the meaning of what we experience is welcome! Each screening will begin and conclude with a discussion facilitated by a member of the NSSR Philosophy Department. Snacks and beverages always provided.

Future Screenings:

La Flor’ Part 3 (dir. Mariano Llinás), with guest facilitator Dr. Miguel Paley (Fordham University), on Friday, October 20, 2023

‘Stalker (dir. Andrei Tarkovsky), with guest facilitator Olga Knizhnik (PhD Candidate, Philosophy) on Friday, November 12, 2023

Location:

 

Bark Room (M104), Sheila C. Johnson Design Center (ground floor), 68 5 Ave (2 W. 13th Street at Fifth Avenue entrance)

For more information or to be added to the mailing list, email: veronica@newschool.edu

Oct
20
Fri
Philosophy Film Club Screening: ‘La Flor’ Part 3 @ M104/The Bark Room
Oct 20 @ 6:00 pm – 9:00 pm

The Philosophy Film Club at The New School is hosting a screening of Part 3 of ‘La Flor’ (dir. Mariano Llinás).

 

By way of introduction, a few words from our guest facilitator Dr. Miguel Paley (Fordham University):

“Hello all! For my session I’ve chosen to talk about the movie La Flor, a personal favorite! This amazing movie is a bit unusual though, it has 6 standalone parts which altogether end up totaling just over 14 hours (insane I know!). Since we obviously can’t watch it all together, I encourage everyone to watch the movie little by little a month or a few weeks before we meet. The movie is great and you won’t regret it!

(The movie is available to watch here and you can get some info about it here.

Looking forward to seeing everyone! -Miguel”

———–

 

This semester, an international lineup will take us on cosmic, labyrinthine, miraculous journeys; if that sounds hyperbolic, just wait. Those compelled by form will find ample meta-cinematic gristle, while those wishing to dive into content will meet oceans for us to navigate.

 

Everyone — whether seasoned in philosophy or without any prior philosophical training — with an interest in philosophy, film, and/or conversation about the meaning of what we experience is welcome! Each screening will begin and conclude with a discussion facilitated by a member of the NSSR Philosophy Department. Snacks and beverages always provided.

 

Future Screening:
‘Stalker (dir. Andrei Tarkovsky), with guest facilitator Olga Knizhnik (PhD Candidate, Philosophy) on Friday, November 12, 2023

Bark Room (M104), Sheila C. Johnson Design Center (ground floor), 68 5 Ave (2 W. 13th Street at Fifth Avenue entrance)

 

For more information or to be added to the mailing list, email: veronica@newschool.edu

Nov
10
Fri
Philosophy Film Club Screening: ‘Stalker’ @ M104/The Bark Room
Nov 10 @ 6:00 pm – 9:00 pm

The Philosophy Film Club at The New School is hosting a screening of ‘Stalker’ (dir. Andrei Tarkovsky).

 

You are warmly invited to join us for a screening + discussion of “the movie we need right now” (per Salon), an immersion into “undistracted contemplation” that “abounds with moments of baffling beauty and philosophical heft within its vast finitude.” Our esteemed colleague Olga Knizhnik (PhD Candidate in Philosophy) will help facilitate our pre- and post-film discussion.

———————-

 

This semester, an international lineup will take us on cosmic, labyrinthine, miraculous journeys; if that sounds hyperbolic, just wait. Those compelled by form will find ample meta-cinematic gristle, while those wishing to dive into content will meet oceans for us to navigate.

 

Everyone — whether seasoned in philosophy or without any prior philosophical training — with an interest in philosophy, film, and/or conversation about the meaning of what we experience is welcome! Each screening will begin and conclude with a discussion facilitated by a member of the NSSR Philosophy Department. Snacks and beverages always provided.

Location:

 

Bark Room (M104), Sheila C. Johnson Design Center (ground floor), 68 5 Ave (2 W. 13th Street at Fifth Avenue entrance)

For more information or to be added to the mailing list, email: veronica@newschool.edu

Apr
1
Mon
Robert Pippin discusses Bresson’s Pickpocket (screening + discussion) @ Wolff Conference Room/D1103
Apr 1 @ 6:00 pm – 9:00 pm

The Philosophy Film Club and Liberal Studies present a screening of Robert Bresson’s Pickpocket (1959) and discussion led by Robert Pippin (U Chicago).

Generally considered one of Bresson’s greatest works, Pickpocket tells an “incomparable story of crime and redemption … A cornerstone of the career of this most economical and profoundly spiritual of filmmakers, Pickpocket is an elegantly crafted, tautly choreographed study of humanity in all its mischief and grace, the work of a director at the height of his powers” (Criterion Collection).

Robert B. Pippin is the Evelyn Stefansson Nef Distinguished Service Professor in the Committee on Social Thought, the Department of Philosophy, and the College at the University of Chicago. He is the author of several books and articles on German idealism and later German philosophy, including Filmed Thought: Cinema as Reflective Form (University of Chicago Press, 2020), Metaphysical Exile: On J. M. Coetzee’s Jesus Fictions (Oxford University Press, 2021), Philosophy by Other Means: The Arts in Philosophy and Philosophy in the Arts (University of Chicago Press, 2021), and most recently, The Culmination: Heidegger, German Idealism, and the Fate of Philosophy (Chicago: University of Chicago Press, 2024).