Conference Schedule
10AM Teddy Seidenfeld – Conditional Probability, Conditionalization, and Total Evidence
11AM Eleonora Cresto – Beyond Indeterminate Utilities. The Case of Neurotic Cake-Cutting
11:20AM Ignacio Ojea Quintana – Unawareness and Levi’s Consensus as Common Ground
11:40AM Rush Stewart – Uncertainty, Equality, Fraternity
1PM Nils-Eric Sahlin – Levi’s Decision Theory: Lessons Learned
1:45PM Wilfried Sieg – Scientific Theories as Set-Theoretic Predicates?
2:45PM Panel Discussion – Learning from Levi
Abstracts available in attached documents under “Supporting material.”
Memorial
A memorial service will be held at 5PM at St. Paul’s Chapel on the Columbia campus. Reception to follow on the 7th floor of Philosophy Hall.
Book discussion on Gwenda-lin Grewal’s, Thinking About Death in Plato’s Euthydemus. A Close Reading and New Translation (OUP 2022)
Speakers:
Gwenda-lin Grewal (NSSR)
Cinzia Arruzza (NSSR)
Nicholas Pappas (CUNY)
Thinking of Death places Plato’s Euthydemus among the dialogues that surround the trial and death of Socrates. A premonition of philosophy’s fate arrives in the form of Socrates’ encounter with the two-headed sophist pair, Euthydemus and Dionysodorus, who appear as if they are the ghost of the Socrates of Aristophanes’ Thinkery. The pair vacillate between choral ode and rhapsody, as Plato vacillates between referring to them in the dual and plural number in Greek. Gwenda-lin Grewal’s close reading explores how the structure of the dialogue and the pair’s back-and-forth arguments bear a striking resemblance to thinking itself: in its immersive remove from reality, thinking simulates death even as it cannot conceive of its possibility. Euthydemus and Dionysodorus take this to an extreme, and so emerge as the philosophical dream and sophistic nightmare of being disembodied from substance. The Euthydemus is haunted by philosophy’s tenuous relationship to political life. This is played out in the narration through Crito’s implied criticism of Socrates-the phantom image of the Athenian laws-and in the drama itself, which appears to take place in Hades. Thinking of death thus brings with it a lurid parody of the death of thinking: the farce of perfect philosophy that bears the gravity of the city’s sophistry. Grewal also provides a new translation of the Euthydemus that pays careful attention to grammatical ambiguities, nuances, and wit in ways that substantially expand the reader’s access to the dialogue’s mysteries.