What does a philosopher look like? Inevitably, our mental pictures are shaped by the dominant imagery of the white male marble busts of Greco-Roman antiquity—Plato, Aristotle, Cicero, Seneca—and their modern European heirs—Hobbes, Descartes, Locke, Rousseau, Kant, Hegel, Mill. Even today Western philosophy is largely male and overwhelmingly white—about 97 percent in the U.S., close to 100 percent in Europe. Diversifying the field requires expanding our corporeal imaginary of its practitioners. This conference, timed to honor Professor Anita Allen-Castellitto (Penn), the first black female President in the 100-year-plus history of the American Philosophical Association, aims to showcase the work of a traditionally under-represented population, challenging these preconceptions. Allen and fifteen other black women will speak on their research across a wide variety of philosophical topics.
ORGANIZED BY:
Charles W. Mills & Linda Martín Alcoff
LIST OF SPEAKERS
Anita Allen-Castellitto, University of Pennsylvania
Kathryn Belle, Penn State University
Emmalon Davis, New School for Social Research
Nathifa Greene, Gettysburg College
Devonya Havis, Canisius College
Janine Jones, University of North Carolina Greensboro
Axelle Karera, Wesleyan University
Michele Moody-Adams, Columbia University
Mickaella Perina, University of Massachusetts Boston
Camisha Russell, University of Oregon
Jackie Scott, Loyola University Chicago
Kris Sealey, Fairfield University
Jameliah Shorter-Bourhanou, Georgia College, College of the Holy Cross
Anika Simpson, Morgan State University
Briana Toole, CUNY Baruch College
Yolonda Wilson, Howard University
Stay tuned for schedule details!
Hosted by: The Center for the Humanities and the PhD Program in Philosophy at the The Graduate Center, CUNY.
Co-sponsored by: The American Philosophical Association Committee on the Status of Black Philosophers, and the Advanced Research Collaborative at the Graduate Center, CUNY.
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Free and open to the public, but please register for Friday, March 15th here:
https://www.eventbrite.com/e/black-women-philosophers-conference-day-1-march-15th-2019-registration-56225763773
Please register for Saturday, March 16th here:
https://www.eventbrite.com/e/black-women-philosophers-conference-day-2-march-16th-2019-registration-56225886139
The venue is wheel-chair accessible.
To download a PDF version of the flyer, click here.
The New York City Wittgenstein Workshop has the following workshops scheduled for this semester and more planned workshops to be announced soon.
All workshops are on Fridays from 4 to 6 pm in room D1106.
2/22 — Zed Adams (the New School) — History of the digital/analogue distinction in philosophy
4/19 — Nickolas Pappas (CUNY) — “Plato on the Opposite of Philosophy”
4/26 — Larry Jackson
5/03 — Nuno Venturinha (Nova University of Lisbon) — “Autobiographical Writing, Self-knowledge, and the Religious Point of View.”
5/10 — Pierre-Jean Renaudi (Lyon)
Presented by SWIP-Analytic
In 1804 Schelling diagnosed our impending “annihilation of nature” due to our conceptual detachment from and consequent economic exploitation of our natural world. His critique of Modernity’s Cartesian Idealisms, effected through his inversion of the Kantian categories, results in a philosophical project whose relevance to our ongoing climate crisis is difficult to overstate.
Bruce Matthews
Bard College/BHSEC, professor of philosophy, research in German Idealism and Romanticism, with a focus on life and thought of F.W.J. Schelling, whose recent work revolves around Schelling’s critique of modernity with its anticipation of, as he wrote in 1804, ‘the annihilation of nature,’ and its relevance to the Anthropocene.
“Schelling in the Anthropocene: A New Mythology of Nature,” (Symposium: Canadian Journal of Continental Philosophy, 2015), “Schelling: A Brief Biographical Sketch of the Odysseus of German Idealism,” in The Palgrave Handbook to German Idealism (2014), and “The New Mythology: Between Romanticism and Humanism,” in The Relevance of Romanticism (Cambridge University Press, 2014). Books include the forthcoming intellectual biography, Schelling: Heretic of Modernity (2018), Schelling’s Organic Form of Philosophy: Life as the Schema of Freedom (SUNY 2011).
Presented by the Philosophy Department at The New School for Social Research
Over the last decades, the humanities have come under pressure from the scientific worldview. To many, it seems as if the humanities provide us at best with less-than-objective knowledge claims. Arguably, there are at least two overall reasons for this. On the one hand, the scientific worldview tends to associate objectivity with the kind of knowledge-acquisition, explanation, and justification characteristic of the natural sciences. On the other hand, the humanities themselves have contributed to the impression that they might be less relevant than the natural sciences to epistemic progress due to internal problems having to do with the very concept(s) of knowledge, reality and objectivity.
New Realism is a term for a whole series of current trends in philosophy that has important consequences for our understanding of knowledge in general. In particular, it reshapes our account of the human being qua source and object of knowledge claims. In this context, New Realism draws on a crucial indispensability thesis: we simply cannot eliminate the standpoint from which humans gather information about human and non-human reality alike from our account of reality itself. In light of this thesis, it turns out that the humanities are fully-fledged contributions to objective knowledge about reality – a fact we cannot ignore without succumbing to illusion. Against this background, the talk concludes that the so-called “scientific worldview” is untenable: it is built upon a denial of knowledge we actually possess, and so, by not being scientific enough, it fails to respect its own premises.
About the speaker:
Markus Gabriel holds the chair in epistemology, modern and contemporary philosophy at the University of Bonn. He is the director of the International Center for Philosophy and the multidisciplinary Center for Science and Thought. With Jocelyn Benoist he also directs Bonn-Paris Center for Research on New Realisms. His work focuses on contemporary philosophy, in particular epistemology and ontology, in an attempt to spell out the consequences of various trends in philosophy in a conversation with the humanities. Currently, he is working on a book called Fictions which deals with topics at the intersection of philosophy, literary studies and sociology.
The NYU Department of German and Deutsches Haus at NYU present “Objectivity and the Humanities – Prospects for a New Realism,” a talk by Professor Markus Gabriel.
Attendance information:
Events at Deutsches Haus are free of charge. If you would like to attend this event, please send us an email to deutscheshaus.rsvp@nyu.edu. Space at Deutsches Haus is limited; please arrive ten minutes prior to the event. Thank you!
“Objectivity and the Humanities – Prospects for a New Realism” is a DAAD-supported event.
There is a broad consensus that Aristotle introduced the concept of matter in order to develop a consistent account of substantial change. However, it is disputed which role matter fulfills in substantial change. According to the traditional interpretation, matter persists while taking on or losing a substantial form. According to a rival interpretation, matter does not persist in substantial change; instead, it is an entity from which a new substance can emerge and which ceases to exist in this process. In my view, both interpretations are problematic in the light of Aristotle’s broader ontological project and are at odds with the way Aristotle describes the substantial generation of living beings. On the basis of Aristotle’s biological theory, I will suggest that Aristotelian matter is a continuant in substantial generation, but does not satisfy the common criteria for persistence that apply to individual substances.
Anna Schriefl
Anna Schriefl is Wissenschaftliche Mitarbeiterin (assistant professor) at the University of Bonn, and currently a visiting scholar at the New School. She has published a book about Plato’s criticism of money and wealth, and most recently an introduction into Stoicism (both in German).
Selected speakers:
Please R.S.V.P.
The City University of New York, Graduate Center, is hosting its second Emotion Workshop. This semester, we are profiling the work of local scholars and visitors to New York. Topics relate to mind, social philosophy, epistemology, aesthetics, experimental philosophy, and psychology. The workshop will be 1 day long. Participants should not feel obligated to attend every session, but we do ask you to RSVP (this is to make sure everyone is allowed Saturday building access). If you think there is a chance you will join us for any part of the day, please send your name to Sarah Arnaud, postdoc in the Philosophy Program and co-organizer: sarnaud@gc.cuny.edu
PROGRAM
10:00-10:15 Introduction
10:15-11:00 Jesse Prinz (CUNY, Philosophy), “Are emotions socially constructed?”
11:00-11:15 Break
11:15-12:00 Rodrigo Díaz (Bern, Philosophy), “Folk emotion concepts”
12:00-12:45 Juliette Vazard (NYU / Institut Jean Nicod, Paris / University of Geneva), “Epistemic anxiety”
12:45-2:15 Break (lunch)
2:15-3:00 S. Arnaud & K. Pendoley (CUNY, Philosophy), “Intentionalism and the understanding of emotion experience”
3:00-3:15 Break
3:15-4:00 Jonathan Gilmore (CUNY, Philosophy), “Emotion, absorption, and experiential imagining”
4:00-4:45 Jordan Wylie (CUNY, Psychology), “Investigating the influences of emotion on object recognition”
4:45-6:00 Reception
The Art of Change is a bold experimental work that introduces a radically new artistic form. Starting with the traditional notion of opera as a type of work that blends music, theater, art, and design into a single form, The Art of Change brings performers and thinkers together on stage and fuses live performance with historical video footage, recorded interviews and multimedia content. All of this is woven together into a tapestry that is generative, interactive, participative, and open.
As its title suggests, the work centers on the very idea of change and presents various ways of thinking, from the very pragmatic to the most speculative, about what needs to be changed in the world today. Actors, singers, instrumentalists, designers, and philosophers come together, with the audience, to speculate on this question and the many ways in which it can be answered.
The libretto, by philosopher Chiara Bottici, is the result of a process in which an initial text was developed through a collective authoring process that unfolded on Public Seminar – an online journal of ideas, politics and culture supported by The New School.
No two performances of The Art of Change are the same. Spoken dialogues within each performance are analyzed and processed on the fly through software which captures and develops the melodic and rhythmic patterns of speech to generate instrumental scores for the musicians and electronics. What is more, each evening features two guests – a thinker and a musician – who bring new perspectives and their unique vision to the work.
Performances:
January 16th, 8pm
January 17th, 5pm & 8pm
January 18th, 5pm & 8pm
January 21st, 8pm
Creative Team:
Jean-Baptiste Barrière, Concept, Video Design & Composition
Chiara Bottici, Libretto
Ashley Tata, Stage Direction
Timo Rissanen, Costume Design
Abigail Hoke-Brady, Lighting Design
Thomas Goepfer, Sound & Video Design
Camilla Hoitenga, Flutes Solo
Levy Lorenzo, Creative Technologist, Percussion
Actors, singers and instrumentalists of The New School’s College of Performing Arts: Hayley Boggs, William Desbiens, Youngwoo Jeon, Kalun Leung, Timmy Ong, Yeji Pyun, Samuel Rachmuth, Veronica Richer, Jane Skapek (assistant director), Zachary Sebek, Alexander Theiss, Jackie Traish, Yunnan Xu
Guest Artists:
January 16: Simon Critchley, philosopher and Joan La Barbara, musician
January 17: Cinzia Arruzza, philosopher and Rebekah Heller, musician
January 18: Dmitri Nikulin, philosopher and Ross Karre musician
January 21: Jamieson Webster, psychoanalyst and Joan La Barbara, musician
The Art of Change is a bold experimental work that introduces a radically new artistic form. Starting with the traditional notion of opera as a type of work that blends music, theater, art, and design into a single form, The Art of Change brings performers and thinkers together on stage and fuses live performance with historical video footage, recorded interviews and multimedia content. All of this is woven together into a tapestry that is generative, interactive, participative, and open.
As its title suggests, the work centers on the very idea of change and presents various ways of thinking, from the very pragmatic to the most speculative, about what needs to be changed in the world today. Actors, singers, instrumentalists, designers, and philosophers come together, with the audience, to speculate on this question and the many ways in which it can be answered.
The libretto, by philosopher Chiara Bottici, is the result of a process in which an initial text was developed through a collective authoring process that unfolded on Public Seminar – an online journal of ideas, politics and culture supported by The New School.
No two performances of The Art of Change are the same. Spoken dialogues within each performance are analyzed and processed on the fly through software which captures and develops the melodic and rhythmic patterns of speech to generate instrumental scores for the musicians and electronics. What is more, each evening features two guests – a thinker and a musician – who bring new perspectives and their unique vision to the work.
Performances:
January 16th, 8pm
January 17th, 5pm & 8pm
January 18th, 5pm & 8pm
January 21st, 8pm
Creative Team:
Jean-Baptiste Barrière, Concept, Video Design & Composition
Chiara Bottici, Libretto
Ashley Tata, Stage Direction
Timo Rissanen, Costume Design
Abigail Hoke-Brady, Lighting Design
Thomas Goepfer, Sound & Video Design
Camilla Hoitenga, Flutes Solo
Levy Lorenzo, Creative Technologist, Percussion
Actors, singers and instrumentalists of The New School’s College of Performing Arts: Hayley Boggs, William Desbiens, Youngwoo Jeon, Kalun Leung, Timmy Ong, Yeji Pyun, Samuel Rachmuth, Veronica Richer, Jane Skapek (assistant director), Zachary Sebek, Alexander Theiss, Jackie Traish, Yunnan Xu
Guest Artists:
January 16: Simon Critchley, philosopher and Joan La Barbara, musician
January 17: Cinzia Arruzza, philosopher and Rebekah Heller, musician
January 18: Dmitri Nikulin, philosopher and Ross Karre musician
January 21: Jamieson Webster, psychoanalyst and Joan La Barbara, musician