Physicists and philosophers question the validity of one of the most observed and seemingly obvious appearance in our world: that time flows. Many in the physics and philosophy communities contend that the flow of time is not a fundamental feature of the world, nor even a fact of the world, but is an illusion. As a case in point, we will consider Brian Greene’s view of time in his PBS exposition “The Elegant Universe” holding that time may not flow, the past may not be gone, the future may already exist, and that now is not special. Most people, as observers of time’s passage, might agree with the Greek philosopher Heraclitus who expressed the idea that all is change and that change occurs with the flow of time. I will explore some of the motivation and reasons given for these positions and contrast the arguments made for each viewpoint.
The schedule: a short presentation on topic of 3-D Printing, and then Stuart’s presentation for about 1 hr. plus time for questions. It is necessary to register beforehand to be admitted.
CV: Stuart Kurtz graduated from MIT with an SB in Chemical Engineering and from Princeton with an MS degree in Polymer Engineering and an MA and PhD. in Chemical Engineering. He taught at RPI and in Brazil as Professor Titular in Materials Engineering. This was followed by a research career in industry accumulating around 30 patents and publishing at least a few good papers. He now focuses on Philosophy of Science and Physics and climbing mountains because they are there. He has spoken to the Lyceum Society many times; most recently in January, 2018 he spoke on the topic: Lessons from Science Lysenko, Velikovsky and the Demarcation Problem; In February, 2018 he spoke on Geoengineering for Climate Change Mitigation. In December, 2018 he reviewed the Nobel Prize in Physics for that year.
In this talk, I will sketch a theory of skill, which puts control at the center of the account. First, I present a definition of skill that integrates several essential features of skill that are often ignored or sidelined on other theories. In the second section, I spell out how we should think of the intentions involved in skilled actions and in the third section, I discuss why deliberate practice and not just experience, repetition, or exposure is required for skill development. In the fourth section, I claim that practice produces control and go on to spell out the notion of control relevant for a theory of skill. In the final section, I briefly outline three kinds of control that develop as a result of practice and which manifest the skillfulness of skilled action. They are strategic control, attention control, and motor control.
Presented by SWIP-Analytic
The last Philosophy in the Library talk of 2019 is coming up on December 4th at 7:00 PM! Sebastian Purcell is talking about “Good Habits Aren’t Enough: The Aztec Conception of Shared Agency!” If you’re into indigenous philosophy, the history of philosophy, virtue ethics, or collective action, you should enjoy it.
Brooklyn Public Philosophers is a forum for philosophers in the greater Brooklyn area to discuss their work with a general audience, hosted by the Brooklyn Public Library. Its goal is to raise awareness of the best work on philosophical questions of interest to Brooklynites, and to provide a civil space where Brooklynites can reason together about the philosophical questions that matter to them.
10/23 – Philosophy in the Library: Jennifer Morton on Education @ the Brooklyn Public Library’s Information Commons Lab // 7:30-9:00 PM
11/6 – Philosophy in the Library: Asia Ferrin on Mindfulness @ the Brooklyn Public Library’s Information Commons Lab // 7:30-9:00 PM
12/4 – Philosophy in the Library: Sebastian Purcell on Aztec Philosophy @ the Brooklyn Public Library’s Information Commons Lab // 7:00-9:00 PM
The Saul Kripke Center is pleased to announce that James Shaw (Associate Professor, Philosophy, University of Pittsburgh) will deliver a talk on Thursday, February 17th, 2022, from 2:00 to 4:00 pm (NY time) via Zoom. The talk is free and open to all, but those interested in attending should email the Saul Kripke Center in advance to register if they are not part of the CUNY Graduate Center’s Philosophy Program or are not on the Saul Kripke Center’s mailing list.
Title: Kripkean Necessities, Imaginative Kripke Puzzles, and Semantic Transparency
Abstract: Kripke (1980) famously argued that some a posteriori statements are necessary when true. I begin by exploring an unusual technique to try to learn these necessities merely through imagination that I call “Semantic Imaginative Transfer”. I explore an idealized instance of this technique which I suggest leads to an imaginative variant of Kripke’s (1979) puzzle about belief. I note that on some widespread assumptions (including that propositional idiom can be maintained in the face of Kripke puzzles), the idealized example restricts the space for accommodating Kripkean necessities to two families of views: familiar, broadly Guise-Theoretic approaches to propositional attitudes, and unconventional and largely unexplored views embracing semantic transparency principles. I briefly review some of the history of transparency principles, make some conjectures as to why they went out of fashion following the work of semantic externalists (including Kripke), and make a plea for exploring the consequences of their adoption. Along the way I note the significance of doing so: the transparency principles render Kripkean necessities a priori.
Our speakers will be Karen Lewis (Columbia), Sam Berstler (MIT), Ray Buchanan (Texas/Austin), and Elmar Unnsteinsson (UC Dublin and U of Iceland). We will post titles and abstracts for their talks, along with a schedule of who is speaking when, soon.
If you are not a faculty or student at CUNY, you will have to RSVP for the event at this URL, no later than Monday, November 14th:
https://forms.gle/KN3YJNaCs5yHPtBP7
Please also be prepared to show proof of vaccination when you enter the building.
This conference celebrates the 50th anniversary of the first publication of Saul Kripke’s masterpiece, Naming and Necessity, by showcasing new work on a range of topics on which it has had a lasting influence. These topics include, but are not limited to: the nature of names and natural kind terms; the failure of the description or cluster/description theories; the distinction between metaphysical necessity and epistemic apriority; empty names; the metaphysics of essence and origin; the nature of modality and possible worlds; conceivability and the epistemology of modality; the role of philosophical intuition; and the mind-body problem.
Dates: 12th and 13th December, from 9am to 5pm.
Venue: The CUNY Graduate Center, 365 5th Avenue, New York, New York.
Format: hybrid
Registration: for both online and in person attendance, please register by the 28th of November, 2022 at https://forms.gle/Jbr3uaFx1ZwRxJpZ7.
Speakers:
Organisers:
Lectures:
Romina Birman, Paul Boghossian, Michael Devitt, Hartry Field, Melvin Fitting, Daniel Isaacson, Carl Posy, Robert Stalnaker
Reminiscences:
James Burgess, David Chalmers, Mircea Dumitru, Margaret Gilbert, Antonella Mallozzi, Oliver Marshall, Yiannis Moschovakis, Stephen Neale, Gary Ostertag, David Papineau, Graham Priest, Teresa Robertson Ishii, Nathan Salmon, Larry Tribe, lakovos Vasiliou, Timothy Williamson
For more information contact kripkecenter@gc.cuny.edu
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.