New Narratives in 17th Century Philosophy: The Philosophy of Anne Conway
Contact Professor Christia Mercer for more info.
The workshop, which is now in its 10th year, aims to foster exchange and collaboration among scholars, students, and anyone with an interest in Early Modern Philosophy. This year’s workshop will focus on the topic of “Mind, Body, Passion” in Early Modern Philosophy (roughly the period from 1600-1800).
We welcome submissions on the conference topic, which may be broadly construed to include mind-body identity, mind-body interaction, embodiment, philosophy of emotion, aesthetics, etc. For consideration, please submit abstracts of 250-300 words to newyorkcityearlymodern@gmail.com no later than December 31, 2019.
Keynote speakers:
Organisers:
Registration for the conference is free, but required. To register, click here. Note that, as of now, NYU still has several COVID safety protocols in place. In order to be allowed to enter an NYU building, proof of full vaccination against COVID, including a booster shot, must be uploaded to NYU’s COVID portal in advance of the visit. Upon submitting your registration, you will receive an email with instructions for how to upload your proof of vaccination. Your registration will not be valid until you have received an email of approval from NYU Campus Safety informing you that you have been cleared for building access. Moreover, a high-quality mask (such as a disposable surgical mask, an N95, KN95, or KN94) must be worn at all times while indoors. Because of the extra time required to process the vaccination documentation, registration for the conference will close on April 29; no exceptions. It may be that NYU will loosen its mask requirement between now and the conference; we will post an update if that happens. For now, you should only register for the conference if you are firmly planning to attend, and if you are prepared to comply with the indicated requirements.
Saturday, May 14
9:30–11:10 Speaker: Allen Wood (Indiana University, Bloomington)
“Kant on Friendship”
Commentator: Colin Marshall (University of Washington)
Chair: Paul Guyer (Brown University)
11:25–1:05 Speaker: Gary Hatfield (University of Pennsylvania)
“The Subjectivity of Visual Space: Descartes and After”
Commentator: Nick Stang (University of Toronto)
Chair: Andrew Chignell (Princeton University)
2:55–4:35 Speaker: Pat Kitcher (Columbia University)
“Kant’s Conscience and Freud’s Superego”
Commentator: Karl Schafer (University of Texas at Austin)
Chair: Sally Sedgwick (Boston University)
4:50–6:30 Speaker: Hannah Ginsborg (University of California, Berkeley)
“Self-consciousness, Normativity, and the Agential Perspective”
Commentator: Stefanie Grüne (Free University, Berlin)
Chair: Karl Ameriks (University of Notre Dame)
Sunday, May 15
9:30–11:10 Speaker: Rolf-Peter Horstmann (Humboldt University Berlin)
“Hegel on Subjects as Objects (according to the Phenomenology of Spirit)”
Commentator: Scott Jenkins (University of Kansas)
Chair: Michelle Kosch (Cornell University)
11:25–1:05 Speaker: Richard Moran (Harvard University)
“Swann’s Medical Philosophy: Pessimism and Solipsism in Proust”
Commentator: Nick Riggle (University of San Diego)
Chair: Chris Prodoehl (Barnard College)
2:55–4:35 Speaker: Tyler Burge (University of California, Los Angeles)
“Kant on Primacy of Practical Reason”
Commentator: Anja Jauernig (New York University)
Chair: Christopher Peacocke (Columbia University)
4:50–6:30 Speaker: Béatrice Longuenesse (New York University)
“A Philosophical Journey”
Chair: Don Garrett (New York University)
Our 12th annual workshop will take place entirely on-line. The workshop will focus on the topic of “Expanding the Early Modern Canon.” We are calling for papers on figures, topics, texts, and genres that have been standardly neglected within the study of early modern philosophy; e.g., women philosophers, philosophy of education, letters, and novels.
Please submit anonymized abstracts of 250-500 words to newyorkcityearlymodern@gmail.com by April 1st, 2022.
Speakers:
Organisers:
Details
The workshop, which is now in its 12th year, aims to foster exchange and collaboration among scholars, students, and anyone with an interest in Early Modern Philosophy (roughly the period from 1600-1800). This year’s workshop will be entirely online. We are calling for papers on figures, topics, texts, and genres that have been standardly neglected within the study of Early Modern Philosophy (e.g., women philosophers, philosophy of education, letters, and novels).
Please submit anonymized abstracts of 250-500 words to newyorkcityearlymodern@gmail.com by April 1st, 2022.
Advance Registration Required; RSVP details coming soon
La Maison Française is pleased to host the second symposium of Arts and Pragmatism. Join us for two days of fascinating talks and encounters at the intersection of philosophy and artistic practice under the direction of Sandra Laugier and Yann Toma.
with the support of Panthéon Sorbonne University, Politique scientifique program, Global Works and Society, Liberal Studies, and La Maison Française at New York University.
Full program details to follow.
*We are so excited to welcome the general public back to most events at La Maison Francaise of NYU. Instructions for attending events in-person will be confirmed shortly before each event. Please note that NYU requires all visitors to provide official proof (in English) that they are fully vaccinated and boosted against COVID-19. Additional details to follow.
This talk explores the reflexive nature of consciousness, which consists primarily in the fact that a state of consciousness has a reflexive relation to the subject who has that state, so that the subject can typically be aware of itself as having that state. Comparing Kant’s, Fichte’s, and selected contemporary analytic theories of this reflexivity shows that there is a crucial difference in the way the relation between form (or mode) and content of a state of consciousness is conceived. The first part examines Kant’s formal theory of consciousness: reflexivity is understood not in terms of a self-referential content resulting from a reflection on the state of the subject, but as the universal transcendental form that any content must have in order to be representationally significant and potentially conscious to the subject. The second part examines Fichte’s departure from Kant in his theory of a self-positing consciousness: in the original act of self-positing, the mere form of reflexivity is turned into a self-referential content that determines the subject as an object from the absolute standpoint of consciousness. The third part examines analytic theories that explain the reflexivity (or what is often called the subjective character) of consciousness on a model of mental indexicality. These theories tend to reduce reflexivity to an objective constituent of content that, although often implicit, can be read off from the subject’s contextual situatedness in nature. In conclusion, Kant’s theory can be understood as a moderate, human-centered kind of perspectivism that navigates between Fichtean absolute subjectivity and a naturalist absolute objectivity.
Registration is free but required. A registration link will be shared via email with our department mailing lists a few weeks before the event. Please contact Jack Mikuszewski at jhm378@nyu.edu if you did not receive a registration link.
The Philosophy Department provides reasonable accommodations to people with disabilities. Requests for accommodations should be submitted to philosophy@nyu.edu at least two weeks before the event.
Our friends from Université de Paris Panthéon-Sorbonne return for a third installment of their symposium Arts & Pragmatism: From Ordinary Aesthetics to Post Creation.
This day-long symposium will be chaired by Yann Toma and Sandra Laugier. From the organizers:
We have noticed it during the two previous symposia of our program: the pragmatist philosophy and in particular Dewey defends the idea that aesthetics must not only be considered as the search for truths about art and its creations but also as what concerns the experience of the persons with an artwork (a sensitive and active experience). The reception would thus be the dynamic experience of an incarnated observer, acting, feeling in his senses and his affects what is the work and what it makes him feel.
The political stake of the pragmatist aesthetics is to make sure that the strong aesthetic experiences remain open and accessible to the largest public and become even a «matter of ordinary conversation». It is then a matter of thinking about shared experience as a transmission of values, an important phenomenon for the moral, political, “educational” reflection of adults» (Cavell 1979, 1981, Shusterman, Laugier 2019, 2023, Gerrits 2020). Thus, this question of pragmatism addresses societal issues that concern all audiences, not just from a broadcast/transmission perspective. By focusing on experience and agency, this way of approaching pragmatism involves the cultural audience in a broad way to the point where it engages mediums such as television and in general digital cultures.
The concept of Post-Creation, insofar as it plays a form of exteriority to an original Creation, has all its place in a world where the strong aesthetic experiences remain open and accessible to a wider public. It is a question of placing the creation beyond what is biased, in the heart of a form of Third State of the artistic act in charge of a heuristic and critical potential, towards a form extracted from the zone of influence of the world of the art as such. The idea of Post-Creation tends towards the universal that would be the fact of conceiving the creation beyond any not institutionalized academism. We will see how a possible emulation between the ordinary aesthetic and the shared experience of the Post-Creation is articulated and played, where the experience of the creation produces knowledge and transforms what is out of the specific field of perception of the art in so many new acting and reflexive spaces. In that, the influence of the artistic creation on whole sections of the society, domains of perception until now inaccessible, becomes a stake of opening which results from the transformation of a form of ordinary aesthetics in a Post-Creation freed from the aesthetic channels of the contemporary art.
Program:
10:30AM : Opening Yann Toma, Sandra Laugier and François Noudelmann
11:00AM – 1:00PM : Panel I Pragmatism and the Project of an Ordinary Aesthetics
Chair : Yann Toma
Andrew Brandel (Penn State University) From the Aesthetics of the Everyday Life to Ordinary Aesthetics.
Barbara Formis (Panthéon-Sorbonne University) Doings and redoings of the Identical.
Sandra Laugier (Panthéon-Sorbonne) Ordinary Creation and Shared Culture.
Emmanuel Kattan (Columbia University) What happens when nothing happens: Chantal Akerman, Francis Ponge, Marisa Merz and the emergence of time.
1:00PM – 3:00PM : Lunch Break
3:00PM – 6:00PM : Panel II Pragmatism, Post-Creation
Chair : Sandra Laugier
Yann Toma (Artist/Panthéon-Sorbonne University) Post-Creation, a new way of making creation
The example of L’Or bleu.
Jung Hee Choi (artist and author of «Manifest Unmanifest») Dream House.
Dan Thomas (United Nations Global Compact), The importance of Art and Perception in the Diplomatic Way.
Warren Neidich (Artist and Founding Director Saas-Fee Summer Institute of Art) The Brain Without Organs and the Ecocene.
This event is organized with the support of Université Paris 1 Panthéon-Sorbonne, Politique scientifique program, and La Maison Française at New York University
Program
May 23, 2023
9:25–9:30: Welcome
9:30-10:50: Keynote Talk by Michael Della Rocca (Yale)
10:50-11:00: Break
11:00-1:00: Spinoza Panel, featuring talks by Karolina Hübner (Cornell), Yitzhak Melamed (Johns Hopkins), and John Morrison (Barnard)
1:00-3:00: Lunch break
3:00–4:20: Keynote Talk by Elizabeth Radcliffe (William and Mary)
4:20–4:30: Break
4:30–6:30: Hume Panel, featuring talks by Rachel Cohon (SUNY Albany), Peter Millican (Oxford), and Karl Schafer (UT Austin)
May 24, 2023
9:30–10:50: Keynote Talk by Christia Mercer (Columbia)
10:50–11:00: Break
11:00–1:00: Early Modern Women Philosophers Panel, featuring talks by Maité Cruz (Union College), David Landy (SFSU), and Antonia LoLordo (Virginia)
1:00–3:00: Lunch break
3:00–4:20: Keynote Talk by Geoffrey Sayre-McCord (UNC Chapel Hill)
4:20–4:30: Break
4:30–6:30: Naturalism panel, featuring talks by Angela Coventry (Portland State), Louis Loeb (Michigan–Ann Arbor), and Justin Steinberg (CUNY, Brooklyn College)
Richard J. Bernstein first encountered John Dewey’s pragmatist naturalism as a graduate student at Yale University, where “Dewey’s naturalistic vision of the relation of experience and nature—how human beings as natural creatures are related to the rest of nature—spoke deeply to me.” This early enthusiasm for Dewey’s naturalistic vision never left him. During the final years of his long life, Bernstein finished two books that return to issues of pragmatist naturalism.
· His Pragmatic Naturalism: John Dewey’s Living Legacy (2020), traces differing versions of Deweyan naturalism in the works of contemporary philosophers, including Robert Brandom, John McDowell, Richard Rorty, Wilfrid Sellars, Peter Godfrey-Smith, Philip Kitcher, Bjorn Ramberg, David Macarthur, Steven Levine, Mark Johnson, Robert Sinclair, Huw Price, and Joseph Rouse.
· In his final book, The Vicissitudes of Nature (2022), Bernstein clarifies his own pragmatist naturalism in relation to the thinking of earlier modern philosophers: Spinoza, Hume, Kant, Hegel, Marx, Nietzsche, and Freud.
This conference will critically assess and expand the legacy of Bernstein’s final pragmatic naturalism as expressed in these two books. Accepted papers will be collected for publication.
The New York Pragmatist Forum
Paper topics may include:
● Bernstein’s discussion of Dewey’s thinking in relation to contemporary philosophers’ formulations of naturalism in Pragmatic Naturalism: John Dewey’s Living Legacy.
● Bernstein’s interpretation of an earlier thinker’s understanding of naturalism or nature in The Vicissitudes of Nature (Spinoza, Hume, Kant, Hegel, Marx, Nietzsche, or Freud).
● A larger theme or problem that brings one of these Bernstein’s texts into conversation with philosophical naturalism, either particular expressions or conceptual issues.
● The consequences of one or both of these texts for questions of naturalism in relation to wider social and political questions, e.g., democracy, praxis, critique.
Abstracts: Please submit an abstract of no more than 500 words to tara@newschool.edu.
Submission Deadline: May 22, 2023
NYPF Conference Committee:
Sergio Gallegos, John Jay College of Criminal Justice
Judith Green, Fordham University
Brendan Hogan, New York University
Tara Mastrelli, New School for Social Research
David Woods, New York University
riday, November 10
9:30–9:55 Check–in and Coffee
9:55 Welcome
10:00–12:00 Adam Smith
Speaker: Ryan Patrick Hanley (Boston College)
Commentator: Samuel Fleischacker (University of Illinois Chicago)
12:00–2:00 Lunch Break
2:00–4:00 Immanuel Kant
Speaker: Marcia Baron (Indiana University Bloomington)
Commentator: Kyla Ebels–Duggan (Northwestern University)
4:00–4:30 Coffee Break
4:30–6:30 German Romanticism
Speaker: Frederick Beiser (Syracuse University)
Commentator: Owen Ware (University of Toronto)
6:30–7:30 Reception
Saturday, November 11
9:30–10:00 Check–in and Coffee
10:00–12:00 Friedrich Nietzsche
Speaker: Andrew Huddleston (University of Warwick)
Commentator: Claire Kirwin (Northwestern University)
12:00–2:00 Lunch Break
2:00–4:00 Simone De Beauvoir
Speaker: Michelle Kosch (Cornell University)
Commentator: Susan J. Brison (Dartmouth University)
4:00–4:30 Coffee Break
4:30–6:30 Contemporary
Speaker: Simon May (King’s College London)
Commentator: Alecxander Nehamas (Princeton University)
6:30–7:30 Reception