The 9th annual Radical Democracy conference, sponsored by the Department of Politics at The New School for Social Research, will convene theorists and practitioners around the theme of Radical Ecologies. In the year that “climate strike” was named word of the year by Collins Dictionary, we seek to explore what opportunities for democratic resistance can be found in a multiplicity of ecologies. The conference will provide a platform for dialogue on the urgent question of our future in a post-climate change world.
Against the backdrop of increasingly visible and devastating climate disasters, resurgent environmental movements are embracing divergent visions and methods of struggle to realize change. As such, it is timely to ask, What makes an ecology radical? A multitude of intersecting traditions have sought to answer this question. An eco-feminist might approach this through the lens of social reproduction. An eco-socialist might frame radical ecology in terms of a mode of production beyond capitalism that can sustain and replenish nature. Indigenous perspectives can draw on centuries of resistance to extractive colonial capitalism. The conference will consider how a radical ecological praxis can be pursued within this plurality of histories, cosmologies and schools of thought, and, crucially, examine what we can learn from the work of activists on the frontline. We therefore call on both scholars and activists to engage in a fruitful dialogue on the still unsettled relationship between politics and the environment.
We seek abstracts and panel proposals that grapple with this issue across a broad range of perspectives and disciplines, including, but by no means limited to:
- environmental social movements past, present and future;
- indigenous, subaltern, decolonial and posthuman perspectives and strategies of resistance;
- the urgency of converging ecological crises, and strategic possibilities and limitations of confronting it within existing political systems;
- the theoretical and ontological underpinnings of environmentalism in the global North, and critiques thereof;
- networks of alliance across geographical space, disciplinary boundaries, and patterns and institutions of oppression;
- materialist analyses of winners and losers in the clean energy transition and ecological sustainability movement;
- questions of future(s) and intergenerational ethics;
- meditations on the relations between aesthetics, activism, and the nonhuman.
The conference will take place over two days, the structure of which will include graduate-student panels, an indigenous activist-scholar roundtable, and a keynote address.
For individual paper proposals, please submit a one-page abstract (max. 300 words) that includes institutional affiliation, academic level and contact information. Complete panel proposals with up to four papers are strongly encouraged.
Please submit your paper or panel abstracts by February 1st, 2020, to radicaldemocracy@newschool.edu. Selected participants will be notified March 1st, 2020. Full conference papers are due by April 5, 2020.
https://philevents.org/event/show/78134
Generative art made with algorithms has existed since the early days of computing in the 1960s. In recent years, a new strand of generative art has emerged: AI-generated art, which leverages the recent progress of artificial intelligence to create artworks. Unlike old-fashioned generative art, AI-generated art is not produced with an explicit set of programming instructions provided by human artists; instead, it involves training an algorithm on a dataset so that it can later produce artworks (images, music, or video clips) using its own internal parameters that have not been explicitly defined by a human. This process raises fascinating questions at the intersection of computer science, art history, and the philosophy of art. At a superficial level of analysis, AI-generated art seems to offload much of the creative impetus of art production to the machine, requiring minimal intervention from the artist. On closer inspection, however, it involves a novel process of curation at two key stages: upstream in the selection of the dataset on which the algorithm is trained, and downstream in the selection of the outputs that should qualify as artworks. Instead of replacing human artists with computers, AI-generated art can be understood as a new kind of collaboration between mind and machine, both of which contribute to the aesthetic value of the final artwork.
This seminar will bring together AI artists and philosophers to explore the significance of this new mode of art production. It will discuss the implications of AI-generated art for the definition of art, the nature of the relationship between artists and tools, the process of digital curation, and whether AI systems can be as creative as humans.
Event Speakers
- Sougwen Chung, artist and researcher
- Helena Sarin, visual artist
- Anne Spalter, digital mixed-media artist
- Katherine Thomson-Jones, Professor of Philosophy at Oberlin College
- Moderated by Raphaël Millière, Presidential Scholar in Society and Neuroscience at Columbia University
Event Information
Free and open to the public. Registration is required via Eventbrite. Registered attendees will receive an event link shortly before the seminar begins.
This event is hosted by the Presidential Scholars in Society and Neuroscience as part of the Seminars in Society and Neuroscience series.
The Center for Science and Society makes every reasonable effort to accommodate individuals with disabilities. If you require disability accommodations to attend a Center for Science and Society event, please contact us at scienceandsociety@columbia.edu or (212) 853-1612 at least 10 days in advance of the event. For more information, please visit the campus accessibility webpage.
A prominent logician Melvin Fitting has turned 80. This hybrid conference is a special event in his honor.
Melvin Fitting was in the departments of Computer Science, Philosophy, and Mathematics at the CUNY Graduate Center and in the department of Mathematics and Computer Science at Lehman College. He is now Professor Emeritus. He has authored 11 books and over a hundred research papers with staggering citation figures. In 2012, Melvin Fitting was given the Herbrand Award by the Conference on Automated Deduction (CADE) for distinguished contributions to the field. In 2019, Professor Fitting received a Doctor Honoris Causa (an Honorary Doctorate) from the University of Bucharest.
Greetings, congratulations, photos for posting, and ZOOM link requests could be sent to Sergei Artemov by sartemov@gmail.com or sartemov@gc.cuny.edu.
Conference website https://sartemov.ws.gc.cuny.edu/fitting-at-80/
Program (the times are given in the Eastern Day Time zone EST). In-person location: CUNY Graduate Center, rm. 3310-B.
January 28, Saturday
8:00-8:45 am Arnon Avron (Tel Aviv), “Breaking the Tie: Benacerraf’s Identification Argument Revisited”
8:45-9:30 am Junhua Yu (Beijing), “Exploring Operators on Neighborhood Models”
9:30-9:45 am Break
9:45-10:30 am Sara Negri (Genoa), “Faithful Modal Embedding: From Gödel to Labelled Calculi”
10:30-11:15 am Heinrich Wansing (Bochum), “Remarks on Semantic Information and Logic. From Semantic Tetralateralism to the Pentalattice 65536_5”
11:15-11:30 am Break
11:30 am -12:15 pm Roman Kuznets (Vienna), “On Interpolation”
12:15-1:00 pm Walter Carnielli (Campinas), “Combining KX4 and S4: A logic that encompasses factive and non-factive evidence“
1:00-1:15 pm Break
1:15-2:00 pm Eduardo Barrio and Federico Pailos (Buenos Aires), “Meta-classical Non-classical Logics”
2:00-2:45 pm Graham Priest (New York), “Jaśkowski and the Jains: a Fitting Tribute”
2:45-4:00 pm Session of memories and congratulations featuring Sergei Artemov, Anil Nerode, Hiroakira Ono, Melvin Fitting, and others.