David Albert’s work has been of seminal importance to the foundations of physics, exerting central influence on the direction the field and laying foundations for much of its ongoing development. In celebration of David’s many past and continuing contributions, we will be hosting a conference at Columbia University on the foundations of physics. We expect talks on a range of topics, including the foundations of quantum mechanics and statistical mechanics, the possible emergence of space and time, the metaphysics of science, and the nature of agency.
Confirmed Speakers
Jeff Barrett (UC Irvine)
Gordon Belot (Michigan)
Craig Callender (UC San Diego)
Sean Carroll (Caltech)
Eddy Chen (UC San Diego)
Sidney Felder (Rutgers)
Alison Fernandes (Dublin)
Shelly Goldstein (Rutgers)
Ned Hall (Harvard)
Barry Loewer (Rutgers)
Tim Maudlin (NYU)
Michael Miller (Toronto)
Alyssa Ney (UC Davis)
Lev Vaidman (Tel Aviv)
David Wallace (Pittsburgh)
Nino Zanghi (Genoa)
Organizing Committee
Alison Fernandes (alison.fernandes@tcd.ie)
Michael Miller (mike.miller@utoronto.ca)
Porter Williams (porterwi@usc.edu)
.
The conference is open to the public. Please direct any questions to Porter Williams (porterwi@usc.edu).
Friday, November 15
8:45 am: Breakfast
9:30 am: Jeff Barrett (UC Irvine): Quantum Randomness and Empirical Underdetermination
10:15 am: Shelly Goldstein (Rutgers): Typicality, Humean Probability, and the Mentaculus
11:00: Coffee Break
11:20 am: Craig Callender (UC San Diego): No Time for Time from No-Time
12:05 pm: Alyssa Ney (UC Davis): WFR or QFT?
12:50: Lunch
2:20 pm: Gordon Belot (Michigan): The Mach-Einstein Principle of 1917-1918
3:05 pm: Sean Carroll (Caltech): The Mentaculus as a Causal Network
3:50: Coffee Break
4:10 pm: David Wallace (Pittsburgh): TBA
4:55 pm: Ned Hall (Harvard): Respectful Deflationism
5:45 pm: Adjourn
Saturday, November 16
8:45 am: Breakfast
9:30 am: Lev Vaidman (Tel Aviv): The many-worlds interpretation and the Born rule
10:15 am: Eddy Chen (UC San Diego): Nomic Vagueness
11:00: Coffee Break
11:20 am: Michael Miller (Toronto): Infrared Cancellation and Measurement
12:05 pm: Alison Fernandes (Trinity College Dublin): The Direction of Records
12:50: Lunch
2:20 pm: Sidney Felder (Rutgers): Gödel’s Rotating Solutions, Bilking, and Natural Laws
3:05 pm: Nino Zanghi (INFN Genova): TBA
3:50: Coffee Break
4:10 pm: Tim Maudlin (NYU): S = k ln(B(W)): Boltzmann entropy, the Second Law, and the Architecture of Hell
4:55 pm: Barry Loewer (Rutgers): The Consequence Argument Meets the Mentaculus
5:45 pm: Adjourn
Generative art made with algorithms has existed since the early days of computing in the 1960s. In recent years, a new strand of generative art has emerged: AI-generated art, which leverages the recent progress of artificial intelligence to create artworks. Unlike old-fashioned generative art, AI-generated art is not produced with an explicit set of programming instructions provided by human artists; instead, it involves training an algorithm on a dataset so that it can later produce artworks (images, music, or video clips) using its own internal parameters that have not been explicitly defined by a human. This process raises fascinating questions at the intersection of computer science, art history, and the philosophy of art. At a superficial level of analysis, AI-generated art seems to offload much of the creative impetus of art production to the machine, requiring minimal intervention from the artist. On closer inspection, however, it involves a novel process of curation at two key stages: upstream in the selection of the dataset on which the algorithm is trained, and downstream in the selection of the outputs that should qualify as artworks. Instead of replacing human artists with computers, AI-generated art can be understood as a new kind of collaboration between mind and machine, both of which contribute to the aesthetic value of the final artwork.
This seminar will bring together AI artists and philosophers to explore the significance of this new mode of art production. It will discuss the implications of AI-generated art for the definition of art, the nature of the relationship between artists and tools, the process of digital curation, and whether AI systems can be as creative as humans.
Event Speakers
- Sougwen Chung, artist and researcher
- Helena Sarin, visual artist
- Anne Spalter, digital mixed-media artist
- Katherine Thomson-Jones, Professor of Philosophy at Oberlin College
- Moderated by Raphaël Millière, Presidential Scholar in Society and Neuroscience at Columbia University
Event Information
Free and open to the public. Registration is required via Eventbrite. Registered attendees will receive an event link shortly before the seminar begins.
This event is hosted by the Presidential Scholars in Society and Neuroscience as part of the Seminars in Society and Neuroscience series.
The Center for Science and Society makes every reasonable effort to accommodate individuals with disabilities. If you require disability accommodations to attend a Center for Science and Society event, please contact us at scienceandsociety@columbia.edu or (212) 853-1612 at least 10 days in advance of the event. For more information, please visit the campus accessibility webpage.