The rich philosophical and mathematical disputes that took place between Isaac Newton and Gottfried Leibniz at the start of the eighteenth century have received more historical attention than any other exchange in the history of philosophy. Nevertheless, in this talk, Robert Iliffe discusses a prominent but neglected aspect of their disagreement, namely the mutual claim that their opponents’ conceptual foundations were fictional, and were the product both of diseased thinking and of illegitimately organized intellectual structures. Newton assailed Leibniz’s allegedly debased metaphysics in various prominent places, and mobilized allies such as Roger Cotes and John Keill to do the same. Nevertheless, by far the most sophisticated critique of illicit philosophical assumptions was launched against Newton by Leibniz in his correspondence with Samuel Clarke. In the Fifth letter to Clarke, Leibniz identified core Newtonian positions as infantile, vulgar, and profoundly irreligious, asserting that they were dangerous fictions that were less plausible and much less edifying than the rational romances of writers in the previous century. Although Leibniz saved his most potent intellectual weapons for his final letter to Clarke, Robert Iliffe suggests that his attack on the fictional status of Newton’s work was no mere codicil to his general critique of Newton’s philosophy, but instead lay at the heart of it. This famous debate, while of course somewhat sui generis, is indicative of more general and dynamic features of intellectual debate.
Event Speaker
Robert Iliffe, Professor of the History of Science at the University of Oxford
Event Information
This event is free and open to the public; Registration required. Please contact scienceandsociety@columbia.edu with any questions.
This event is part of the New York History of Science Lecture Series.
With responses from Mark Siderits (Illinois State University)
ABSTRACT: Buddhist philosophers often draw a distinction between two different kinds of truth: conventional truth (saṃvṭi-satya) and ultimate truth (paramārtha-satya). Abhidharma Buddhists philosophers typically understand this distinction in terms of an ontological distinction between two different kinds of entities: ultimately real entities (paramārtha-sat) and conventionally real entities (saṃvṛti-sat). Similar to contemporary philosophical discussions about ordinary objects, Buddhist philosophers debate the ontological status of conventional entities and the semantics of discourse concerning them. Mark Siderits (2015, 2021, 2022) has influentially argued for an eliminitivist position he calls “Buddhist reductionism” that interprets the Abhidharma position as one that denies conventional entities exist but that retains discourse involving apparent reference to them. However, in a recent article Kris McDaniel (2019), a prominent defender of ontological pluralism, challenges that view by proposing that the Abhidharma Buddhist distinction between conventional truth and ultimate truth be “defined up” from a more basic distinction between two different ways an entity can exist: conventionally or ultimately. In this paper I argue that Saṃghabhadra’s account of conventional reality and truth does lends itself well to McDaniel’s proposal but I will also argue that the account of conventional and ultimate truth that results differs in important ways from the models he offers. I will end by offering a modification of McDaniel’s account of conventional truth that is derived from Saṃghabhadra’s pluralist ontology. That view will, unlike the views suggested by both Siderits and McDaniel, allow for there to be ultimate truths about what is conventionally true.
Dinner will be kindly offered by the Columbia University Seminars.
RSVP is required for dinner. Please email Lucilla with eating requirements at lm3335@columbia.edu.
Generative art made with algorithms has existed since the early days of computing in the 1960s. In recent years, a new strand of generative art has emerged: AI-generated art, which leverages the recent progress of artificial intelligence to create artworks. Unlike old-fashioned generative art, AI-generated art is not produced with an explicit set of programming instructions provided by human artists; instead, it involves training an algorithm on a dataset so that it can later produce artworks (images, music, or video clips) using its own internal parameters that have not been explicitly defined by a human. This process raises fascinating questions at the intersection of computer science, art history, and the philosophy of art. At a superficial level of analysis, AI-generated art seems to offload much of the creative impetus of art production to the machine, requiring minimal intervention from the artist. On closer inspection, however, it involves a novel process of curation at two key stages: upstream in the selection of the dataset on which the algorithm is trained, and downstream in the selection of the outputs that should qualify as artworks. Instead of replacing human artists with computers, AI-generated art can be understood as a new kind of collaboration between mind and machine, both of which contribute to the aesthetic value of the final artwork.
This seminar will bring together AI artists and philosophers to explore the significance of this new mode of art production. It will discuss the implications of AI-generated art for the definition of art, the nature of the relationship between artists and tools, the process of digital curation, and whether AI systems can be as creative as humans.
Event Speakers
- Sougwen Chung, artist and researcher
- Helena Sarin, visual artist
- Anne Spalter, digital mixed-media artist
- Katherine Thomson-Jones, Professor of Philosophy at Oberlin College
- Moderated by Raphaël Millière, Presidential Scholar in Society and Neuroscience at Columbia University
Event Information
Free and open to the public. Registration is required via Eventbrite. Registered attendees will receive an event link shortly before the seminar begins.
This event is hosted by the Presidential Scholars in Society and Neuroscience as part of the Seminars in Society and Neuroscience series.
The Center for Science and Society makes every reasonable effort to accommodate individuals with disabilities. If you require disability accommodations to attend a Center for Science and Society event, please contact us at scienceandsociety@columbia.edu or (212) 853-1612 at least 10 days in advance of the event. For more information, please visit the campus accessibility webpage.
Verity Harte is a specialist in ancient philosophy, with particular research interests in ancient metaphysics, epistemology and psychology, especially of Plato and Aristotle. She is the author of Plato on Parts and Wholes: The Metaphysics of Structure, and is the editor of several important books on ancient philosophy.