The last Philosophy in the Library talk of 2019 is coming up on December 4th at 7:00 PM! Sebastian Purcell is talking about “Good Habits Aren’t Enough: The Aztec Conception of Shared Agency!” If you’re into indigenous philosophy, the history of philosophy, virtue ethics, or collective action, you should enjoy it.
Brooklyn Public Philosophers is a forum for philosophers in the greater Brooklyn area to discuss their work with a general audience, hosted by the Brooklyn Public Library. Its goal is to raise awareness of the best work on philosophical questions of interest to Brooklynites, and to provide a civil space where Brooklynites can reason together about the philosophical questions that matter to them.
10/23 – Philosophy in the Library: Jennifer Morton on Education @ the Brooklyn Public Library’s Information Commons Lab // 7:30-9:00 PM
11/6 – Philosophy in the Library: Asia Ferrin on Mindfulness @ the Brooklyn Public Library’s Information Commons Lab // 7:30-9:00 PM
12/4 – Philosophy in the Library: Sebastian Purcell on Aztec Philosophy @ the Brooklyn Public Library’s Information Commons Lab // 7:00-9:00 PM
The Saul Kripke Center is pleased to announce that James Shaw (Associate Professor, Philosophy, University of Pittsburgh) will deliver a talk on Thursday, February 17th, 2022, from 2:00 to 4:00 pm (NY time) via Zoom. The talk is free and open to all, but those interested in attending should email the Saul Kripke Center in advance to register if they are not part of the CUNY Graduate Center’s Philosophy Program or are not on the Saul Kripke Center’s mailing list.
Title: Kripkean Necessities, Imaginative Kripke Puzzles, and Semantic Transparency
Abstract: Kripke (1980) famously argued that some a posteriori statements are necessary when true. I begin by exploring an unusual technique to try to learn these necessities merely through imagination that I call “Semantic Imaginative Transfer”. I explore an idealized instance of this technique which I suggest leads to an imaginative variant of Kripke’s (1979) puzzle about belief. I note that on some widespread assumptions (including that propositional idiom can be maintained in the face of Kripke puzzles), the idealized example restricts the space for accommodating Kripkean necessities to two families of views: familiar, broadly Guise-Theoretic approaches to propositional attitudes, and unconventional and largely unexplored views embracing semantic transparency principles. I briefly review some of the history of transparency principles, make some conjectures as to why they went out of fashion following the work of semantic externalists (including Kripke), and make a plea for exploring the consequences of their adoption. Along the way I note the significance of doing so: the transparency principles render Kripkean necessities a priori.
How can we know what it’s like to be someone else? Classical Indian philosophers found the answer in theater, arguing that it’s not just a form of entertainment, but a source of knowledge of other minds. In this talk, I’ll explore how this theme is developed in Śrī Śaṅkuka (c. 850 CE) and examine the reasons his views were rejected in the later tradition. I’ll argue that those reasons are unsound, and that we can see why by turning to contemporary studies of the relationship between knowledge and luck.
Jonardon Ganeri is the Bimal. K. Matilal Distinguished Professor of Philosophy at the University of Toronto. He is a philosopher whose work draws on a variety of philosophical traditions to construct new positions in the philosophy of mind, metaphysics and epistemology. His books include Attention, Not Self (2017), a study of early Buddhist theories of attention; The Concealed Art of the Soul (2012), an analysis of the idea of a search for one’s true self; Virtual Subjects, Fugitive Selves (2020), an analysis of Fernando Pessoa’s philosophy of self; and Inwardness: An Outsiders’ Guide (2021), a review of the concept of inwardness in literature, film, poetry, and philosophy across cultures. He joined the Fellowship of the British Academy in 2015, and won the Infosys Prize in the Humanities the same year, the only philosopher to do so.
This series is curated and co-presented by Brooklyn Public Philosophers, aka Ian Olasov.
Our speakers will be Karen Lewis (Columbia), Sam Berstler (MIT), Ray Buchanan (Texas/Austin), and Elmar Unnsteinsson (UC Dublin and U of Iceland). We will post titles and abstracts for their talks, along with a schedule of who is speaking when, soon.
If you are not a faculty or student at CUNY, you will have to RSVP for the event at this URL, no later than Monday, November 14th:
https://forms.gle/KN3YJNaCs5yHPtBP7
Please also be prepared to show proof of vaccination when you enter the building.
This conference celebrates the 50th anniversary of the first publication of Saul Kripke’s masterpiece, Naming and Necessity, by showcasing new work on a range of topics on which it has had a lasting influence. These topics include, but are not limited to: the nature of names and natural kind terms; the failure of the description or cluster/description theories; the distinction between metaphysical necessity and epistemic apriority; empty names; the metaphysics of essence and origin; the nature of modality and possible worlds; conceivability and the epistemology of modality; the role of philosophical intuition; and the mind-body problem.
Dates: 12th and 13th December, from 9am to 5pm.
Venue: The CUNY Graduate Center, 365 5th Avenue, New York, New York.
Format: hybrid
Registration: for both online and in person attendance, please register by the 28th of November, 2022 at https://forms.gle/Jbr3uaFx1ZwRxJpZ7.
Speakers:
Organisers:
Lectures:
Romina Birman, Paul Boghossian, Michael Devitt, Hartry Field, Melvin Fitting, Daniel Isaacson, Carl Posy, Robert Stalnaker
Reminiscences:
James Burgess, David Chalmers, Mircea Dumitru, Margaret Gilbert, Antonella Mallozzi, Oliver Marshall, Yiannis Moschovakis, Stephen Neale, Gary Ostertag, David Papineau, Graham Priest, Teresa Robertson Ishii, Nathan Salmon, Larry Tribe, lakovos Vasiliou, Timothy Williamson
For more information contact kripkecenter@gc.cuny.edu
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.