We live in an era of aesthetics. Art has become both pervasive and powerful – it is displayed not only in museums and galleries but also on the walls of corporations and it is increasingly fused with design. But what makes art so powerful, and in what does its power consist?
According to a widespread view, the power of art – its beauty – lies in the eye of the beholder. What counts as art appears to be a function of individual acts of evaluation supported by powerful institutions. On this account, the power of art stems from a force that is not itself aesthetic, such as the art market and the financial power of speculators. Art expresses, in a disguised form, the power of something else – like money – that lies behind it. In one word, art has lost its autonomy.
In his talk, Markus Gabriel rejects this view. He argues that art is essentially uncontrollable. It is in the nature of the work of art to be autonomous to such a degree that the art world will never manage to overpower it. Ever since the cave paintings of Lascaux, art has taken hold of the human mind and implemented itself in our very being. Thanks to the emergence of art we became human beings, that is, beings who lead their lives in light of an image of the human being and its position in the world and in relation to other species. Due to its structural, ontological power, art itself is and remains radically autonomous. Yet, this power is highly ambiguous, as we cannot control its unfolding.
Markus Gabriel holds the chair for Epistemology, Modern and Contemporary Philosophy at the University of Bonn and is also the Director of the International Center for Philosophy in Bonn as well as the director of the Center for Science at Thought at Bonn.
Presented by The New School for Social Research and Philosophy Department and it is co-sponsored with the Liberal Studies Department.
The 9th annual Radical Democracy conference, sponsored by the Department of Politics at The New School for Social Research, will convene theorists and practitioners around the theme of Radical Ecologies. In the year that “climate strike” was named word of the year by Collins Dictionary, we seek to explore what opportunities for democratic resistance can be found in a multiplicity of ecologies. The conference will provide a platform for dialogue on the urgent question of our future in a post-climate change world.
Against the backdrop of increasingly visible and devastating climate disasters, resurgent environmental movements are embracing divergent visions and methods of struggle to realize change. As such, it is timely to ask, What makes an ecology radical? A multitude of intersecting traditions have sought to answer this question. An eco-feminist might approach this through the lens of social reproduction. An eco-socialist might frame radical ecology in terms of a mode of production beyond capitalism that can sustain and replenish nature. Indigenous perspectives can draw on centuries of resistance to extractive colonial capitalism. The conference will consider how a radical ecological praxis can be pursued within this plurality of histories, cosmologies and schools of thought, and, crucially, examine what we can learn from the work of activists on the frontline. We therefore call on both scholars and activists to engage in a fruitful dialogue on the still unsettled relationship between politics and the environment.
We seek abstracts and panel proposals that grapple with this issue across a broad range of perspectives and disciplines, including, but by no means limited to:
- environmental social movements past, present and future;
- indigenous, subaltern, decolonial and posthuman perspectives and strategies of resistance;
- the urgency of converging ecological crises, and strategic possibilities and limitations of confronting it within existing political systems;
- the theoretical and ontological underpinnings of environmentalism in the global North, and critiques thereof;
- networks of alliance across geographical space, disciplinary boundaries, and patterns and institutions of oppression;
- materialist analyses of winners and losers in the clean energy transition and ecological sustainability movement;
- questions of future(s) and intergenerational ethics;
- meditations on the relations between aesthetics, activism, and the nonhuman.
The conference will take place over two days, the structure of which will include graduate-student panels, an indigenous activist-scholar roundtable, and a keynote address.
For individual paper proposals, please submit a one-page abstract (max. 300 words) that includes institutional affiliation, academic level and contact information. Complete panel proposals with up to four papers are strongly encouraged.
Please submit your paper or panel abstracts by February 1st, 2020, to radicaldemocracy@newschool.edu. Selected participants will be notified March 1st, 2020. Full conference papers are due by April 5, 2020.
https://philevents.org/event/show/78134
New Narratives in 17th Century Philosophy: The Philosophy of Anne Conway
Contact Professor Christia Mercer for more info.
The workshop, which is now in its 10th year, aims to foster exchange and collaboration among scholars, students, and anyone with an interest in Early Modern Philosophy. This year’s workshop will focus on the topic of “Mind, Body, Passion” in Early Modern Philosophy (roughly the period from 1600-1800).
We welcome submissions on the conference topic, which may be broadly construed to include mind-body identity, mind-body interaction, embodiment, philosophy of emotion, aesthetics, etc. For consideration, please submit abstracts of 250-300 words to newyorkcityearlymodern@gmail.com no later than December 31, 2019.
Keynote speakers:
Organisers:
What can science teach us about how we perceive and understand art? How can art help us understand ourselves and each other? In this event, the Zuckerman Institute explores the interactions between our brains and the artistic world, finding connections and parallels between art and science.
Event Speakers
Please visit the event webpage to view the speaker list.
Event Information
Free and open to the public, registration is required by January 28, 2022. This event will also be live-streamed. Please email zuckermaninstitute@columbia.edu with any questions.
This talk is part of the Stavros Niarchos Foundation Brain Insight Lecture series hosted by Columbia’s Mortimer B. Zuckerman Mind Brain Behavior Institute and supported by the Stavros Niarchos Foundation.
Registration for the conference is free, but required. To register, click here. Note that, as of now, NYU still has several COVID safety protocols in place. In order to be allowed to enter an NYU building, proof of full vaccination against COVID, including a booster shot, must be uploaded to NYU’s COVID portal in advance of the visit. Upon submitting your registration, you will receive an email with instructions for how to upload your proof of vaccination. Your registration will not be valid until you have received an email of approval from NYU Campus Safety informing you that you have been cleared for building access. Moreover, a high-quality mask (such as a disposable surgical mask, an N95, KN95, or KN94) must be worn at all times while indoors. Because of the extra time required to process the vaccination documentation, registration for the conference will close on April 29; no exceptions. It may be that NYU will loosen its mask requirement between now and the conference; we will post an update if that happens. For now, you should only register for the conference if you are firmly planning to attend, and if you are prepared to comply with the indicated requirements.
Saturday, May 14
9:30–11:10 Speaker: Allen Wood (Indiana University, Bloomington)
“Kant on Friendship”
Commentator: Colin Marshall (University of Washington)
Chair: Paul Guyer (Brown University)
11:25–1:05 Speaker: Gary Hatfield (University of Pennsylvania)
“The Subjectivity of Visual Space: Descartes and After”
Commentator: Nick Stang (University of Toronto)
Chair: Andrew Chignell (Princeton University)
2:55–4:35 Speaker: Pat Kitcher (Columbia University)
“Kant’s Conscience and Freud’s Superego”
Commentator: Karl Schafer (University of Texas at Austin)
Chair: Sally Sedgwick (Boston University)
4:50–6:30 Speaker: Hannah Ginsborg (University of California, Berkeley)
“Self-consciousness, Normativity, and the Agential Perspective”
Commentator: Stefanie Grüne (Free University, Berlin)
Chair: Karl Ameriks (University of Notre Dame)
Sunday, May 15
9:30–11:10 Speaker: Rolf-Peter Horstmann (Humboldt University Berlin)
“Hegel on Subjects as Objects (according to the Phenomenology of Spirit)”
Commentator: Scott Jenkins (University of Kansas)
Chair: Michelle Kosch (Cornell University)
11:25–1:05 Speaker: Richard Moran (Harvard University)
“Swann’s Medical Philosophy: Pessimism and Solipsism in Proust”
Commentator: Nick Riggle (University of San Diego)
Chair: Chris Prodoehl (Barnard College)
2:55–4:35 Speaker: Tyler Burge (University of California, Los Angeles)
“Kant on Primacy of Practical Reason”
Commentator: Anja Jauernig (New York University)
Chair: Christopher Peacocke (Columbia University)
4:50–6:30 Speaker: Béatrice Longuenesse (New York University)
“A Philosophical Journey”
Chair: Don Garrett (New York University)
Our 12th annual workshop will take place entirely on-line. The workshop will focus on the topic of “Expanding the Early Modern Canon.” We are calling for papers on figures, topics, texts, and genres that have been standardly neglected within the study of early modern philosophy; e.g., women philosophers, philosophy of education, letters, and novels.
Please submit anonymized abstracts of 250-500 words to newyorkcityearlymodern@gmail.com by April 1st, 2022.
Speakers:
Organisers:
Details
The workshop, which is now in its 12th year, aims to foster exchange and collaboration among scholars, students, and anyone with an interest in Early Modern Philosophy (roughly the period from 1600-1800). This year’s workshop will be entirely online. We are calling for papers on figures, topics, texts, and genres that have been standardly neglected within the study of Early Modern Philosophy (e.g., women philosophers, philosophy of education, letters, and novels).
Please submit anonymized abstracts of 250-500 words to newyorkcityearlymodern@gmail.com by April 1st, 2022.
This talk explores the reflexive nature of consciousness, which consists primarily in the fact that a state of consciousness has a reflexive relation to the subject who has that state, so that the subject can typically be aware of itself as having that state. Comparing Kant’s, Fichte’s, and selected contemporary analytic theories of this reflexivity shows that there is a crucial difference in the way the relation between form (or mode) and content of a state of consciousness is conceived. The first part examines Kant’s formal theory of consciousness: reflexivity is understood not in terms of a self-referential content resulting from a reflection on the state of the subject, but as the universal transcendental form that any content must have in order to be representationally significant and potentially conscious to the subject. The second part examines Fichte’s departure from Kant in his theory of a self-positing consciousness: in the original act of self-positing, the mere form of reflexivity is turned into a self-referential content that determines the subject as an object from the absolute standpoint of consciousness. The third part examines analytic theories that explain the reflexivity (or what is often called the subjective character) of consciousness on a model of mental indexicality. These theories tend to reduce reflexivity to an objective constituent of content that, although often implicit, can be read off from the subject’s contextual situatedness in nature. In conclusion, Kant’s theory can be understood as a moderate, human-centered kind of perspectivism that navigates between Fichtean absolute subjectivity and a naturalist absolute objectivity.
Registration is free but required. A registration link will be shared via email with our department mailing lists a few weeks before the event. Please contact Jack Mikuszewski at jhm378@nyu.edu if you did not receive a registration link.
The Philosophy Department provides reasonable accommodations to people with disabilities. Requests for accommodations should be submitted to philosophy@nyu.edu at least two weeks before the event.
This conference aims to initiate dialogues between philosophy and the arts. Philosophers and thinkers/ scholars across disciplines of humanities and social sciences will meet with artists and scholars from a wide variety of visual and visual artistic disciplines, including painting, photography, and literature, as well as travel, dance, and fashion. Rather than taking art as a mere object of philosophical study, this conference will explore the manifold confluences and intersections of philosophy and art, exploring how each can become the object of the other and how the boundary between the philosophical and the artistic can be sharpened or blurred. The motive is specifically to explore the “visual” and “movement” element in art of, and in everyday life and theorize it – both philosophically and critically.
Co-sponsored by: Office of Deans: New School for Social Research and School of Art & Design History & Theory; University Student Senate and Graduate Faculty Student Senate
Schedule and Location
The conference will meet on The New School campus in New York City.
On March 24th, we will meet in room B500 at 65 W 11 Street.
On March 25th, we will meet in Starr Foundation Hall UL105 at University Center (63 Fifth Avenue).
Following is the schedule for both days, (please see the website for details on panels and speakers):
11:00 am Panel 1 Speaker presentations.
12:00 pm Panel 1 roundtable and audience Q&A.
1:15 pm Lunch break.
2:15 pm Panel 2 Speaker presentations.
3:15 pm Panel 2 roundtable and audience Q&A.
4:30 pm Evening reception with free food and drinks for attendees!
This conference aims to initiate dialogues between philosophy and the arts. Philosophers and thinkers/ scholars across disciplines of humanities and social sciences will meet with artists and scholars from a wide variety of visual and visual artistic disciplines, including painting, photography, and literature, as well as travel, dance, and fashion. Rather than taking art as a mere object of philosophical study, this conference will explore the manifold confluences and intersections of philosophy and art, exploring how each can become the object of the other and how the boundary between the philosophical and the artistic can be sharpened or blurred. The motive is specifically to explore the “visual” and “movement” element in art of, and in everyday life and theorize it – both philosophically and critically.
Co-sponsored by: Office of Deans: New School for Social Research and School of Art & Design History & Theory; University Student Senate and Graduate Faculty Student Senate
Schedule and Location
The conference will meet on The New School campus in New York City.
On March 24th, we will meet in room B500 at 65 W 11 Street.
On March 25th, we will meet in Starr Foundation Hall UL105 at University Center (63 Fifth Avenue).
Following is the schedule for both days, (please see the website for details on panels and speakers):
11:00 am Panel 1 Speaker presentations.
12:00 pm Panel 1 roundtable and audience Q&A.
1:15 pm Lunch break.
2:15 pm Panel 2 Speaker presentations.
3:15 pm Panel 2 roundtable and audience Q&A.
4:30 pm Evening reception with free food and drinks for attendees!