July 5 — Becky Keller – note Friday meeting because of “some kind of American holiday”July 11 — Alex Kiefer – room will be Philosophy 201B (downstairs to the right)July 18 — Kathryn PendoleyJuly 25 — Andrew LeeAug 1 — Simon BrownAug 8 — tbdAug 12ish— Henry ShevlinAug 22 — Andrew Richmond
July 5 — Becky Keller – note Friday meeting because of “some kind of American holiday”July 11 — Alex Kiefer – room will be Philosophy 201B (downstairs to the right)July 18 — Kathryn PendoleyJuly 25 — Andrew LeeAug 1 — Simon BrownAug 8 — tbdAug 12ish— Henry ShevlinAug 22 — Andrew Richmond
July 5 — Becky Keller – note Friday meeting because of “some kind of American holiday”July 11 — Alex Kiefer – room will be Philosophy 201B (downstairs to the right)July 18 — Kathryn PendoleyJuly 25 — Andrew LeeAug 1 — Simon BrownAug 8 — tbdAug 12ish— Henry ShevlinAug 22 — Andrew Richmond
July 5 — Becky Keller – note Friday meeting because of “some kind of American holiday”July 11 — Alex Kiefer – room will be Philosophy 201B (downstairs to the right)July 18 — Kathryn PendoleyJuly 25 — Andrew LeeAug 1 — Simon BrownAug 8 — tbdAug 12ish— Henry ShevlinAug 22 — Andrew Richmond
July 5 — Becky Keller – note Friday meeting because of “some kind of American holiday”July 11 — Alex Kiefer – room will be Philosophy 201B (downstairs to the right)July 18 — Kathryn PendoleyJuly 25 — Andrew LeeAug 1 — Simon BrownAug 8 — tbdAug 12ish— Henry ShevlinAug 22 — Andrew Richmond
July 5 — Becky Keller – note Friday meeting because of “some kind of American holiday”July 11 — Alex Kiefer – room will be Philosophy 201B (downstairs to the right)July 18 — Kathryn PendoleyJuly 25 — Andrew LeeAug 1 — Simon BrownAug 8 — tbdAug 12ish— Henry ShevlinAug 22 — Andrew Richmond
July 5 — Becky Keller – note Friday meeting because of “some kind of American holiday”July 11 — Alex Kiefer – room will be Philosophy 201B (downstairs to the right)July 18 — Kathryn PendoleyJuly 25 — Andrew LeeAug 1 — Simon BrownAug 8 — tbdAug 12ish— Henry ShevlinAug 22 — Andrew Richmond
July 5 — Becky Keller – note Friday meeting because of “some kind of American holiday”July 11 — Alex Kiefer – room will be Philosophy 201B (downstairs to the right)July 18 — Kathryn PendoleyJuly 25 — Andrew LeeAug 1 — Simon BrownAug 8 — tbdAug 12ish— Henry ShevlinAug 22 — Andrew Richmond
The philosophical and psychological literature on well-being tend to focus on the prudential value of positive emotions such as pleasure, joy, or gratitude. But how do the negative emotions such as grief fit into our understanding of well-being? It is often assumed that negative emotions are intrinsically bad far us and that we should work toward eliminating them, especially from the perspective of our own well-being.
In this presentation I want to question this assumption by drawing on the ideas of Zhuangzi (a prominent early Daoist thinker from the 4th Century BCE) to argue that negative emotions are not intrinsically bad for us, and that their prudential value or disvalue is context dependent. Zhuangzi’s outlook, with his focus on the flexibility of perspectives and living according to our natural, spontaneous inclinations, gives us reason to reconsider the role of negative emotions in our lives and how we might think about them in a more constructive way.
With responses from: CHRISTOPHER GOWANS (Fordham University)
The Fall dates for the Comparative Philosophy seminar:
September 20 – Justin Tiwald (San Francisco State University)
October 11 – Richard Kim (Loyola University, Chicago
November 8 – Sungmoon Kim (City University of Hong Kong)
December 6 – Paul R. Goldin (University of Pennsylvania)
More details (such as titles, abstracts, and respondents) to follow. Looking forward to seeing you soon.
Hagop Sarkissian
Associate Professor & Chair, Department of Philosophy, The City University of New York, Baruch College
Associate Professor, Department of Philosophy, CUNY Graduate Center
Co-Director, Columbia Society for Comparative Philosophy
https://www.cbs.columbia.edu/cscp/
Scholars working under the broad umbrella of New Materialism have offered compelling reappraisals of the ways in which we know, interact with, and exist in the world. This scholarship also intersects with recent work on music and sound, which raises rich sets of questions regarding human agency, material, ethics, aesthetics, embodiment, and the subject/object dichotomy, among other issues.
We invite scholars working in the humanities, arts and sciences to submit proposals for papers and performances that engage with the themes of sound and new materialism, broadly construed. We welcome work that adopts historical, technological, analytical, philosophical, materialist, and creative vantage points, among others. Overall, this conference will direct these diverse disciplinary and methodological perspectives towards convergent and critical issues, creating new, interdisciplinary lines of enquiry and generating original research.
The one-day conference will consist of panels that comprise of papers with short reflections by a moderator, as well as an evening concert that includes opportunities for discussion. The concluding concert of work that engages with these themes from creative perspectives will afford attendees with an opportunity to consider and discuss issues concerning sound, material, and agency in a forum that contrasts with, but also complements, our events during the day. Conference participants are strongly encouraged to attend both the daytime and evening portions of the conference.
Proposals are called for:
Paper presentations of 20 minutes with 10 minutes of Q&A.
Artistic presentation of 20 minutes with 10 minutes of discussion
Submission: Proposals of no more than 500 words (300 words for artistic presentation) should be submitted as a PDF by August 14th 2019 to jc5036@columbia.edu
and include “NMAS Submission” in the subject line. If you’re applying for an artistic presentation please include three representative 2 minute audio/video examples. Please also include the title of your proposed paper and anonymize your submission. Include your name, affiliation, and contact information in the body of the email, and also nominate any audio/visual requirements for your paper or performance.