July 5 — Becky Keller – note Friday meeting because of “some kind of American holiday”July 11 — Alex Kiefer – room will be Philosophy 201B (downstairs to the right)July 18 — Kathryn PendoleyJuly 25 — Andrew LeeAug 1 — Simon BrownAug 8 — tbdAug 12ish— Henry ShevlinAug 22 — Andrew Richmond
July 5 — Becky Keller – note Friday meeting because of “some kind of American holiday”July 11 — Alex Kiefer – room will be Philosophy 201B (downstairs to the right)July 18 — Kathryn PendoleyJuly 25 — Andrew LeeAug 1 — Simon BrownAug 8 — tbdAug 12ish— Henry ShevlinAug 22 — Andrew Richmond
July 5 — Becky Keller – note Friday meeting because of “some kind of American holiday”July 11 — Alex Kiefer – room will be Philosophy 201B (downstairs to the right)July 18 — Kathryn PendoleyJuly 25 — Andrew LeeAug 1 — Simon BrownAug 8 — tbdAug 12ish— Henry ShevlinAug 22 — Andrew Richmond
July 5 — Becky Keller – note Friday meeting because of “some kind of American holiday”July 11 — Alex Kiefer – room will be Philosophy 201B (downstairs to the right)July 18 — Kathryn PendoleyJuly 25 — Andrew LeeAug 1 — Simon BrownAug 8 — tbdAug 12ish— Henry ShevlinAug 22 — Andrew Richmond
July 5 — Becky Keller – note Friday meeting because of “some kind of American holiday”July 11 — Alex Kiefer – room will be Philosophy 201B (downstairs to the right)July 18 — Kathryn PendoleyJuly 25 — Andrew LeeAug 1 — Simon BrownAug 8 — tbdAug 12ish— Henry ShevlinAug 22 — Andrew Richmond
July 5 — Becky Keller – note Friday meeting because of “some kind of American holiday”July 11 — Alex Kiefer – room will be Philosophy 201B (downstairs to the right)July 18 — Kathryn PendoleyJuly 25 — Andrew LeeAug 1 — Simon BrownAug 8 — tbdAug 12ish— Henry ShevlinAug 22 — Andrew Richmond
July 5 — Becky Keller – note Friday meeting because of “some kind of American holiday”July 11 — Alex Kiefer – room will be Philosophy 201B (downstairs to the right)July 18 — Kathryn PendoleyJuly 25 — Andrew LeeAug 1 — Simon BrownAug 8 — tbdAug 12ish— Henry ShevlinAug 22 — Andrew Richmond
July 5 — Becky Keller – note Friday meeting because of “some kind of American holiday”July 11 — Alex Kiefer – room will be Philosophy 201B (downstairs to the right)July 18 — Kathryn PendoleyJuly 25 — Andrew LeeAug 1 — Simon BrownAug 8 — tbdAug 12ish— Henry ShevlinAug 22 — Andrew Richmond
This paper is on the topic of deliberative autonomy in (primarily) post-classical Chinese moral epistemology. By “deliberative autonomy,” I mean the epistemic state or achievement in which one’s ethical views or beliefs are those that seem right to oneself and are based on reasons or considerations that one understands for oneself. This is to be contrasted with holding a view or belief based primarily on the authority or expertise of others, without seeing for oneself that the view is correct or why it is correct. The Chinese philosophical tradition is rich in discussion of the nature, value, and function of deliberative autonomy, having much to say both in its defense and against it. I will focus my discussion by looking more closely at what Neo-Confucians have said about a particular term of art, zide 自得 (“getting it oneself”). I translate and discuss some passages on “getting it oneself” in the works and recorded lessons of influential Song, Ming, and Qing Confucians, note different types of deliberative autonomy implied by these passages, and discuss Wm. Theodore de Bary’s famous explication of “getting it oneself.” I consider whether the premium these Confucians placed on zide has the implications for liberal education that de Bary proposes and describe how proponents of zide could respond to formidable and important Xunzian arguments for deference to traditions and expertise.
With responses from: KATJA VOGT (Columbia University)
The Fall dates for the Comparative Philosophy seminar:
September 20 – Justin Tiwald (San Francisco State University)
October 11 – Richard Kim (Loyola University, Chicago
November 8 – Sungmoon Kim (City University of Hong Kong)
December 6 – Paul R. Goldin (University of Pennsylvania)
More details (such as titles, abstracts, and respondents) to follow. Looking forward to seeing you soon.
Hagop Sarkissian
Associate Professor & Chair, Department of Philosophy, The City University of New York, Baruch College
Associate Professor, Department of Philosophy, CUNY Graduate Center
Co-Director, Columbia Society for Comparative Philosophy
Scholars working under the broad umbrella of New Materialism have offered compelling reappraisals of the ways in which we know, interact with, and exist in the world. This scholarship also intersects with recent work on music and sound, which raises rich sets of questions regarding human agency, material, ethics, aesthetics, embodiment, and the subject/object dichotomy, among other issues.
We invite scholars working in the humanities, arts and sciences to submit proposals for papers and performances that engage with the themes of sound and new materialism, broadly construed. We welcome work that adopts historical, technological, analytical, philosophical, materialist, and creative vantage points, among others. Overall, this conference will direct these diverse disciplinary and methodological perspectives towards convergent and critical issues, creating new, interdisciplinary lines of enquiry and generating original research.
The one-day conference will consist of panels that comprise of papers with short reflections by a moderator, as well as an evening concert that includes opportunities for discussion. The concluding concert of work that engages with these themes from creative perspectives will afford attendees with an opportunity to consider and discuss issues concerning sound, material, and agency in a forum that contrasts with, but also complements, our events during the day. Conference participants are strongly encouraged to attend both the daytime and evening portions of the conference.
Proposals are called for:
Paper presentations of 20 minutes with 10 minutes of Q&A.
Artistic presentation of 20 minutes with 10 minutes of discussion
Submission: Proposals of no more than 500 words (300 words for artistic presentation) should be submitted as a PDF by August 14th 2019 to jc5036@columbia.edu
and include “NMAS Submission” in the subject line. If you’re applying for an artistic presentation please include three representative 2 minute audio/video examples. Please also include the title of your proposed paper and anonymize your submission. Include your name, affiliation, and contact information in the body of the email, and also nominate any audio/visual requirements for your paper or performance.