Annual Nietzsche Circle Fundraiser with talk, music, drinks, and refreshments.
$25 General Admission
$10 Student Admission
Levels of Sponsorship:
Eagle: Above $600 (5 free tickets and 4 books)
Hawk: $600 (4 free tickets and 3 books)
Falcon: $400 (3 free tickets and 2 books)
Owl: $200 (2 free tickets and 1 book)
Donations can be made direct, at our website at www.nietzschecirclecom/support_us.html, or simply bring a check with you. Payable to: Nietzsche Circle. Funds may be held in an escrow account subject to determination of 501(c) compliance. We thank you.
Please RSVP with Luke Trusso at luke.trusso@gmail.com by May 10, 2019 and include any guests.
Presented by Fordham Philosophy
I defend a contextual reconstruction of Nietzsche’s philosophical project. My contextualist reconstruction contrasts with the rationalist reconstruction predominant in contemporary Anglo-American scholarship. After discussing the differences between the two approaches, I show how the rationalist reconstruction has distorted our understanding of Nietzsche in at least two respects. First, in trying to extract theories from Nietzsche’s corpus that will be attractive to contemporary philosophers, it has caused scholars largely to neglect the nature, structure, and argument of Nietzsche’s published works. Here, I make my case by focusing on common misunderstandings of Nietzsche’s free spirit works. Second, it has caused scholars to tame Nietzsche’s project by dismissing Thus Spoke Zarathustra as mere poetry and distancing Nietzsche from controversial ideas such as the will to power and the eternal recurrence. In contrast, I argue that by reading Nietzsche as a naturalist through the lens of a historical influence like Schopenhauer, rather than anachronistically through Quine, we can begin to make sense of these essential features of his project. I close with some remarks about why a contextual reconstruction may not only be truer to Nietzsche, but also more philosophically satisfying than the rationally reconstructed Nietzsche currently on offer.
Contact Sara Pope for more information.
Contact Sara Pope for more information.
Nietzsche (1844-1900) is one of the few philosophers who have an intimate connection to music. This connection has much to do with his early music education. His contemporaries testify that he was a good pianist. His musical ambition, or his musical daimon, urged him to compose music, although he had no training in this area. Most of his compositions are from his late teens; his earliest inspirations are Beethoven, Mozart, Haydn, Schubert, Schumann and Wagner. His compositions were gathered together and published by Curt Paul Janz in Friedrich Nietzsche, Der musikalische Nachlass. Nietzsche’s music is available in several productions. However, Nietzsche did not follow a musical path and decided to become a philologist and dedicated his life to writing and philosophy.
Nietzsche’s background in music, on the other hand, influenced his way of thinking and writing. All of these interesting areas between music, literature, and philosophy and Nietzsche’s relationship to music understood on a broad spectrum have been explored by many Nietzsche scholars including Georges Liébert, Graham Parkes, Francois Noudelmann, Stefan Lorenz Sorgner and others and in the anthology, An Anthology on Nietzsche and Music: Philosophical Thoughts and Musical Experiments, edited by the presenters of today’s event. This event is dedicated to the exploration of this relationship between Nietzsche and music.
Deutsches Haus at NYU presents a reading of Karl Marx’s Capital: Critique of Political Economy, Volume 1 (Princeton University Press, 2024) and a conversation with the book’s editor Paul North (Yale University) and translator Paul Reitter (Ohio State University), which will be moderated by Emily Apter (NYU). The first new English translation in fifty years – and the only one based on the last German edition revised by Marx himself – produces a critical edition of Capital for our time, one that faithfully preserves the vitality and directness of Marx’s German prose and renders his ideas newly relevant to modern readers.
Please RSVP for in-person attendance here.
About the book:
Karl Marx (1818–1883) was living in exile in England when he embarked on an ambitious, multivolume critique of the capitalist system of production. Though only the first volume saw publication in Marx’s lifetime, it would become one of the most consequential books in history. This magnificent new edition of Capital is a translation of Marx for the twenty-first century. It is the first translation into English to be based on the last German edition revised by Marx himself, the only version that can be called authoritative, and it features extensive commentary and annotations by Paul North and Paul Reitter that draw on the latest scholarship and provide invaluable perspective on the book and its complicated legacy. At once precise and boldly readable, this translation captures the momentous scale and sweep of Marx’s thought while recovering the elegance and humor of the original source.
For Marx, our global economic system is relentlessly driven by “value”—to produce it, capture it, trade it, and, most of all, to increase it. Lifespans are shortened under the demand for ever-greater value. Days are lengthened, work is intensified, and the division of labor deepens until it leaves two classes, owners and workers, in constant struggle for life and livelihood. In Capital, Marx reveals how value came to tyrannize our world, and how the history of capital is a chronicle of bloodshed, colonization, and enslavement.
About the participants:
Emily Apter (moderator) is Silver Professor of French and Comparative Literature at New York University. Her books include: Unexceptional Politics: On Obstruction, Impasse and the Impolitic (Verso, 2018); Against World Literature: On the Politics of Untranslatability (2013); Dictionary of Untranslatables: A Philosophical Lexicon (co-edited with Barbara Cassin, Jacques Lezra and Michael Wood) (2014); and The Translation Zone: A New Comparative Literature (2006). The current project What is Just Translation? takes up questions of racial justice, reparative translation, and the limits of translation as a medial form.
Paul North writes and teaches in the tradition of critical theory, emphasizing Jewish thought, emancipatory strains in the history of philosophy, and European literatures. He has written books on the concept of distraction, on Franz Kafka, and on likeness in culture and thought. Currently he is co-editing an edition Marx’s Capital volume 1 with a new translation, which will appear from Princeton University Press in 2024 and writing a monograph entitled “The Standpoint of Marx’s Capital.” He co-edits the book series IDIOM: thinkingwritingtheory at Fordham University Press and co-directs the international exchange, Critical Theory in the Global South, in collaboration with faculty at the Universidad Metropolitana de Sciencias de la Educación in Santiago, Chile.
Paul Reitter earned his PhD at UC Berkeley and teaches in the German department at Ohio State University. He’s written many books, including a widely discussed history of crisis thinking in the academic humanities. His essays have appeared in Harper’s, The Nation, The New York Review of Books, The New Yorker, and The Chronicle of Higher Education, among other venues. His most recent translation, The Autobiography of Solomon Maimon, was shortlisted for a National Jewish Book Award.
Attendance information:
While NYU has ended COVID-19 related restrictions and policies, we continue to remind and recommend to members of the NYU community that they stay up-to-date on their boosters and stay home if they feel sick. Masks are always welcome.
Please RSVP for in-person attendance here.
“Karl Marx’s ‘Capital:’ An Evening with Paul North, Paul Reitter, and Emily Apter” is funded by the DAAD from funds of the German Federal Foreign Office (AA).