Certain intellectual challenges can neither be resolved by the discovery of missing pieces of information nor by construction of better arguments. Yet what is called for in such cases is not mere persuasion, but a form of intellectual transformation. Wittgenstein sought to respond to the problems of philosophy along similar lines. And the need for the notion of intellectual transformation arises in other contexts, as well, including the context of moral progress, which Cora Diamond explores in her recent work. But various philosophical difficulties stand in the way of embracing the idea that transformation has any role to play when it comes to questions or truth and of value. In particular, it seems that we must either bracket the psychological, historical and anthropological perspectives that the notion of transformation opens up, or else succumb to some form of relativism. My aim in this paper is to show how Wittgenstein and Diamond chart a middle course between these two extremes
Recently, Rebecca Kukla – among others – has argued that consent language is too narrow to adequately capture the ethical obligations and failures arising in the context of sex. Instead, she offers more nuanced scripts for the kinds of communication that occur throughout sex, not just at the beginning. I agree with Kukla that consent language is too narrow; however, I argue that she overlooks the fact that intimate personal communication requires an emotional attunement to context precisely because it cannot be fully scripted. To demonstrate this I turn to Cavell’s category of the passionate utterance which gestures at this dynamic dimension of performatives, but doesn’t deliver a detailed account. In this paper I will expand on Cavell’s idea of the passionate exchange in order to shed light on the active interpretive role of the audience, and how it contributes to performative success.
We live in an era of aesthetics. Art has become both pervasive and powerful – it is displayed not only in museums and galleries but also on the walls of corporations and it is increasingly fused with design. But what makes art so powerful, and in what does its power consist?
According to a widespread view, the power of art – its beauty – lies in the eye of the beholder. What counts as art appears to be a function of individual acts of evaluation supported by powerful institutions. On this account, the power of art stems from a force that is not itself aesthetic, such as the art market and the financial power of speculators. Art expresses, in a disguised form, the power of something else – like money – that lies behind it. In one word, art has lost its autonomy.
In his talk, Markus Gabriel rejects this view. He argues that art is essentially uncontrollable. It is in the nature of the work of art to be autonomous to such a degree that the art world will never manage to overpower it. Ever since the cave paintings of Lascaux, art has taken hold of the human mind and implemented itself in our very being. Thanks to the emergence of art we became human beings, that is, beings who lead their lives in light of an image of the human being and its position in the world and in relation to other species. Due to its structural, ontological power, art itself is and remains radically autonomous. Yet, this power is highly ambiguous, as we cannot control its unfolding.
Markus Gabriel holds the chair for Epistemology, Modern and Contemporary Philosophy at the University of Bonn and is also the Director of the International Center for Philosophy in Bonn as well as the director of the Center for Science at Thought at Bonn.
Presented by The New School for Social Research and Philosophy Department and it is co-sponsored with the Liberal Studies Department.
NYC Wittgenstein presents:
Professor Rupert Read (Personal Website link) will be joining us on the 22nd of October from 1-3 PM EDT on Zoom in presenting the introduction from his book, Wittgenstein’s Liberatory Philosophy: Thinking Through His Philosophical Investigations, in which he argues that “the key to understanding Wittgenstein’s later philosophy is to understand its liberatory purport.”
This conference aims to initiate dialogues between philosophy and the arts. Philosophers and thinkers/ scholars across disciplines of humanities and social sciences will meet with artists and scholars from a wide variety of visual and visual artistic disciplines, including painting, photography, and literature, as well as travel, dance, and fashion. Rather than taking art as a mere object of philosophical study, this conference will explore the manifold confluences and intersections of philosophy and art, exploring how each can become the object of the other and how the boundary between the philosophical and the artistic can be sharpened or blurred. The motive is specifically to explore the “visual” and “movement” element in art of, and in everyday life and theorize it – both philosophically and critically.
Co-sponsored by: Office of Deans: New School for Social Research and School of Art & Design History & Theory; University Student Senate and Graduate Faculty Student Senate
Schedule and Location
The conference will meet on The New School campus in New York City.
On March 24th, we will meet in room B500 at 65 W 11 Street.
On March 25th, we will meet in Starr Foundation Hall UL105 at University Center (63 Fifth Avenue).
Following is the schedule for both days, (please see the website for details on panels and speakers):
11:00 am Panel 1 Speaker presentations.
12:00 pm Panel 1 roundtable and audience Q&A.
1:15 pm Lunch break.
2:15 pm Panel 2 Speaker presentations.
3:15 pm Panel 2 roundtable and audience Q&A.
4:30 pm Evening reception with free food and drinks for attendees!
This conference aims to initiate dialogues between philosophy and the arts. Philosophers and thinkers/ scholars across disciplines of humanities and social sciences will meet with artists and scholars from a wide variety of visual and visual artistic disciplines, including painting, photography, and literature, as well as travel, dance, and fashion. Rather than taking art as a mere object of philosophical study, this conference will explore the manifold confluences and intersections of philosophy and art, exploring how each can become the object of the other and how the boundary between the philosophical and the artistic can be sharpened or blurred. The motive is specifically to explore the “visual” and “movement” element in art of, and in everyday life and theorize it – both philosophically and critically.
Co-sponsored by: Office of Deans: New School for Social Research and School of Art & Design History & Theory; University Student Senate and Graduate Faculty Student Senate
Schedule and Location
The conference will meet on The New School campus in New York City.
On March 24th, we will meet in room B500 at 65 W 11 Street.
On March 25th, we will meet in Starr Foundation Hall UL105 at University Center (63 Fifth Avenue).
Following is the schedule for both days, (please see the website for details on panels and speakers):
11:00 am Panel 1 Speaker presentations.
12:00 pm Panel 1 roundtable and audience Q&A.
1:15 pm Lunch break.
2:15 pm Panel 2 Speaker presentations.
3:15 pm Panel 2 roundtable and audience Q&A.
4:30 pm Evening reception with free food and drinks for attendees!
The NYC Wittgenstein Workshop presents:
March 31st — Sandra Laugier (Université Paris 1 Panthéon Sorbonne) will be presenting on Wittgenstein and Care Ethics
April 14th — Camila Lobo (PhD candidate in Philosophy at Nova University of Lisbon and visiting scholar) will be presenting on Wittgenstein and hermeneutical justice in connection with the so-called “problem of the new.”
April 21st — Harmut von Sass (Humboldt University Berlin and a visiting scholar) will be presenting on gratitude.
April 28th — Janna van Grunsven (Delft University of Technology) will be presenting on How Social Media Platforms Disrupt the Field of Social Affordances and Threaten Human Flourishing.
With the exception of our last talk (which will take place over Zoom), workshops will be in person from 4 to 6 pm EST, followed by a reception. As always, snacks and drinks will be provided.
Look out for an email closer to each event with more details regarding the location and materials the speaker would like to circulate.
The NYC Wittgenstein Workshop presents:
March 31st — Sandra Laugier (Université Paris 1 Panthéon Sorbonne) will be presenting on Wittgenstein and Care Ethics
April 14th — Camila Lobo (PhD candidate in Philosophy at Nova University of Lisbon and visiting scholar) will be presenting on Wittgenstein and hermeneutical justice in connection with the so-called “problem of the new.” (11am-1pm EDT)
April 21st — Harmut von Sass (Humboldt University Berlin and a visiting scholar) will be presenting on gratitude.
April 28th — Janna van Grunsven (Delft University of Technology) will be presenting on How Social Media Platforms Disrupt the Field of Social Affordances and Threaten Human Flourishing.
With the exception of our last talk (which will take place over Zoom), workshops will be in person from 4 to 6 pm EST, followed by a reception. As always, snacks and drinks will be provided.
Look out for an email closer to each event with more details regarding the location and materials the speaker would like to circulate.
The NYC Wittgenstein Workshop presents:
March 31st — Sandra Laugier (Université Paris 1 Panthéon Sorbonne) will be presenting on Wittgenstein and Care Ethics
April 14th — Camila Lobo (PhD candidate in Philosophy at Nova University of Lisbon and visiting scholar) will be presenting on Wittgenstein and hermeneutical justice in connection with the so-called “problem of the new.”
April 21st — Harmut von Sass (Humboldt University Berlin and a visiting scholar) will be presenting on gratitude.
April 28th — Janna van Grunsven (Delft University of Technology) will be presenting on How Social Media Platforms Disrupt the Field of Social Affordances and Threaten Human Flourishing.
With the exception of our last talk (which will take place over Zoom), workshops will be in person from 4 to 6 pm EST, followed by a reception. As always, snacks and drinks will be provided.
Look out for an email closer to each event with more details regarding the location and materials the speaker would like to circulate.