Socrates’ close association of madness and philosophy from the Phaedrus’ Palinode has puzzled interpreters. How can philosophy be equated to irrationality? In this paper I argue against interpretations that either deny that the association of madness and philosophy ought to be taken seriously or downplay this association by considering madness as akin to the unreflective inspiration characterizing only the first stages of philosophizing but subsequently overcome by the mature philosopher. I show that the association of madness and philosophy is an integral part of Socrates’ polemics against what he calls “human moderation”, characterized by a cold calculation of costs and benefits. And, moreover, that madness is an ongoing feature of philosophy and of the philosopher, who is never fully in possession of all his rational and cognitive processes but has to constantly work on them in an effort of self-clarification.
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Professor Williamson will give 3 lectures: September 19, 21, and 23. All will take place in AB-2400 [East Wing] from 4:30-6:30pm.
The lectures will discuss problems in the methodology of contemporary philosophy. Although philosophy without use of counterexamples would be a disaster, the way they are currently handled is naïve. In particular, it is too vulnerable to fake counterexamples generated by more or less universal human heuristics.
Lecture One: Heuristics [9/19]
Human cognition, from sense perception to abstract reflection, frequently employs heuristics, quick, easy, efficient, and imperfectly reliable ways of solving problems. To a neglected extent, philosophical problems and paradoxes from reliance on the outputs of fallible heuristics. This will be illustrated with examples involving vagueness, conditionals, belief ascription, truth and falsity, and reasons aggregation. Potential lessons for philosophical method will be discussed.
Lecture Two: Overfitting [9/21]
Overfitting is a well-recognized methodological problem in natural science, where use of models with too many degrees of freedom leads to unstable theorizing and failure to detect errors in the data. Overfitting is also a major but ill-recognized methodological problem in philosophy, exacerbated by its reliance on heuristics. General intellectual tendencies conducive to overfitting in philosophy will be discussed.
Lecture Three: Hyperintensionality [9/23]
The ‘hyperintensional revolution’ proclaims that central metaphysical distinctions cannot be captured in modal terms since they are sensitive to differences between necessary equivalents. Such hyperintensionalism fits the profile of overfitting. It is motivated by case judgments that are explicable as results of a fallible heuristic and it leads to models with too many degrees of freedom.
Professor Williamson will give 3 lectures: September 19, 21, and 23. All will take place in AB-2400 [East Wing] from 4:30-6:30pm.
The lectures will discuss problems in the methodology of contemporary philosophy. Although philosophy without use of counterexamples would be a disaster, the way they are currently handled is naïve. In particular, it is too vulnerable to fake counterexamples generated by more or less universal human heuristics.
Lecture One: Heuristics [9/19]
Human cognition, from sense perception to abstract reflection, frequently employs heuristics, quick, easy, efficient, and imperfectly reliable ways of solving problems. To a neglected extent, philosophical problems and paradoxes from reliance on the outputs of fallible heuristics. This will be illustrated with examples involving vagueness, conditionals, belief ascription, truth and falsity, and reasons aggregation. Potential lessons for philosophical method will be discussed.
Lecture Two: Overfitting [9/21]
Overfitting is a well-recognized methodological problem in natural science, where use of models with too many degrees of freedom leads to unstable theorizing and failure to detect errors in the data. Overfitting is also a major but ill-recognized methodological problem in philosophy, exacerbated by its reliance on heuristics. General intellectual tendencies conducive to overfitting in philosophy will be discussed.
Lecture Three: Hyperintensionality [9/23]
The ‘hyperintensional revolution’ proclaims that central metaphysical distinctions cannot be captured in modal terms since they are sensitive to differences between necessary equivalents. Such hyperintensionalism fits the profile of overfitting. It is motivated by case judgments that are explicable as results of a fallible heuristic and it leads to models with too many degrees of freedom.
Professor Williamson will give 3 lectures: September 19, 21, and 23. All will take place in AB-2400 [East Wing] from 4:30-6:30pm.
The lectures will discuss problems in the methodology of contemporary philosophy. Although philosophy without use of counterexamples would be a disaster, the way they are currently handled is naïve. In particular, it is too vulnerable to fake counterexamples generated by more or less universal human heuristics.
Lecture One: Heuristics [9/19]
Human cognition, from sense perception to abstract reflection, frequently employs heuristics, quick, easy, efficient, and imperfectly reliable ways of solving problems. To a neglected extent, philosophical problems and paradoxes from reliance on the outputs of fallible heuristics. This will be illustrated with examples involving vagueness, conditionals, belief ascription, truth and falsity, and reasons aggregation. Potential lessons for philosophical method will be discussed.
Lecture Two: Overfitting [9/21]
Overfitting is a well-recognized methodological problem in natural science, where use of models with too many degrees of freedom leads to unstable theorizing and failure to detect errors in the data. Overfitting is also a major but ill-recognized methodological problem in philosophy, exacerbated by its reliance on heuristics. General intellectual tendencies conducive to overfitting in philosophy will be discussed.
Lecture Three: Hyperintensionality [9/23]
The ‘hyperintensional revolution’ proclaims that central metaphysical distinctions cannot be captured in modal terms since they are sensitive to differences between necessary equivalents. Such hyperintensionalism fits the profile of overfitting. It is motivated by case judgments that are explicable as results of a fallible heuristic and it leads to models with too many degrees of freedom.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.