According to a pervasive and widespread literature, we came, whether we want it or not, to surround our existences with all sorts of narratives: retrospective interpretations of what came before us and how we were born, anticipative stories about what is to come and what we should expect, and, most of all, restless attempts to describe what our present is made of so that we know how to make sense of it. First-person narratives occupy a central position amongst these varieties of narratives, as they give each of us a chance to provide meaning to our lives and achieve some kind of self-understanding.
Taking a resolutely opposite stance, Sartre (in)famously declared through the voice of the main character of his novel La Nausée that stories cannot but betray the lives they claim to describe, and necessarily fail to be faithful to the very experiencing of life that constitutes its specific grain and texture. In which sense is this failure a failure? In which sense must we consider it a failure, if narratives are the privileged device we use to make sense of existences in general, and ours in particular? Wouldn’t it be both tragic and ironical, from that perspective, that we live our lives in a way that remains impervious to our attempts to bring some meaning over our existence, and that first-person narratives should be regarded as fundamentally inadequate to account for life as we live it?
This paper will address these questions in light of the definition of ‘tragic irony’ that Richard Moran draws from his interpretation of Sartre, understanding tragedy as a clash between forms of significance displayed by incompatible perspectives. We will examine in particular the problem raised by first-person narratives, which conflate the seemingly incompatible perspectives of the narrator and of the character of the story. I will argue that Moran’s view fails to show in which sense the failure of first-person narratives are also, according to Sartre, the condition of their success, and that the irony of life might rely first and foremost on its ability to succeed even when and where it fails. After all, isn’t it the most ironical of it all that Sartre, notwithstanding his harsh critique of the fundamental inadequacy of life narratives, ended his literary career with the publication of his most acclaimed autobiography?
Bio:
Pierre-Jean Renaudie is Assistant Professor of philosophy (phenomenology and contemporary German philosophy) at the University of Lyon. He is the author of a book on Husserl’s theory of knowledge (Husserl et les categories. Langage, pensée et perception, Paris, Vrin, 2015), co-edited a book on phenomenology of matter (Phénoménologies de la matière, with C.V. Spaak, Paris, CNRS Editions, 2020) and published many articles, in French and in English, on the phenomenological tradition and its connection with contemporary issues in philosophy of mind. He is a member of the Institut de recherches philosophiques de Lyon (IRPHIL) and an associate member of the Husserl Archives in Paris.
The NYU Center for Bioethics is pleased to welcome submissions of abstracts for its 1st Annual Philosophical Bioethics Workshop, to be held at NYU on Friday, April 3, 2020.
We are seeking to showcase new work in philosophical bioethics, including (but not limited to) neuroethics, environmental ethics, animal ethics, reproductive ethics, research ethics, ethics of AI, data ethics, and clinical ethics.
Our distinguished keynote speaker will be Frances Kamm.
There will be four additional slots for papers chosen from among the submitted abstracts, including one slot set aside for a graduate student speaker. The most promising graduate student submission will be awarded a Graduate Prize, which includes coverage of travel expenses (up to $500, plus accommodation for two nights) as well as an award of $500. Please indicate in your submission email whether you would like to be considered for the Graduate Prize.
Please submit extended abstracts of between 750 and 1,000 words to philosophicalbioethics@gmail.com by 11:59 pm EST on Friday, January 24, 2020. Abstracts should be formatted for blind review and should be suitable for presentation in 30-35 minutes. Notification of acceptance will take place via email by Friday, February 14, 2020.
When submitting your abstract, please also indicate whether you would be interested in serving as a commentator in the event that your abstract is not selected for presentation. We will be inviting four additional participants to serve as commentators.
The NYU Wild Animal Welfare Program will launch with a roundtable discussion between program directors Becca Franks and Jeff Sebo and program affiliates Christine Webb, Colin Jerolmack, and Dale Jamieson. The discussion will cover an array of topics including: Why does wild animal welfare matter more than ever? What are the most urgent and actionable issues confronting wild animals? and How does wild animal welfare relate to conservation biology and other fields? We will also have plenty of time for discussion with the audience
About the panelists
Becca Franks is Assistant Professor of Environmental Studies at NYU. She was previously a Killam Postdoctoral Fellow with the Animal Welfare Program at UBC, where she was awarded the Killam Research Prize. Her research and teaching lie at the intersection of environmental and animal protection, specializing in animal behavior, aquatic animal welfare, quantitative methods, and human-animal relationships. In addition to publishing scholarly articles, commentaries, and book chapters, she co-edited a special issue for the journal Frontiers in Veterinary Science and is an Associate Editor for the Proceedings of the Royal Society B: Biological Sciences.
Jeff Sebo is Clinical Associate Professor of Environmental Studies, Affiliated Professor of Bioethics, Medical Ethics, Philosophy, and Law, Director of the Animal Studies M.A. Program, Director of the Mind, Ethics, and Policy Program, and Co-Director of the Wild Animal Welfare Program at NYU. Jeff is author of Saving Animals, Saving Ourselves (2022) and co-author of Chimpanzee Rights (2018) and Food, Animals, and the Environment (2018). He is also an executive committee member at the Center for Environmental and Animal Protection, a board member at Minding Animals International, a senior research fellow at the Legal Priorities Project, and a mentor at Sentient Media.
Christine Webb is a lecturer and post-doctoral researcher in Harvard University’s Department of Human Evolutionary Biology. A broadly trained primatologist with expertise in social behavior, motivation, and emotion, her recent work centers on consolation and empathy in our close primate cousins across several sanctuary and wild settings. Her research and teaching also engage critically with questions in animal and environmental ethics, particularly in deconstructing anthropocentric biases that affect the way we approach primatology, science, and our relationship with the natural world more broadly.
Colin Jerolmack is Professor of Sociology and Environmental Studies at NYU. He is also the current Chair of Environmental Studies there. His research examines how relationships with animals and nature shape social life in the city, among other topics. He is author of Up to Heaven and Down to Hell: Fracking, Freedom, and Community in an American Town (2021) and The Global Pigeon (2013). He is also author of many articles on sociology, animals, and the environment, and he is editor of the Animals in Context series for NYU Press and an executive committee member of the NYU Center for Environmental and Animal Protection.
Dale Jamieson is Professor Emeritus of Environmental Studies and Director of the Center for Environmental and Animal Protection at NYU. He has published more than 100 articles and chapters, including Reason in a Dark Time: Why the Struggle to Stop Climate Change Failed—and What It Means For Our Future (2014), Ethics and the Environment: An Introduction (2008), and Morality’s Progress: Essays on Humans, Other Animals, and the Rest of Nature (2002). He is also on the boards of several journals and has received funding from the National Science Foundation, the US Environmental Protection Agency, and more.
The COVID-19 pandemic is said to be a once-in-a-century incident, and it brought to us a sense of crisis at various levels. What is a crisis, though? Can any unnerving moment or period be called a crisis, or are there different dimensions of a crisis to which we need to be attentive? Is solidarity possible after experiencing a crisis like Covid-19? Can Buddhism make any contribution to facilitating solidarity? This presentation explores the meaning and nature of a crisis and our responses to it by drawing on modern Korean political thinker Pak Ch’iu’s (1909–1949) analysis of crisis and feminist-Buddhist thinker Kim Iryŏp’s (1896–1971) Buddhist philosophy. By doing so, this presentation considers what social, political, existential, and even religious meaning we can draw from our experience of crises, and what questions these insights present to us.
With responses from Karsten Struhl (John Jay College of Criminal Justice, CUNY)
Presented by THE COLUMBIA SOCIETY FOR COMPARATIVE PHILOSOPHY
RSVP is required for dinner. If you would like to participate in our dinner, a $30 fee is required. Please contact Lucilla at lm3335@columbia.edu for further information.
The New York University Center for Bioethics is pleased to invite submissions of abstracts for the 3rd Annual Philosophical Bioethics Workshop, to be held at NYU on Friday and Saturday, April 28-29, 2023.
We are seeking to showcase new work in philosophical bioethics, broadly understood. This includes (but is not limited to) neuroethics, environmental ethics, animal ethics, reproductive ethics, research ethics, ethics of AI, data ethics, public health ethics, gender and race in bioethics, and clinical ethics.
Our distinguished keynote speaker will be Professor Ruth Chang, University of Oxford. There will be five additional slots for papers chosen from among the submitted abstracts, including one slot set aside for a graduate student speaker. The most promising graduate student submission will be awarded a Graduate Prize, which includes an award of $500, and may include coverage of travel expenses, depending upon university policies at the time of the award. Please indicate in your submission email whether you would like to be considered for the Graduate Prize.
Please submit extended abstracts of between 750 and 1,000 words to philosophicalbioethics@gmail.com by 11:59 pm Eastern Time on Sunday, January 22, 2023. Abstracts should be formatted for blind review, and papers should be suitable for presentation in 30-35 minutes. Email notifications will be sent out by Friday, February 10, 2023.
When submitting your abstract, please also indicate whether you would be interested in serving as a commentator-chair in the event that your abstract is not selected for presentation. We will be inviting five additional participants to serve as commentator-chairs.
This year’s Philosophical Bioethics Workshop is organized by S. Matthew Liao, Daniel Fogal, Claudia Passos-Ferreira, Stephanie Beardman, Dan Khokar, and Jonathan Knutzen of the NYU Center for Bioethics.
Yejin Choi is Wissner-Slivka Professor and a MacArthur Fellow at the Paul G. Allen School of Computer Science & Engineering at the University of Washington. She is also a senior director at AI2 overseeing the project Mosaic and a Distinguished Research Fellow at the Institute for Ethics in AI at the University of Oxford. Her research investigates if (and how) AI systems can learn commonsense knowledge and reasoning, if machines can (and should) learn moral reasoning, and various other problems in NLP, AI, and Vision including neuro-symbolic integration, language grounding with vision and interactions, and AI for social good. She is a co-recipient of 2 Test of Time Awards (at ACL 2021 and ICCV 2021), 7 Best/Outstanding Paper Awards (at ACL 2023, NAACL 2022, ICML 2022, NeurIPS 2021, AAAI 2019, and ICCV 2013), the Borg Early Career Award (BECA) in 2018, the inaugural Alexa Prize Challenge in 2017, and IEEE AI’s 10 to Watch in 2016.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.
We are embarking on an innovative adaptation of J.P. Sartre’s timeless masterpiece, “No Exit.” Infused with elements inspired by Plato’s Dialogues, our play aims to explore the depths of existentialism, dark absurdity, and musical comedy while delving into the realms of speech and movement improvisation.
Through this innovative production, we aim to challenge and provoke audiences, encouraging deep introspection and dialogue about our existence and the choices we make. We believe that the combination of Sartre’s piercing insights and Plato’s philosophical foundations will create a unique theatrical experience that will resonate with both enthusiasts of classic literature and fans of contemporary performance art.