Nietzsche (1844-1900) is one of the few philosophers who have an intimate connection to music. This connection has much to do with his early music education. His contemporaries testify that he was a good pianist. His musical ambition, or his musical daimon, urged him to compose music, although he had no training in this area. Most of his compositions are from his late teens; his earliest inspirations are Beethoven, Mozart, Haydn, Schubert, Schumann and Wagner. His compositions were gathered together and published by Curt Paul Janz in Friedrich Nietzsche, Der musikalische Nachlass. Nietzsche’s music is available in several productions. However, Nietzsche did not follow a musical path and decided to become a philologist and dedicated his life to writing and philosophy.
Nietzsche’s background in music, on the other hand, influenced his way of thinking and writing. All of these interesting areas between music, literature, and philosophy and Nietzsche’s relationship to music understood on a broad spectrum have been explored by many Nietzsche scholars including Georges Liébert, Graham Parkes, Francois Noudelmann, Stefan Lorenz Sorgner and others and in the anthology, An Anthology on Nietzsche and Music: Philosophical Thoughts and Musical Experiments, edited by the presenters of today’s event. This event is dedicated to the exploration of this relationship between Nietzsche and music.
For a decade, 1993-2003, Jacques Derrida taught at New York University as Global Distinguished Professor. During those years he gave seminars on important topics of his later work: testimony, hospitality and hostility, perjury and pardon, and the death penalty, Shakespeare’s calculative grid and racism. They represent for many the most sustained and considered engagement by deconstruction with political questions. Most of these seminars have now been posthumously published, both in French and in English translation. Commemorating the twentieth anniversary of Derrida’s death in 2004, the Departments of Comparative Literature teams up with the Maison Française and Department of German, which hosted Derrida when he came to NYU. On 21 November 2024 the Maison in conjunction with the two departments invites scholars of Derrida’s work to speak at a one-day conference devoted to the topics of Derrida’s New York teaching.
Full schedule coming soon!