Jan
31
Fri
Jamieson Webster & Adrienne Harris on “Conversion Disorder: Listening to the Body in Psychoanalysis” @ New School, Wolff Conference rm D1103
Jan 31 @ 6:00 pm – 8:00 pm

“Being dragged into the orbit of Webster’s mind is like entering the Magic Mountain: you go in as a visitor, and stay as a patient”

— Tom Mcarthy, author of Remainder and Satin Island

“Jamieson Webster’s new work reflects upon that aspect of hysteria—or conversion disorder—that has eluded the attention of most commentators: the indifference of the subject at the very moment that the symptom is most clearly enacted. This point of departure allows Webster to think about what the body contains but also what traverses the body at a level that is prior to speech, that is perhaps the condition of speech itself. This incisive and unsettling meditation gives us a form of psychoanalytic writing that tracks the transference as bodily transformation and impasse. It is written in and for our times, when the courage and difficulty of the slow labor of psychoanalysis provides a perspective that eludes the certitudes of dogma and the exhilarations of false promises. Webster’s book asks us to stay within the domain of difficult exchange where what registers and shifts at the level of the body lets us know more about what we can expect of life and what our own living carries of the lives of others. Beautifully written, theoretically brave, and disturbing in all the best ways”.

— Judith Butler, Maxine Elliot Professor of Comparative Literature and Critical Theory, University of California, Berkeley

https://cup.columbia.edu/book/conversion-disorder/9780231184083

https://blog.lareviewofbooks.org/interviews/cost-alone-cassandra-seltman-interviews-jamieson-webster/

From the book:

Conversion disorder—a psychiatric term that names the enigmatic transformation of psychic energy into bodily manifestations—offers a way to rethink the present. With so many people suffering from unexplained bodily symptoms; with so many seeking recourse to pharmacological treatments or bodily modification; with young men and women seemingly willing to direct violence toward anybody, including themselves—a radical disordering in culture insists on the level of the body.

Part memoir, part clinical case, part theoretical investigation, this book searches for the body. Is it a psychopathological entity; a crossroads for the cultural, political, and biological in the form of care; or the foundation of psychoanalytic work on the question of sexuality? Jamieson Webster traces conversion’s shifting meanings—in religious, economic, and even chemical processes—revisiting the work of thinkers as diverse as Benjamin, Foucault, Agamben, and Lacan. She provides an intimate account of her own conversion from patient to psychoanalyst, as well as her continuing struggle to apprehend the complexities of the patient’s body. When listening to dreams, symptoms, worries, or sexual impasses, the body becomes a defining trope that belies a vulnerable and urgent wish for transformation. Conversion Disorder names what is singular about the entanglement of the fractured body and the social world in order to imagine what kind of cure is possible.

Presented by The New School for Social Research and Philosophy Department and it is co-sponsored with the Ferenczi Center.

Oct
26
Wed
How AI Is Changing Artistic Creation @ Online
Oct 26 @ 2:00 pm – 3:30 pm

Generative art made with algorithms has existed since the early days of computing in the 1960s. In recent years, a new strand of generative art has emerged: AI-generated art, which leverages the recent progress of artificial intelligence to create artworks. Unlike old-fashioned generative art, AI-generated art is not produced with an explicit set of programming instructions provided by human artists; instead, it involves training an algorithm on a dataset so that it can later produce artworks (images, music, or video clips) using its own internal parameters that have not been explicitly defined by a human. This process raises fascinating questions at the intersection of computer science, art history, and the philosophy of art. At a superficial level of analysis, AI-generated art seems to offload much of the creative impetus of art production to the machine, requiring minimal intervention from the artist. On closer inspection, however, it involves a novel process of curation at two key stages: upstream in the selection of the dataset on which the algorithm is trained, and downstream in the selection of the outputs that should qualify as artworks. Instead of replacing human artists with computers, AI-generated art can be understood as a new kind of collaboration between mind and machine, both of which contribute to the aesthetic value of the final artwork.

This seminar will bring together AI artists and philosophers to explore the significance of this new mode of art production. It will discuss the implications of AI-generated art for the definition of art, the nature of the relationship between artists and tools, the process of digital curation, and whether AI systems can be as creative as humans.

Event Speakers

Event Information

Free and open to the public. Registration is required via Eventbrite. Registered attendees will receive an event link shortly before the seminar begins.

This event is hosted by the Presidential Scholars in Society and Neuroscience as part of the Seminars in Society and Neuroscience series.

The Center for Science and Society makes every reasonable effort to accommodate individuals with disabilities. If you require disability accommodations to attend a Center for Science and Society event, please contact us at scienceandsociety@columbia.edu or (212) 853-1612 at least 10 days in advance of the event. For more information, please visit the campus accessibility webpage.

Jan
28
Sat
Fitting at 80 conference @ CUNY Grad Center rm 3310-B
Jan 28 all-day

A prominent logician Melvin Fitting has turned 80. This hybrid conference is a special event in his honor.

Melvin Fitting was in the departments of Computer Science, Philosophy, and Mathematics at the CUNY Graduate Center and in the department of Mathematics and Computer Science at Lehman College. He is now Professor Emeritus. He has authored 11 books and over a hundred research papers with staggering citation figures. In 2012, Melvin Fitting was given the Herbrand Award by the Conference on Automated Deduction (CADE) for distinguished contributions to the field. In 2019, Professor Fitting received a Doctor Honoris Causa (an Honorary Doctorate) from the University of Bucharest.

Greetings, congratulations, photos for posting, and ZOOM link requests could be sent to Sergei Artemov by sartemov@gmail.com or sartemov@gc.cuny.edu.

Conference website https://sartemov.ws.gc.cuny.edu/fitting-at-80/

Program (the times are given in the Eastern Day Time zone EST). In-person location: CUNY Graduate Center, rm. 3310-B.

January 28, Saturday

8:00-8:45 am Arnon Avron (Tel Aviv), “Breaking the Tie: Benacerraf’s Identification Argument Revisited”
8:45-9:30 am Junhua Yu (Beijing), “Exploring Operators on Neighborhood Models”

9:30-9:45 am Break

9:45-10:30 am Sara Negri (Genoa), “Faithful Modal Embedding: From Gödel to Labelled Calculi”
10:30-11:15 am Heinrich Wansing (Bochum), “Remarks on Semantic Information and Logic. From Semantic Tetralateralism to the Pentalattice 65536_5”

11:15-11:30 am Break

11:30 am -12:15 pm Roman Kuznets (Vienna), “On Interpolation”
12:15-1:00 pm Walter Carnielli (Campinas), “Combining KX4 and S4: A logic that encompasses factive and non-factive evidence

1:00-1:15 pm Break

1:15-2:00 pm Eduardo Barrio and Federico Pailos (Buenos Aires), “Meta-classical Non-classical Logics”
2:00-2:45 pm Graham Priest (New York), “Jaśkowski and the Jains: a Fitting Tribute”

2:45-4:00 pm Session of memories and congratulations featuring Sergei Artemov, Anil Nerode, Hiroakira Ono, Melvin Fitting, and others.