Nov
18
Fri
PHILOSOPHY FILM CLUB SCREENINGS: Mad Max: Fury Road @ New School M104 (The Bark Room), Sheila C. Johnson Design Center
Nov 18 @ 6:00 pm – 9:00 pm

General Description:

This semester, the Philosophy Film Club at The New School is hosting a series of films to consider the notion of founding myths — the inspiring, frightening, and defining speculative fictions that ground our sense of belonging to place, community, and a way of life. Each screening will begin and conclude with a discussion facilitated by a member of the NSSR Philosophy Department. In the spirit of community, all are welcome!

Philosophy Film Club hosts a screening of the post-
apocalyptic drama Mad Max: Fury Road directed by George Miller. Join us for a screening and post-film discussion of this style-redefining vision of a future “in which men have become the pawns of insane leaders and women hold fiercely onto [while fighting fiercely for] the last vestiges of hope.”

Location: Bark Room (M104), Sheila C. Johnson Design Center (ground floor), 2 W. 13th Street at Fifth Avenue

 

For more information or to be added to the mailing list, email: veronica@newschool.edu

Mar
17
Fri
The Prudence of Prudential Naturalism: How to Do “Good For” Well. Emelia Miller (UMass Amherst) @ Columbia [ZOOM]
Mar 17 @ 3:30 pm – 5:30 pm
Mar
30
Thu
2023 Telos Conference: Forms of War @ John D. Calandra Italian American Institute
Mar 30 – Apr 1 all-day

One of the most challenging aspects of the war in Ukraine is the way in which the conflict has been constantly shifting in its form. In the first place, there is a conventional ground war between Russia and Ukraine, in which the identity and will of the two peoples is at stake. Yet Russia has used weapons supplied by Iran, and Ukraine depends on NATO for its own supplies, indicating that this war depends on the maintenance and expansion of alliances. The stability of these alliances in turn depends on a combination of Realpolitik and shared values as the glue that holds them together. This logic of alliances motivates the energy war that Russia is waging with Europe, revealing that, unbeknownst to Europe, Russian energy policy over the last decade was an early form of the war. Similarly, the threat of nuclear war also tests the resolve of NATO, forcing it to consider the values at stake in the conflict. Is the war about Ukraine’s sovereignty or the principle of nation-state sovereignty itself? Is it about human rights for Ukrainians or the entire human rights project? For Russia, is it about self-defense or a pan-Slavic identity? Is it about the protection of Russian minorities in Ukraine or the threat of Western secularization?

The material form of the war—economic, conventional, nuclear—will depend on the way in which the participants on all sides and in all parts of the world come to an understanding about these questions concerning the moral and spiritual stakes in the war. If it is just a matter of giving up Ukraine, then the economic costs for Europe may not be worth the fight, and Russia’s victory in the energy war could lead to a general NATO capitulation. But if the freedom and security of central and western Europe are also at stake, then even a severe economic recession would be a small price to pay for the reestablishment of a NATO-dominated security order. Is freedom worth the risk of annihilation? Is peace worth the indignities and repression of authoritarianism? As the most serious global conflict since World War II, the war in Ukraine risks going beyond the bounds of all other forms of war before it. What are the resources that are necessary for meeting its challenges? How can the shifting forms of the war be contained and channeled toward a future lasting peace?

These types of questions are not specific to the war in Ukraine but arise in any situation of war. Every war forces us to reconsider the character of war and the forms that it can take. In the first place, the insight that leads to a war is one about the nature of a conflict. War only begins once the parties determine that there is an otherwise irresolvable conflict about the basis of order. The course of a war also results in a practical insight into the form of a postwar order. Peace and stability cannot arrive until all come to an agreement about the new understanding of order. This intertwining of practical and theoretical gains means that the time of war is also a time of shifting manifestations of the forms by which war is fought, as well as the forms of order to be established by the outcome of the war. The course of a war will be decided by our understanding of the kind of world we want to live in, the risks we are willing to take to establish such a world, and our belief in its practical possibility. A war will necessarily change in form depending upon where we are in the movement from the conflict of competing ideas to the victory of a particular conception of order. Since the result of the conflict would be an establishment of sovereignty based on some understanding of order, the conflict is not just a material one but also a theoretical and spiritual one about the metaphysical basis of order. In the process of war, insight leads to conflict, and conflict leads to insight.

At the 2023 Telos-Paul Piccone Institute conference on forms of war, we will consider different ways of understanding the relationship between conflict and insight in war as well as examples of how the conceptualization of conflict affects the outbreak, progress, and outcome of wars. On the one hand, we will consider the way in which the experience of war, both on the battlefield and on the home front, affects the outcome of the war. On the other hand, we will look at how this importance of the experience of war in turn affects the strategy of war. Such strategizing begins already at the nascent stages of conflict, before any actual fighting begins, but in which the possibility of conflict can already lead to concessions by one side or the other that lead to a transformation of the basis of order. Similarly, fears and hopes for the future also determine the course of a war, helping the participants to end a war by offering them a mutually acceptable vision of the terms of peace.

Questions include:

  • What are the different causes of war in any particular case? How do these causes attain such significance that they become a casus belli? Were there alternatives to war that were not taken?
  • In what situations does the refusal of war lead to an outcome that is tantamount to surrender in war? How can the threat of war be used as a political tool?
  • To what extent is war a continuation of politics? Or is war the breakdown of politics?
  • How have different wars been experienced on the battlefield and on the home front? How have the different experiences of war affected the outcomes?
  • How does our understanding of world order affect the turn to war?
  • What is the relationship between war and peace in terms of international order?
  • How do fictional or historical representations of war affect the conduct of war?
  • What is the relationship between war and the collective identity of a people?
  • How are wars between nation-states linked to their domestic politics? In what situations does an external enemy create unity or division in domestic politics?
  • How is war used as a tool in domestic politics, for instance, as a way to divert attention from domestic political problems?
  • What are the characteristics of different types of war, such as limited war, absolute war, civil war, cold war, proxy war, phony war, trade war, guerilla war, war on terror, nuclear war? What factors lead to a war being fought in a particular way?
  • To what extent can a representation of war replace a real war, for instance, when single combat is supposed to substitute for the combat of armies, or when war is televised?
  • What is the relationship between spiritual concerns and the forms of war? Are all wars in some sense religious wars?

Conference Location

The conference will take place at the John D. Calandra Italian American Institute in New York City from Thursday, March 30, to Saturday, April 1, 2023.

Abstract Submissions

Please note: Abstracts for this conference will only be accepted from current Telos-Paul Piccone Institute members. In order to become a member, please visit our membership enrollment page. Telos-Paul Piccone Institute memberships are valid until the end of the annual New York City conference.

If you are interested in making a presentation, please submit a 200-word abstract and 50-word bio by December 15, 2022, to telosnyc2023@telosinstitute.net. Please place “The 2023 Telos Conference” in the email’s subject line.

Apr
28
Fri
Philosophy Film Club Screening: ‘The Banshees of Inisherin’ @ Bark Room (M104), Sheila C. Johnson Design Center
Apr 28 @ 6:00 pm – 9:00 pm

The Philosophy Film Club at The New School is hosting a screening of ‘The Banshees of Inisherin’ (dir. Martin McDonagh), with pre- and post-film discussion facilitated by James Trybendins, PhD Student in Philosophy.

In the spirit of community, all are invited to the Spring 2023 film screening series hosted by the Philosophy Film Club at The New School. Everyone — whether seasoned in philosophy or without any prior philosophical training — with an interest in philosophy, film, and/or conversation about the meaning of what we experience is welcome! Each screening will begin and conclude with a discussion facilitated by a member of the NSSR Philosophy Department. Snacks and beverages also provided.

For more information or to be added to the mailing list, email: veronica@newschool.edu

Sep
23
Sat
Twin Conferences in Tribute to The Philosophy of Joseph Raz @ Columbia Law School
Sep 23 – Sep 24 all-day
Professor Joseph Raz, to many of us a lifelong mentor, colleague and dear friend, passed away on May 2nd, 2022. In recognition of Raz’s enormous influence in philosophy and legal theory, organizers of the twin conferences in tribute to his work invite you to attend one or both conferences and to participate in the discussions. The papers will be made available for download in advance of each conference, and participants will be assumed to have read the papers in advance. The sessions will be devoted to open discussion. This event is open to all.
Cornell University
University of Minnesota
University College London
Northwestern University
(unaffiliated)
Harvard University
Queen’s University
University of Southern California
Université de Montréal

Organisers:

(unaffiliated)
University of British Columbia
Stanford University
Hebrew University of Jerusalem
Cornell University
New York University
New York University

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Sep
29
Fri
Philosophy Film Club Screening: ‘Millennium Actress’ @ M104/The Bark Room
Sep 29 @ 6:00 pm – 9:00 pm

The Philosophy Film Club at The New School is hosting a screening of ‘Millennium Actress’ (dir. Satoshi Kon).

 

You are invited to join us in squaring this gorgeously animated circle, as we explore questions of memory, perspective, and narrative. Pre- and post-film discussion will be facilitated by none other than PJ Gorre (Director of Curricular Affairs + Implementation at Parsons and PhD Candidate in Philosophy).

This semester, an international lineup will take us on cosmic, labyrinthine, miraculous journeys; if that sounds hyperbolic, just wait. Those compelled by form will find ample meta-cinematic gristle, while those wishing to dive into content will meet oceans for us to navigate.

Everyone — whether seasoned in philosophy or without any prior philosophical training — with an interest in philosophy, film, and/or conversation about the meaning of what we experience is welcome! Each screening will begin and conclude with a discussion facilitated by a member of the NSSR Philosophy Department. Snacks and beverages always provided.

Future Screenings:

La Flor’ Part 3 (dir. Mariano Llinás), with guest facilitator Dr. Miguel Paley (Fordham University), on Friday, October 20, 2023

‘Stalker (dir. Andrei Tarkovsky), with guest facilitator Olga Knizhnik (PhD Candidate, Philosophy) on Friday, November 12, 2023

Location:

 

Bark Room (M104), Sheila C. Johnson Design Center (ground floor), 68 5 Ave (2 W. 13th Street at Fifth Avenue entrance)

For more information or to be added to the mailing list, email: veronica@newschool.edu

Oct
20
Fri
Philosophy Film Club Screening: ‘La Flor’ Part 3 @ M104/The Bark Room
Oct 20 @ 6:00 pm – 9:00 pm

The Philosophy Film Club at The New School is hosting a screening of Part 3 of ‘La Flor’ (dir. Mariano Llinás).

 

By way of introduction, a few words from our guest facilitator Dr. Miguel Paley (Fordham University):

“Hello all! For my session I’ve chosen to talk about the movie La Flor, a personal favorite! This amazing movie is a bit unusual though, it has 6 standalone parts which altogether end up totaling just over 14 hours (insane I know!). Since we obviously can’t watch it all together, I encourage everyone to watch the movie little by little a month or a few weeks before we meet. The movie is great and you won’t regret it!

(The movie is available to watch here and you can get some info about it here.

Looking forward to seeing everyone! -Miguel”

———–

 

This semester, an international lineup will take us on cosmic, labyrinthine, miraculous journeys; if that sounds hyperbolic, just wait. Those compelled by form will find ample meta-cinematic gristle, while those wishing to dive into content will meet oceans for us to navigate.

 

Everyone — whether seasoned in philosophy or without any prior philosophical training — with an interest in philosophy, film, and/or conversation about the meaning of what we experience is welcome! Each screening will begin and conclude with a discussion facilitated by a member of the NSSR Philosophy Department. Snacks and beverages always provided.

 

Future Screening:
‘Stalker (dir. Andrei Tarkovsky), with guest facilitator Olga Knizhnik (PhD Candidate, Philosophy) on Friday, November 12, 2023

Bark Room (M104), Sheila C. Johnson Design Center (ground floor), 68 5 Ave (2 W. 13th Street at Fifth Avenue entrance)

 

For more information or to be added to the mailing list, email: veronica@newschool.edu

Nov
10
Fri
Philosophy Film Club Screening: ‘Stalker’ @ M104/The Bark Room
Nov 10 @ 6:00 pm – 9:00 pm

The Philosophy Film Club at The New School is hosting a screening of ‘Stalker’ (dir. Andrei Tarkovsky).

 

You are warmly invited to join us for a screening + discussion of “the movie we need right now” (per Salon), an immersion into “undistracted contemplation” that “abounds with moments of baffling beauty and philosophical heft within its vast finitude.” Our esteemed colleague Olga Knizhnik (PhD Candidate in Philosophy) will help facilitate our pre- and post-film discussion.

———————-

 

This semester, an international lineup will take us on cosmic, labyrinthine, miraculous journeys; if that sounds hyperbolic, just wait. Those compelled by form will find ample meta-cinematic gristle, while those wishing to dive into content will meet oceans for us to navigate.

 

Everyone — whether seasoned in philosophy or without any prior philosophical training — with an interest in philosophy, film, and/or conversation about the meaning of what we experience is welcome! Each screening will begin and conclude with a discussion facilitated by a member of the NSSR Philosophy Department. Snacks and beverages always provided.

Location:

 

Bark Room (M104), Sheila C. Johnson Design Center (ground floor), 68 5 Ave (2 W. 13th Street at Fifth Avenue entrance)

For more information or to be added to the mailing list, email: veronica@newschool.edu

Apr
1
Mon
Robert Pippin discusses Bresson’s Pickpocket (screening + discussion) @ Wolff Conference Room/D1103
Apr 1 @ 6:00 pm – 9:00 pm

The Philosophy Film Club and Liberal Studies present a screening of Robert Bresson’s Pickpocket (1959) and discussion led by Robert Pippin (U Chicago).

Generally considered one of Bresson’s greatest works, Pickpocket tells an “incomparable story of crime and redemption … A cornerstone of the career of this most economical and profoundly spiritual of filmmakers, Pickpocket is an elegantly crafted, tautly choreographed study of humanity in all its mischief and grace, the work of a director at the height of his powers” (Criterion Collection).

Robert B. Pippin is the Evelyn Stefansson Nef Distinguished Service Professor in the Committee on Social Thought, the Department of Philosophy, and the College at the University of Chicago. He is the author of several books and articles on German idealism and later German philosophy, including Filmed Thought: Cinema as Reflective Form (University of Chicago Press, 2020), Metaphysical Exile: On J. M. Coetzee’s Jesus Fictions (Oxford University Press, 2021), Philosophy by Other Means: The Arts in Philosophy and Philosophy in the Arts (University of Chicago Press, 2021), and most recently, The Culmination: Heidegger, German Idealism, and the Fate of Philosophy (Chicago: University of Chicago Press, 2024).