Generative art made with algorithms has existed since the early days of computing in the 1960s. In recent years, a new strand of generative art has emerged: AI-generated art, which leverages the recent progress of artificial intelligence to create artworks. Unlike old-fashioned generative art, AI-generated art is not produced with an explicit set of programming instructions provided by human artists; instead, it involves training an algorithm on a dataset so that it can later produce artworks (images, music, or video clips) using its own internal parameters that have not been explicitly defined by a human. This process raises fascinating questions at the intersection of computer science, art history, and the philosophy of art. At a superficial level of analysis, AI-generated art seems to offload much of the creative impetus of art production to the machine, requiring minimal intervention from the artist. On closer inspection, however, it involves a novel process of curation at two key stages: upstream in the selection of the dataset on which the algorithm is trained, and downstream in the selection of the outputs that should qualify as artworks. Instead of replacing human artists with computers, AI-generated art can be understood as a new kind of collaboration between mind and machine, both of which contribute to the aesthetic value of the final artwork.
This seminar will bring together AI artists and philosophers to explore the significance of this new mode of art production. It will discuss the implications of AI-generated art for the definition of art, the nature of the relationship between artists and tools, the process of digital curation, and whether AI systems can be as creative as humans.
Event Speakers
- Sougwen Chung, artist and researcher
- Helena Sarin, visual artist
- Anne Spalter, digital mixed-media artist
- Katherine Thomson-Jones, Professor of Philosophy at Oberlin College
- Moderated by Raphaël Millière, Presidential Scholar in Society and Neuroscience at Columbia University
Event Information
Free and open to the public. Registration is required via Eventbrite. Registered attendees will receive an event link shortly before the seminar begins.
This event is hosted by the Presidential Scholars in Society and Neuroscience as part of the Seminars in Society and Neuroscience series.
The Center for Science and Society makes every reasonable effort to accommodate individuals with disabilities. If you require disability accommodations to attend a Center for Science and Society event, please contact us at scienceandsociety@columbia.edu or (212) 853-1612 at least 10 days in advance of the event. For more information, please visit the campus accessibility webpage.
This event will feature a thought-provoking panel discussion with sexual and reproductive justice experts on the value of the sexual and reproductive justice framework and how it can be applied to diverse stakeholders, settings, and contexts. Panelists will also highlight examples from around the world of momentum towards sexual and reproductive justice.
Event Information
Free and open to the public; registration is required for both in-person and online attendance. For additional information, please visit the event webpage. Please email Malia Maier at mm5352@cumc.columbia.edu with any questions. All in-person attendees must follow Columbia’s COVID-19 policies.
Hosted by the Global Health Justice and Governance Program at Columbia University.
Poets and singers in a number of medieval vernacular languages reached non-native audiences and inspired speakers of other languages to compose in theirs; and many imagined their compositions enjoying a universality similar to that of cosmopolitan languages like Latin and Arabic. An interesting rationalization of these aspirations can be discerned in a short verse narrative of a well-known episode in the youth of Alexander the Great, conqueror of India, together with his tutor, the philosopher Aristotle. Not only does it involve Greeks and Indians singing French songs and cosplaying French lovers, but the philosopher is induced to pretend to be a horse and then justifies his behavior as “natural,” with far-reaching implications which this talk will explore.
Sarah Kay is Professor Emerita in the Department of French Literature, Thought and Culture at New York University and Life Fellow at Girton College, University of Cambridge. In Spring 2023, she is Distinguished Visiting Scholar in the Columbia Society of Senior Scholars.
This talk is presented by the Columbia Maison Française, Society of Fellows and Heyman Center for the Humanities, The Society of Senior Scholars, the Department of Music, and Medieval and Renaissance Studies.
Paternal, patriarchal, and fraternal concepts, metaphors, and images have long dominated thinking about politics. But the political, Gil Anidjar argues, has always been maternal.
In a series of finely woven meditations on slavery, sovereignty, and the social contract, this book places mothers and mothering at the crux of political thought. Anidjar identifies a maternal sovereignty and a maternal contract, showing that without motherhood, there could be no constitution, preservation, or reproduction of collective existence in time. And maternal power is also power over life and death, as he reveals through a nuanced consideration of abortion.
Through the concept of the maternal, Anidjar offers new insights into abiding sources from the Bible and ancient Greece to classical and modern political philosophy—the story of Hagar and Sarah, Oedipus and his two mothers, Hegel’s dialectic of master and slave—reinterpreted in light of Black and feminist criticism, psychoanalytic theory, and autotheoretical reflection. Elegantly written and provocative, On the Sovereignty of Mothers offers the maternal as a new frame for understanding the political order.
About the Author
Gil Anidjar teaches in the Department of Religion, where his interest in religion and politics, and more specifically in political theology and political philosophy, have guided courses such “God,” “Vampires” and “Mothers” for a number of years now. He is the author, among other books, of The Jew, the Arab: A History of the Enemy (Columbia University Press 2003) and Blood: A Critique of Christianity (Columbia University Press 2014). He has also edited Jacques Derrida’s Acts of Religion. Recent essays include “The Destruction of Thought,” “That Great Mother of Danger,” “The Rights of White (In Search of a Majority),” “D—nce,” and “Learning Waters.”
About the Speakers
Amaryah Armstrong is an assistant professor of race in American religion and culture at Virginia Tech. Her research cuts across the fields of Black Studies, American Studies, Political Theology, and Continental Philosophy of Religion to explore the relationship between religion and the reproduction of race in the aftermath of 1492. She is working on two projects: Reproducing Peoplehood: On the Afterlife of Christian Orde and A Measure of Existence: On the Value of Black Theology. She also has several articles in the works on the insights of various black intellectuals (W.E.B. Du Bois, Hortense Spillers) and the relationship between black culture and political theology.
Beth A. Berkowitz is Ingeborg Rennert Chair of Jewish Studies and Professor in the Department of Religion at Barnard College. She is the author of Execution and Invention: Death Penalty Discourse in Early Rabbinic and Christian Cultures (Oxford University Press, 2006; winner of the Salo Baron prize for First Book in Jewish Studies); Defining Jewish Difference: From Antiquity to the Present (Cambridge University Press, 2012); and Animals and Animality in the Babylonian Talmud (Cambridge University Press, 2018). She is co-editor of Religious Studies and Rabbinics: A Conversation (Routledge, 2017) and a contributor to it.
Matthew Engelke is Professor and Chair of the Department of Religion and a member of the Executive Committee of the Institute for Comparative Literature and Society. From 2018-2024, he also served as Director of the Institute for Religion, Culture, and Public Life. Trained as an anthropologist, Professor Engelke’s main research interests are on Christianity, secular humanism, media theory, materiality, and semiotics. He has conducted fieldwork in Zimbabwe and in Britain. He is currently working on a book about secularity and death, based on research among humanist funeral celebrants in London.
Zehra Mehdi is a PhD candidate in South Asian Religions, working at the intersections of religion, political violence, and psychoanalysis. Her dissertation is a thick psychoanalytic ethnographic account of how Muslims as religious minorities in India facing state oppression use religion to express themselves both emotionally and politically. Focusing on the lives of Muslims in north India, her research studies how persecuted religious minorities draw upon religion as a psychic reserve to articulate their trauma, mourn their losses, and forge political resistance against the state. Her dissertation is titled, “The ‘work of Religion’: Trauma, Mourning and Political Resistance in the lives of Muslims in ‘Old Lucknow.’”