riday, November 10
9:30–9:55 Check–in and Coffee
9:55 Welcome
10:00–12:00 Adam Smith
Speaker: Ryan Patrick Hanley (Boston College)
Commentator: Samuel Fleischacker (University of Illinois Chicago)
12:00–2:00 Lunch Break
2:00–4:00 Immanuel Kant
Speaker: Marcia Baron (Indiana University Bloomington)
Commentator: Kyla Ebels–Duggan (Northwestern University)
4:00–4:30 Coffee Break
4:30–6:30 German Romanticism
Speaker: Frederick Beiser (Syracuse University)
Commentator: Owen Ware (University of Toronto)
6:30–7:30 Reception
Saturday, November 11
9:30–10:00 Check–in and Coffee
10:00–12:00 Friedrich Nietzsche
Speaker: Andrew Huddleston (University of Warwick)
Commentator: Claire Kirwin (Northwestern University)
12:00–2:00 Lunch Break
2:00–4:00 Simone De Beauvoir
Speaker: Michelle Kosch (Cornell University)
Commentator: Susan J. Brison (Dartmouth University)
4:00–4:30 Coffee Break
4:30–6:30 Contemporary
Speaker: Simon May (King’s College London)
Commentator: Alecxander Nehamas (Princeton University)
6:30–7:30 Reception
Nietzsche (1844-1900) is one of the few philosophers who have an intimate connection to music. This connection has much to do with his early music education. His contemporaries testify that he was a good pianist. His musical ambition, or his musical daimon, urged him to compose music, although he had no training in this area. Most of his compositions are from his late teens; his earliest inspirations are Beethoven, Mozart, Haydn, Schubert, Schumann and Wagner. His compositions were gathered together and published by Curt Paul Janz in Friedrich Nietzsche, Der musikalische Nachlass. Nietzsche’s music is available in several productions. However, Nietzsche did not follow a musical path and decided to become a philologist and dedicated his life to writing and philosophy.
Nietzsche’s background in music, on the other hand, influenced his way of thinking and writing. All of these interesting areas between music, literature, and philosophy and Nietzsche’s relationship to music understood on a broad spectrum have been explored by many Nietzsche scholars including Georges Liébert, Graham Parkes, Francois Noudelmann, Stefan Lorenz Sorgner and others and in the anthology, An Anthology on Nietzsche and Music: Philosophical Thoughts and Musical Experiments, edited by the presenters of today’s event. This event is dedicated to the exploration of this relationship between Nietzsche and music.